A new comedy set in and around a London council estate, that sees how the lives of four teenage friends are changed forever during the course of one long hot summer.
A new comedy set in and around a London council estate, that sees how the lives of four teenage friends are changed forever during the course of one long hot summer.
Rancid Aluminium's unlikely hero, leery Liam Gallagher-look-a-like Pete (Rhys Ifans), is wholly unprepared for promotion to head of the family business after his father dies unexpectedly. To make matters worse, no matter how hard he tries he can't impregnate his wife Sarah (Sadie Frost), and believes he's shooting blanks. Unable to handle responsibility, Pete turns to scheming Irish accountant Deeny (Joseph Fiennes) for help, who recommends that the company seek foreign investment to pay off its debts. What Pete doesn't know is that Deeny is trying to do him out of the business and has arranged a "loan" from a Russian Mafia warlord, Mr Kant (Steven Berkoff), whose raven-haired daughter Masha (Tara Fitzgerald) is set on seducing Pete. Given its all-star British cast (which also includes Dani Behr, Keith Allen and Nick Moran) and bestseller source material, Rancid Aluminium must have looked like a sure-fire comedy hit. But first-time director Ed Thomas (better known as a playwright and theatre director) can't seem to keep a handle on the convoluted plot and the laughs are entirely incidental. Ifans's irritating mockney voiceover doesn't help, nor the fact that Tara Fitzgerald's accent keeps slipping between Stalingrad and Sloane Square. Fans of the James Hawes original may get a thrill from seeing his characters come to life, but it's unlikely anyone else will. --Chris Campion
Like It Is is much like watching a train wreck--the very idea of it is repellent and yet you perversely can't avert your eyes. While its urban grittiness and sooty veneer entranced some critics who mistook its violent, netherworld neorealism for art, Like It Is offers little in the way of redemption, positive gay imaging or even particularly good narrative. Paul Oremland directed this venture about a young, gay Blackpool tough named Craig (Steve Bell) who bare-knuckle boxes for money. He ultimately moves to London in search of a better life and falls in with the trendy London gay-club scene, meeting and falling for a handsome record producer named Matt (Ian Rose) and his wealthy boss (played by the Who's lead singer Roger Daltrey). The better life is quickly tainted by disillusion and misery, much as is the viewing experience. Steve Bell is, in real life, a featherweight boxing champion in Britain and therefore brings an urgent and raw vitality to the lead, but the characters as a whole are either irritating or unsympathetic, and it's ultimately difficult to find anyone to care for, or a story worth empathising with. --Paula Nechak, Amazon.com
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