Starstruck: Extended Edition
James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but a
A high school senior tries to cheat death, after a premonition of a disastrous roller-coaster accident.
Taking place on the alternate Earth, Earth-X, a world where the Nazis won World War II, Ray and his friends Black Condor, Red Tornado, and a handful of others fight against Nazi-aligned versions of popular Arrowverse Heroes including Green Arrow, Flash, and Supergirl, for the freedom of the world.
The latest instalment in the Harry Potter series finds young wizard Harry and his friends Ron and Hermoine facing new challenges during their second year at Hogwarts as they try to uncover a dark force that is terrorising the school.
PART MAN, PART MACHINE, ALL COP. RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theatres in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive Blu-ray⢠presentation packed with hours of brand new bonus features and exclusive collectable packaging. Limited Edition Contents: 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven Newly commissioned artwork by Paul Shipper Director's Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray⢠discs Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Six collector's postcards (Limited Edition exclusive) Double-sided, fold-out poster (Limited Edition exclusive) Reversible sleeve featuring original and newly commissioned artwork Limited edition collector's booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition) Disc One Director's Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) New commentary by film historian Paul M. Sammon New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes Two theatrical trailers and three TV spots Extensive image galleries Disc Two Theatrical Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film) Two Isolated Score tracks (Composer's Original Mix and Final Theatrical Mix) in lossless stereo Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only) Split screen comparison of Theatrical and Director's Cuts RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements
Philadelphia wasn't the first movie about AIDS (it followed such worthy independent films as Parting Glances and Longtime Companion), but it was the first Hollywood studio picture to take AIDS as its primary subject. In that sense, Philadelphia is a historically important film. As such, it's worth remembering that director Jonathan Demme (Melvin and Howard, Something Wild, The Silence of the Lambs) wasn't interested in preaching to the converted; he set out to make a film that would connect with a mainstream audience. And he succeeded. Philadelphia was not only a hit, it also won Oscars for Bruce Springsteen's haunting "The Streets of Philadelphia," and for Tom Hanks as the gay lawyer Andrew Beckett who is unjustly fired by his firm because he has AIDS. Denzel Washington is another lawyer (functioning as the mainstream-audience surrogate) who reluctantly takes Beckett's case and learns to overcome his misconceptions about the disease, about those who contract it, and about gay people in general. The combined warmth and humanism of Hanks and Demme were absolutely essential to making this picture a success. The cast also features Jason Robards, Antonio Banderas (as Beckett's lover), Joanne Woodward, and Robert Ridgely, and, of course, those Demme regulars Charles Napier, Tracey Walter and Roger Corman. --Jim Emerson
A down-on-his luck father, whose insurance won't cover his son's heart transplant, takes the hospital's emergency room hostage until the doctors agree to perform the operation.
FBI informant William O'Neal infiltrates the Illinois Black Panther Party and is tasked with keeping tabs on their charismatic leader, Chairman Fred Hampton. A career thief, O'Neal revels in the danger of manipulating both his comrades and his handler, Special Agent Roy Mitchell. Hampton's political prowess grows just as he's falling in love with fellow revolutionary Deborah Johnson. Meanwhile, a battle wages for O'Neal's soul. Will he align with the forces of good? Or subdue Hampton and The Panthers by any means, as FBI Director J. Edgar Hoover commands? Special Features Fred Hampton for the People-Chairman Fred Hampton (Black Panther Party) was a seminal figure in the civil rights movement of the '60s who was struck down just as he was getting started. In this intimate character piece, we talk to the filmmakers and cast about why telling Hampton's story is more important than ever. Unexpected Betrayal-Arrested for impersonating an FBI agent, William O'Neal, (LaKeith Stanfield) is given an ultimatum: face jail or betray his community's trust by infiltrating the Illinois Black Panther Party. We talk to the cast and filmmakers about O'Neal's complexities and his eventual betrayal of Hampton.
In a terrifying tale of the American Dream gone wrong, four friends find themselves trapped in their hometown in a reinvention of the George A. Romero classic, "The Crazies".
PART MAN, PART MACHINE, ALL COP RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive Blu-ray⢠presentation packed with hours of brand new bonus features. Steelbook Contents: 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven Director's Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray⢠discs Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Limited edition collectors' booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth Disc One Director's Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) New commentary by film historian Paul M. Sammon New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes Two theatrical trailers and three TV spots Extensive image galleries Disc Two Theatrical Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film) Two Isolated Score tracks (Composer's Original Mix and Final Theatrical Mix) in lossless stereo Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only) Split screen comparison of Theatrical and Director's Cuts RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements
While on a forgettable first date together in Ohio, a black man (Daniel Kaluuya) and a black woman (Jodie Turner-Smith), are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country. As they drive, these two unlikely fugitives will discover themselves and each other in the most dire and desperate of circumstances and will forge a deep and powerful love that will reveal their shared humanity and shape the rest of their lives. Bonus Features Feature Commentary with Director/Producer Melina Matsoukas and Writer/ Producer Lena Waithe A Deeper Meaning Melina & Lena Off The Script On The Run With Queen & Slim
Harry returns for his second year at Hogwarts School of Witchcraft and Wizardry along with his best friends Hermione and Ron. He ignores warning s not to go back to Hogwarts by a mysterious house elf named Dobby. Soon into the school year strange things start happening...
To try and please all the fans of JK Rowling's novel was a challenge that the makers of Harry Potter and the Philosopher's Stone met head on. The result of their efforts is one of the most lavish, beautiful and magical cinematic treats to hit our screens in years. Director Chris Columbus and screenwriter Steven Kloves (thankfully with the help of Rowling herself) prove that although you can't translate everybody's reading of this much-loved book onto the cinema screen--maybe Fluffy was a bit more Fluffy in your imagination or Hagrid (superbly played by Robbie Coltrane) a little more giant-like--it is nevertheless possible to transfer Harry's adventures with fidelity as well as superb energy and excitement. If there is a downside it's that the performances of the child leads tends to verge on the Sylvia Young-tastic in places. Nonetheless, the three young stars are both likable and watchable, showing great potential to grow into the parts as the adventures continue. The main disappointment is the substantial cutting of the ghost scenes and what promised to be a fine comic turn by John Cleese as Headless Nick, though with more Potter films on the way the ghosts will surely assume their rightful prominence later. There are, of course, some areas of the story that may frighten smaller children--such as the entrance of the evil Voldemort--and undoubtedly for any true Potter fan that cinematic entrance cannot live up to the images created in their imagination. All in all, though, Harry Potter and the Philosopher's Stone is what it should be: an unmissable treat for the whole family. On the DVD: Harry Potter and the Philosopher's Stone really is a magical experience in this lavish two-disc set. Disc one offers the film in all its surround-sound glory along with trailers and links to the Harry Potter Web site, but, disappointingly, there's no commentary. Disc two is where the real wizardry can be found, with a vast and beautifully designed selection of special features. Entering the Great Hall a mysterious voice invites you to explore and find the secret hidden within (though it's frustrating that in some cases you have to re-enter the Hall after viewing a feature). Various options let you tour around Harry's world: from Diagon Alley to a virtual 360-degree tour of Hogwarts. The interactive component is excellent, with real thought having been put into ensuring that, instead of just the standard behind-the-scenes stuff, there is material aplenty to keep children and adults alike entertained for hours. Throughout the emphasis is on the disc's educational value: yes there are insights to be had from the film crew, but it's in the Classroom where you will find the real precious stones! --Nikki Disney "Widescreen" vs. "Full Screen" Widescreen preserves the original theatrical picture ratio of the film (Panavision 2.35:1), which will appear in "letterboxed" format on a normal TV screen. Full Screen (or "pan and scan") crops the theatrical picture to 4:3 ratio (i.e., 4 units wide by 3 units tall), which is the shape of a standard (non-widescreen) TV screen. There is no letterboxing, but up to a third of the original picture is lost.
Same sex. Different city. Set in the chic world of Los Angeles this humor laced dramatic series explores the lives of a group of lesbians their friends family and neighbours. The series takes a smart sexy and fun look at the hopes dreams and lives of these individuals as they deal with things like career struggles relationship issues and the pressures of trying to start a family. The stellar cast features Pam Grier (Jackie Brown Foxy Brown) Jennifer Beals (Flashda
Inspired by the writings of the Swiss novelist Robert Walser Institute Benjamenta is the first live-action feature from the acclaimed surrealist animators the Quay Brothers. Jakob (Mark Rylance) enrols into the Benjamenta Institute a dilapidated boarding school for the training of servants. He then tries to unravel the hidden mysteries of the school his fellow pupils and Frau and Herr Benjamenta the siblings who run it. A fascinating symphony of light and shade constructed on the prevailing Quay themes of death decay and nothingness.
The original Heimat followed the rural life of Maria Simon and her family through the changing landscape of 20th century Germany an epic journey from the end of the First World War to 1982. In Heimat 2 originally titled 'Die Zweite Heimat' (The Second Homeland) we travel back to 1960 and take up the story of Maria's son Hermann who turns his back on his small village and heads to Munich to follow his dream and study music. During this era-defining decade of cultural social and political revolution Hermann finds love and friendship among the Bohemian collection of musicians filmmakers and writers that populate his new life. Edgar Reitz saw this Chronicle of a Generation as a journey to 'that place which we as adults find: the place we choose of our own free will and which we call our second home'. He achieved the seemingly impossible a second Heimat over 25 hours in length to equal the monumental achievement of his original masterpiece once again enthralling audiences around the world.
To try and please all the fans of JK Rowling's novel was a challenge that the makers of Harry Potter and the Philosopher's Stone met head on. The result of their efforts is one of the most lavish, beautiful and magical cinematic treats to hit our screens in years. Director Chris Columbus and screenwriter Steven Kloves (thankfully with the help of Rowling herself) prove that although you can't translate everybody's reading of this much-loved book onto the cinema screen--maybe Fluffy was a bit more Fluffy in your imagination or Hagrid (superbly played by Robbie Coltrane) a little more giant-like--it is nevertheless possible to transfer Harry's adventures with fidelity as well as superb energy and excitement. If there is a downside it's that the performances of the child leads tends to verge on the Sylvia Young-tastic in places. Nonetheless, the three young stars are both likable and watchable, showing great potential to grow into the parts as the adventures continue. The main disappointment is the substantial cutting of the ghost scenes and what promised to be a fine comic turn by John Cleese as Headless Nick, though with more Potter films on the way the ghosts will surely assume their rightful prominence later. There are, of course, some areas of the story that may frighten smaller children--such as the entrance of the evil Voldemort--and undoubtedly for any true Potter fan that cinematic entrance cannot live up to the images created in their imagination. All in all, though, Harry Potter and the Philosopher's Stone is what it should be: an unmissable treat for the whole family. On the DVD: Harry Potter and the Philosopher's Stone really is a magical experience in this lavish two-disc set. Disc one offers the film in all its surround-sound glory along with trailers and links to the Harry Potter Web site, but, disappointingly, there's no commentary. Disc two is where the real wizardry can be found, with a vast and beautifully designed selection of special features. Entering the Great Hall a mysterious voice invites you to explore and find the secret hidden within (though it's frustrating that in some cases you have to re-enter the Hall after viewing a feature). Various options let you tour around Harry's world: from Diagon Alley to a virtual 360-degree tour of Hogwarts. The interactive component is excellent, with real thought having been put into ensuring that, instead of just the standard behind-the-scenes stuff, there is material aplenty to keep children and adults alike entertained for hours. Throughout the emphasis is on the disc's educational value: yes there are insights to be had from the film crew, but it's in the Classroom where you will find the real precious stones! --Nikki Disney "Widescreen" vs. "Full Screen" Widescreen preserves the original theatrical picture ratio of the film (Panavision 2.35:1), which will appear in "letterboxed" format on a normal TV screen. Full Screen (or "pan and scan") crops the theatrical picture to 4:3 ratio (i.e., 4 units wide by 3 units tall), which is the shape of a standard (non-widescreen) TV screen. There is no letterboxing, but up to a third of the original picture is lost.
The filmed version of Harry Potter and the Philosopher's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts School of Witchcraft and Wizardry. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Harry's second year at Hogwarts involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry, Ron, and Hermione to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart. At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams's score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honours the legacy of J.K. Rowling's novels. Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry and his third-year classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination, The Prisoner of Azkaban is a Potter-movie classic.
The other half of the second series of Masters Of Horror unites some of the horror genre's most respected filmmakers. Includes 'We All Scream For Ice Cream' 'Sound Like' 'The Washingtonians' 'The Damned Thing' 'Dream Cruise' and 'The V Word'.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy