Made to re-launch television's most famous time traveller, Doctor Who: The Movie is an expensive feature-length episode which attempts to continue the classic series and work as a stand-alone film. Transporting the remains of the Master, Sylvester McCoy's Seventh Doctor is diverted to San Francisco in 1999. Regenerating in the form of Paul McGann, the Doctor gains a new companion in heart surgeon Dr Grace Holloway (Daphne Ashbrook) and must stop the Master from destroying the world. All of which might have been fine, had not the most eccentrically British of programmes been almost entirely assimilated by the requirements of American network broadcasting. Matthew Jacobs' screenplay is literally nonsense, dependent on arbitrary, unexplained events while introducing numerous elements that contradict established Doctor Who mythology. The Tardis is re-imagined as a bizarre pre-Raphaelite/Gothic folly, while the Doctor, now half-human, becomes romantically involved with his lady companion. From the West Coast setting to metallic CGI morphing, from the look of Eric Roberts as the Master to a motorcycle/truck freeway chase, director Geoffrey Sax borrows freely from James Cameron's Terminator 2: Judgment Day (1991). Doctor Who fans should feel relieved this travesty was not successful enough to lead to lead to a series, though McGann himself does have the potential to make a fine Doctor. This is the slightly more violent US TV edit, rather than the cut version previously released on video. On the DVD: There are two BBC trailers and a Fox promo "introducing the Doctor" to American audiences. The interview section features Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, director Geoffrey Sax and executive producer Philip Segal, twice. The main interviews are on-set promotional sound-bites. However, Segal's second interview was filmed in 2001 and finds him spending 10 minutes explaining why the programme turned out as it did, and coming very close to apologising for it. He also offers a two-minute tour of the new Tardis set. Alongside a gallery of 50 promotional stills is a four-minute compilation of behind-the-scenes "making of" footage. There are alternative versions of two scenes, though the "Puccini!" scene is so short as to be pointless. As usual with Doctor Who DVDs there are optional production subtitles and these offer a wealth of background information. Four songs used in the film are available as separate audio tracks, and John Debney's musical score can be listened to in isolation. Finally there is a commentary track by Geoffrey Sax, which contains some interesting material but does tend to state the obvious a lot. The sound is very strong stereo and the 4:3 picture is excellent with only the slightest grain. --Gary S Dalkin
In 1996, a Doctor Who TV movie starring Paul McGann as the Eighth Doctor, was envisioned to launch the franchise into an exciting new chapter. But whilst the film found success in the UK, attempts to freshen up established lore resulted in a decidedly frosty reception from transatlantic audiences. Now, a quarter of a century later, screenwriter Matthew Jacobs prepares to venture back into the legendary sci-fi universe, to reassess his relationship with the franchise and the American fandom who vilified him. Featuring original cast of the controversial movie, including Paul McGann (The Three Musketeers, Queen of the Damned), Eric Roberts (Inherent Vice, The Dark Knight, The Expendables), and Daphne Ashbrook (Star Trek: Deep Space Nine), this funny and emotionally perilous documentary not only revisits a pivotal moment in Doctor Who history, but highlights the unity and creative freedom within the fandom, as Jacobs ultimately, and unexpectedly, finds himself a kindred part of this close-knit, yet vast, family of fans.
In 1996, a Doctor Who TV movie starring Paul McGann as the Eighth Doctor, was envisioned to launch the franchise into an exciting new chapter. But whilst the film found success in the UK, attempts to freshen up established lore resulted in a decidedly frosty reception from transatlantic audiences. Now, a quarter of a century later, screenwriter Matthew Jacobs prepares to venture back into the legendary sci-fi universe, to reassess his relationship with the franchise and the American fandom who vilified him. Featuring original cast of the controversial movie, including Paul McGann (The Three Musketeers, Queen of the Damned), Eric Roberts (Inherent Vice, The Dark Knight, The Expendables), and Daphne Ashbrook (Star Trek: Deep Space Nine), this funny and emotionally perilous documentary not only revisits a pivotal moment in Doctor Who history, but highlights the unity and creative freedom within the fandom, as Jacobs ultimately, and unexpectedly, finds himself a kindred part of this close-knit, yet vast, family of fans.
Made to re-launch television's most famous time traveller, Doctor Who: The Movie is an expensive feature-length episode which attempts to continue the classic series and work as a stand-alone film. Transporting the remains of the Master, Sylvester McCoy's Seventh Doctor is diverted to San Francisco in 1999. Regenerating in the form of Paul McGann, the Doctor gains a new companion in heart surgeon Dr Grace Holloway (Daphne Ashbrook) and must stop the Master from destroying the world. All of which might have been fine, had not the most eccentrically British of programmes been almost entirely assimilated by the requirements of American network broadcasting. Matthew Jacobs' screenplay is literally nonsense, dependent on arbitrary, unexplained events while introducing numerous elements that contradict established Doctor Who mythology. The Tardis is re-imagined as a bizarre pre-Raphaelite/Gothic folly, while the Doctor, now half-human, becomes romantically involved with his lady companion. From the West Coast setting to metallic CGI morphing, from the look of Eric Roberts as the Master to a motorcycle/truck freeway chase, director Geoffrey Sax borrows freely from James Cameron's Terminator 2: Judgment Day (1991). Doctor Who fans should feel relieved this travesty was not successful enough to lead to lead to a series, though McGann himself does have the potential to make a fine Doctor. This is the slightly more violent US TV edit, rather than the cut version previously released on video. On the DVD: There are two BBC trailers and a Fox promo "introducing the Doctor" to American audiences. The interview section features Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, director Geoffrey Sax and executive producer Philip Segal, twice. The main interviews are on-set promotional sound-bites. However, Segal's second interview was filmed in 2001 and finds him spending 10 minutes explaining why the programme turned out as it did, and coming very close to apologising for it. He also offers a two-minute tour of the new Tardis set. Alongside a gallery of 50 promotional stills is a four-minute compilation of behind-the-scenes "making of" footage. There are alternative versions of two scenes, though the "Puccini!" scene is so short as to be pointless. As usual with Doctor Who DVDs there are optional production subtitles and these offer a wealth of background information. Four songs used in the film are available as separate audio tracks, and John Debney's musical score can be listened to in isolation. Finally there is a commentary track by Geoffrey Sax, which contains some interesting material but does tend to state the obvious a lot. The sound is very strong stereo and the 4:3 picture is excellent with only the slightest grain. --Gary S Dalkin
Steve Catlin was known as a real lady-killer. But it's his new bride's mysterious death that causes his former wife Edie Ballew to question how accurate that nickname really is. With little more than a hunch and the help of an out-of-town detective Edie finds clues that reveal her cunning and smooth ex husband as a cold methodical killer. But can she warn his latest wife and can she convince the local police...
High-speed sc-fi action movie set in the year 2033 where a rogue Automatic J76 part man part machine butler handyman and defender runs riot on the eve of a press conference to announce its invention. It must be stopped at all costs...
Women all over America are living through diabolical nightmares as time and again they share in the same hideous dream. Despite the fact that none of the women have ever met they all tell the same disturbing story! When an acclaimed psychiatrist Dr. Chase (Crenna) uses regressive hypnosis on some of his patients he discovers a strange common ground; similarities that cannot be put down to the power of the imagination or to the supernatural. He uncovers a sinister truth a truth that proves that alien life on earth could be a reality!
Steve Catlin was known as a real lady-killer. But it's his new bride's mysterious death that causes his former wife Edie Ballew to question how accurate that nickname really is. With little more than a hunch and the help of an out-of-town detective Edie finds clues that reveal her cunning and smooth ex husband as a cold methodical killer. But can she warn his latest wife and can she convince the local police...
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