They call themselves "The Goonies." The secret caves. The old lighthouse. The lost map. The treacherous traps. The hidden treasure. And Sloth... Join the adventure.
BRUCE WILLIS IS JOHN McCLANE, a New York cop who flies to L.A. on Christmas Eve to visit his wife at a party in her company's lavish high-rise. Plans change once a group of terrorists, led by Hans Gruber (Alan Rickman), seize the building and take everyone hostage. McClane slips away and becomes the only chance anyone has in this beginning-to-end heart-stopping action thriller.
An attractive and popular teenager who is mean spirited toward others, finds herself in the body of an older man, and must find a way to get back to her original body.
Made-for-TV Horror/Thriller directed by Griff Furst and starring Kristy Swanson (Flowers in the Attic; Hot Shots; Buffy the Vampire Slayer), D. B. Sweeney (Gardens of Stone; The Cutting Edge; Memphis Belle) & Robert Davi (Die Hard; License to Kill). Summer in the gorgeous swamplands of the Atchafalaya Basin. Lots of beautiful teens are at the beach the weekend before Gator Fest. That night an animal smuggling deal goes wrong and a large sea creature escapes into a swampy backwoods river. As the killings escalate it becomes a race against time to catch the monster and prevent the unwitting folks at the upcoming festival from being torn to shreds by a beast the likes of which no one has ever seen!
A decade-defining classic from the imagination of Steven Spielberg and Chris Columbus, The Goonies follows a tight-knit group of young friends desperate to save their homes from a greedy real-estate developer. After discovering a mysterious treasure map, they find themselves being chased by a family of fugitives through an underground realm full of twisting passages ad booby traps. Their quest: to find the hidden gold of legendary pirate One-Eye'd Willy. When all seems lost, the Goonies never say die in the beloved, generation-crossing adventure. Special Features: Commentary (with Hidden Video Treasures) by director Richard Donner and Select Cast Members The Making of The Goonies Featurette Cyndi Lauper The Goonies 'r' Good Enough Music Video Deleted Scenes Theatrical Trailer
Paul Verhoeven's attempt to couple the softcore sex film with the Hollywood musical stars Elizabeth Berkley as a Las Vegas stripper who lap-dances her way to the city's most prestigious chorus line. Vying with the show's established star for the leading role in a new erotic spectacular, Berkley gives the director (Kyle MacLachlan) a close-up demonstration of what she can do. Dave Stewart of Eurythmics provides the music for the steamy dance routines.
One of Latin America's most powerful drug-dealers, Franz Sanchez (Robert Davi), aims to extend his dealings into the Orient while strengthening his holdings in the Americas. His only problem: a bitterly vengeful James Bond, who has lost his position with Her Majesty's Secret Service.Look for a cameo by Wayne Newton and excellent performances by two glorious Bond beauties: Carey Lowell and Talisa Soto. Licence to Kill is a gritty story filled with spectacular action and suspense that has made the James Bond film series the best-loved and most successful in cinema history.
With a well-established framework of back-story and an increasing list of adversaries, the third series of Stargate SG-1 was the place where casual viewers began to fall away. Unless you were taking notes it was becoming ever harder to stay on top of the Goa'uld history and their constant scheming. Fortunately by now a solid fanbase had appeared worldwide--with clubs, conventions and Web sites galore--so the ratings didn't slip even while ancient gods kept appearing and reappearing. Daniel Jackson could always be trusted to illuminate any relevant myth or legend (or find them in five minutes on the internet), while Carter's memory download from last year supplied the necessary ties with the rebellious Tok'ra. Away from the story arc the show's all-important stand-alone tales gave some thorny old subjects a new SF spin, including organised religion, the use of children in the passing on of knowledge, and leading an alternative life. O'Neill's sarcastic wit went into overdrive this year and Teal'c could be relied upon for a sneer or fish-out-of-water joke. Further comic relief came from Sam "Flash Gordon" Jones and Dom DeLuise, but perhaps the funniest thing of all was the wig Carter would apparently be wearing in an alternate universe. --Paul Tonks
A young drifter, named Nomi, arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become the top of the Vegas showgirls.
Predator wreaked havoc in the jungle and struck box-office gold, so Hollywood logic dictated that Predator 2 should raise hell in the big, bad city. Los Angeles, to be specific, and this near-future L.A. (circa 1997) is an ultra-violent playground for the invisibility-cloaked alien that hunted Arnold Schwarzenegger in the previous film. Scant explanation is given for the creature's return, and because Ah-nuld was busy making Total Recall, Danny Glover was awkwardly installed as the maverick cop (is there any other kind?) who defies a government goon (Gary Busey) to curtail the alien's inner-city killing spree. But why bother, when the victims are scummy Colombian drug lords? Don't look for intelligent answers; director Stephen Hopkins favors wall-to-wall action over sensible plotting, allowing Stan Winston's more prominently featured Predator to join the ranks of iconic movie monsters. And anticipating Alien vs. Predator, there's a familiar-looking skull in the Predator's trophy case! --Jeff Shannon
When Goldie Hawn recommended Elizabeth Berkley for a small role in First Wives Club, she publicly stated that Berkley deserved the opportunity to redeem herself after starring in the ridiculous Showgirls. That says it all: this sleazy, stupid movie, which mixes soft pornography with the clichés of backstage dramas, is the kind of project an aspiring actress would have to put well behind her to keep a career going (though co-star Gina Gershon certainly benefited from her, uh, exposure in the film). Berkley plays a drifter who hitches a ride to Las Vegas, becomes a lap dancer and then a performer, and discovers--gasp!--there's a whole world of sex and violence involved with these things. Gershon is probably the best element in the film, playing Berkley's bisexual rival for the big spotlight on stage. Joe Eszterhas was well overpaid for writing this howler, and director Paul Verhoeven (Basic Instinct) should have known better than to take it seriously. --Tom Keogh, Amazon.com
Last time it landed in the jungle. This time it's chosen Los Angeles. Ravaged by open warfare between rival drug gangs L.A. is the perfect killing ground for the Predator who is drawn by heat and conflict. When the police find mutilated bodies Lieutenant Mike Harrigan (Danny Glover) thinks it's the work of the feuding gangs. Then a mysterious government agent (Gary Busey) arrives and orders him to stay off the case. Instead Harrigan sets out to learn what is really going on and
Timothy Dalton's second and last James Bond assignment in Licence to Kill is darker and harder-edged than anything from the Roger Moore years, dropping the sometimes excruciating in-jokes that had begun to dominate the series in favour of gritty, semi-realistic action. When CIA colleague and close friend Felix Leiter (David Hedison) gets married immediately after arresting villainous drug baron Franz Sanchez (with a little help from Bond), the crime lord's retribution is swift and terrible. Bond goes on a personal vendetta against Sanchez after his licence to kill is revoked. There are plenty of spectacular stunt scenes, of course, but the meaty story of revenge is this film's distinguishing feature. Dalton's portrayal of the iconic hero as tough but flawed was a brave decision that the producers subsequently retreated from after Licence to Kill's relatively poor box-office showing. On the DVD: Timothy Dalton's insistence that Bond was a man not a superhero, and "a tarnished man" at that encouraged the producers to redefine Bond with a tougher edge more in keeping with Fleming's original conception of the character. Licence to Kill is Bond's darkest assignment. The production team experienced their usual difficulties in bringing it to the screen, the "making-of" documentary reveals, including a haunted road in Mexico and a mysterious flaming hand that appeared out of the fire during the climactic tanker explosion. There are two commentaries here, both montage selections of interviews from cast and crew. The first features director John Glen and many of the actors; the second has producer Michael G Wilson and the production team. Gladys Knight pops up in the first music video, Patte La Belle in the second ("If You Asked Me To"). There are the usual trailers, gallery of stills and a feature on the Kenworth trucks specially adapted for the movie's stunt work. --Mark Walker
How far will you go to protect your family?
A by-the-numbers action flick featuring a stern Arnold Schwarzenegger, Raw Deal has all the traditional traits of the genre. Schwarzenegger is a disgraced former FBI agent who winds up as sheriff of a backwater Southern town. He is given a chance to reclaim his job when the head of the Bureau offers him reinstatement if he'll go undercover to capture the mob boss responsible for killing his son. Schwarzenegger must get close enough to gain the trust of the gangster without being discovered as a mole, while gathering enough evidence to take him down. One of Schwarzenegger's early films, in which he honed his persona, Raw Deal offers up the usual quotient of gun battles and tough talk, with a trace of self-deprecating humour from its star, making it reasonably worthwhile entertainment. --Robert Lane
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