There are some filmmaking teams that invariably bring out the best in each other, and that's definitely the case with director Carroll Ballard and cinematographer Caleb Deschanel. They previously collaborated on The Black Stallion and Never Cry Wolf, and Fly Away Home is their third family film that deserves to be called a classic. Inspired by Bill Lishman's autobiography, the movie tells the story of a 13-year-old girl (Anna Paquin) who goes to live with her estranged, eccentric father (Jeff Daniels) following the death of her mother. At first she's withdrawn and reclusive, but finds renewed happiness when she adopts an orphaned flock of baby geese and, later, teaches them to migrate using an ultralight. Sensitively directed and stunningly photographed, the movie has flying sequences that are nothing short of astonishing, and Daniels and Paquin (Oscar winner for The Piano) make a delightful father-daughter duo. --Jeff Shannon
They Beat Defeat With Dino Power And Heroic Teamwork.You'll join the adventure as Mesagog the alien reptile on the isle has Dr. Tommy Oliver in his clutches. The only means of rescue has Power Rangers racing Raptor Cycles through an invisaportal. The traps are set to lure the newest Power Ranger superheroes into action over a Dino gem of untold might. The teens will have to bravely face the incredible Tyrannodrones De-Magnetron and more fantastic monsters as the protectors
The BBC, sceptical about the British appetite for extended documentary programmes, edited Ken Burns' epic 17-hour history Jazz back to around 12 hours. That's what's presented in this box set of the series, and while the flow of the original is preserved, so are its idiosyncrasies. The film dwells at length on early jazz, particularly on its origins in New Orleans, and there's a good deal of absorbing history here. On the other hand, in suggesting that the important work of jazz was done by 1975, Burns gives us cause to question how much of his earlier research is awry too. There isn't much here to reflect the brimming vitality of post-1960s jazz, and many listeners and musicians have been enraged by Burns' neglect of such pivotal figures as Joe Zawinul, Keith Jarrett, Jan Garbarek, Pat Metheny and Michael Brecker--all players whose work responds vigorously to the question that Burns thinks nobody can answer: "Where are the modern equivalents of Armstrong, Ellington, Parker and Coltrane?" Armstrong and Ellington are the touchstones of Burns' film, providing the narrative thread around which the stories of other major figures turn, among them Bechet, Basie, Goodman, Parker, Miles Davis and Coltrane. Burns also finds populist mileage in the politicisation of jazz, making dramatic capital out of racial divides that most jazz players, black and white, have ignored. The fact is that almost all jazz players, regardless of race, have felt like outsiders. Despite such distractions, Jazz is the longest jazz documentary yet produced, and it's rich in musical examples and classic, rare and unseen footage. Even when working with simple stills, Burns uses seductive camera work and Keith David's epigrammatic narration to maximum effect. There's plenty to enjoy here, but viewers should be aware, as Joshua Redman points out in Musicians' Views in our Ken Burns' Jazz shop, that Burns' film is an often compelling perspective on jazz, not a definitive study. --Mark Gilbert
With memorable and unsettling opening credits and exceptional performances and direction Armchair Thriller became a massive hit for Thames Television in the late 1970s and early 1980s. With its trademark ghoulish razor-sharp cliff hangers and iconic theme tune (by Roxy Music's Andy Mackay) this haunting anthology series was an immediate success its eerie disturbing and downright scary tales regularly attracting over 15 million viewers. Each of its ten stories is a gripping exercise in compelling television showing ordinary people plunged into extraordinary situations. For many this series remains a high-watermark of dramatic television and its many frightening and spooky moments are remembered by viewers nearly thirty years after its original transmission. Quiet As A Nun: A nun dies of starvation after locking herself in a convent tower. Jemima Shore a former pupil at the convent school and now a television interviewer is asked to investigate. Jemima is surprised to discover that the death of the nun is connected with her own television programme.
Focused lightning bolts, stigmata, possession, and ancient curses become secondary in Season 3 of The X-Files as more episodes are devoted to pursuing the increasingly complex story threads. "The Blessing Way" is an explosive start, introducing the Syndicate's well-manicured man (John Neville), while Scully's sister Melissa is shot and Mulder experiences Twin-Peaks-like prophetic visions. We learn of medical records of millions, including Scully, who have been experimented upon ("Paper Clip"): the fast-paced train-bound two-parter "Nisei" and "731" suggests the experiments are about alien hybridisation. Krycek turns out to be hosting an alien in the next double-act, "Piper Maru" and "Apocrypha", in which Skinner is shot by Melissa's killer. Two great one-offs outside the arc are "Clyde Bruckman's "Final Repose", a bittersweet tale of foreseeing death (featuring an Emmy-winning performance from Peter Boyle) and Jose Chung's " From Outer Space", a spoof of alien conspiracy theories through an author's investigations into abductees. --Paul Tonks
Frost On Friday
This compelling drama traces the activities of Richard Nixon's (played by Lane Smith) last days in office as he and his aides try desperately to repair the damage and clear up all allegations about the Watergate scandal. Based on the riveting book by the Pultizer Prize-winning team of Woodward and Bernstein The Final Days not only captures the feverish intensity of the Watergate era but also offers a valuable insight into the psyche of Nixon.
***WARNING***ALL DVD TITLES CONTAIN ENGLISH SUBTITLES EXCEPT FOR THE DVD TITLE - A CANTERBURY TALE*** Never in the history of British film have two figures become as iconic as those of Michael Powell and Emeric Pressburger. Reigning throughout the 40s and 50s these two magnificent filmmakers brought to life British films and continue to radiate immense critical acclaim and inspiration for all contemporary film making. Includes: 1. A Matter of Life & Death (1946) 2. The Life & Death of Colonel Blimp (1943) 3. A Canterbury Tale (1944) 4. I Know Where I am Going (1945) 5. 49th Parallel (1941) 6. The Battle of the River Plate (1956) 7. Ill Met By Moonlight (1957) 8. They're A Weird Mob (1966) 9. The Red Shoes (1948)
A relic has been fought over by the forces of light and darkness for two thousand years. Missing for centuries, the sacred artefact turns up in the back of a camper van in 2001. A powerful secret society is slaughtering innocents to get hold of it. M
A lost world that time forgot populated by prehistoric creatures not seen on this earth for 50 million years - that is the astonishing possibility presented by Professor George Edward Challenger (Patrick Bergin) to the Royal Geographic Society of London England. A gruff impossible man Challenger calls for an expedition to prove - or disprove - this incredible claim first presented by Professor White who died on a prior expedition to this supposed lost world. Joined by the effervescent reporter Edward D. Malon the dashing big game hunter Peter Roxton Challenger's nemesis and Professor White's vivacious daughter Amanda (Jayne Heitmeyer) Challenger sets off on a journey to the edge of the earth. The explorers find a land-locked island that time and evolution forgot. By creating a primitive hot-air balloon the hardy adventurers manage to enter this dark cauldron of humanity's infancy venturing on to explore a world of stegosaurs and t-rex brontosaurs and raptors and finally make contact with a race of humanity's ancestors who make human sacrifices to their dinosaur gods. Beaten battered but triumphant Challenger and Amanda White return to England - but report their expedition as a failure. Humanity they have decided is not yet ready for the wonders they have seen.
Downtown Manhattan plays host to a number of misfits and loners. Laura is one of these. She has no past. She disguises herself picks-up lecherous middle-aged men slips them a mickey and empties their wallets. Laura lives in a world where there are clubs with no signs no names no nothing. Sid an old acquaintance who's turned up is a musician looking for a gig in a club with no name. He's left trouble behind; she's looking for it. So it's natural their paths should meet. Laura has an upstairs neighbour a man not unlike her unwitting prey named William a middle-aged poet writer and connosieur - an old village-type bohemian. But to William Laura is not unlike the daughter who deserted him - and to whom deadly payback is about to happen.
Originally broadcast on ITV in 1980 The Spoils of War follows the fortunes of two north country families the Haywards and the Warringtons in post war Britain starring Alan Hunter (Dangerfield) James Bate (Auf Wiedersehen Pet) Ian Hastings (Prime Suspect) Malcolm Tierney (Dalziel and Pascoe) and Madeleine Newton (When the Boat Comes In).
Across the planet sudden increases in earthquake activity is causing massive damage and worldwide panic. Mason Rand (David Keith) a young nuclear weapons expert is recruited by the President's science advisor to investigate some additional strange activity over the giant Himalayan mountains. With the Earth's life support system in the balance Rand and his team fly to Bhutan to join a top secret U.S. task force. What they discover will change man's view of history forever...
Director Michele Soavi does the impossible by squeezing a few more drops of blood out from the slasher genre. Not only that, Soavi lensed one of the most beautiful and suspenseful horror movies of the 1980s. A genuinely haunting horror where the killer dressed as an owl goes to bloody work with a chainsaw that slices through flesh and bone...
Nine years is a long time for any group of Friends to stick so closely together, but somehow the gang are still as daftly charming as ever. After the birth of Emma, Rachel comes to terms with being a mother surprisingly well. It's how everyone else deals with it that makes things interesting. Joey's accidental proposal creates weird friction between him and Ross, who breaks his finger throwing the show's first ever punch. Monica becomes desperately broody and attempts all manner of convoluted ways of persuading Chandler to father a child (unfortunately he inadvertently bankrupts them in a move to Tulsa!). Phoebe, on the other hand, occupies herself in the dating game, holding on to Mike (Paul Rudd) in the longest guest-star relationship anyone's ever had. Other surprise guests this year include Freddie Prinze Jr as an overly sensitive nanny (in the 200th episode), Christina Applegate as another of Rachel's sisters and Jeff Goldblum playing himself on the set of another movie on which Joey is trying to get a break. As always the sparks occasionally fly between Rachel and Ross, while the others manage to strain their own relationships to the max. The real reason for watching now is the one-off kooky scenarios in which they--or rather Joey--get into. His endless dating finally sees him stuck for remembering if he's already slept with a girl; he botches an attempt at eyebrow waxing; and he manages to make Chandler think Monica's after a breast enhancement! A 10th series and potential movie spin-off were announced well before the year was over, meaning six very rich actors will be supplying the fun for some time yet to come. --Paul Tonks
Six of Dario Argento's greatest films brought to you in one complete box set. Profondo Rosso: An English jazz pianist living in Rome witnesses the brutal murder of a renowned psychic and is drawn into the savage crime. With the help of a tenacious female reporter the pair tracks a twisted trail of deranged clues and relentless violence towards a shocking climax that has ripped screams from the throats of audiences for more than 25 years! Cat O'Nine Tails: The Story begins when a blind puzzle maker overhears a conversation shortly before a robbery is committed at a genetics institute. He teams up with a journalist intent on solving the crime and they uncover a trail of murders linked to the institute. Demons: Several people are invited to join the opening of a new movie theatre. As the horror film shown to the guests gets more and more violent the people start to transform one by one into bloodthirsty demons. The remaining guests begin the desperate battle for their lives. Demons 2: The story of Demons continues as a birthday party in a high-security apartment building is interrupted when the birthday girl is transformed by a horror movie on TV into a demon. All hell breaks loose as the residents unable to escape the building are forced to battle the zombie-demon neighbours. Phenomena: Can a schizophrenic sleepwalker use her telepathic power to unmask a hideous assassin? Packed with the outrageous grisly gore suspiria director Dario Argento has become world famous for including a pit of maggot infested slimy human remains and a mad monkey climax that has to be believed. Bird With The Crystal Plumage: Sam an American writer in Rome witnesses a murder attempt but is powerless to do anything as he gets trapped between a double set of glass doors. When the Police fail to make any progress with the case Sam decides to investigate on his own turning up clues that point in the direction of just one possible suspect - assuming that he really knows who he's looking for.
Professor Gus Egan and his team of scientists are exploring the depths of Scotland's mysterious Loch Ness to prove his theory that it was once a prehistoric breeding ground for ancient marine reptiles. Suddenly a fault-line ruptures deep below the surface of the Loch and Gus disappears in an underwater earthquake. Unbeknownst to the team the rupture has reopened a passageway to the depths of the North Sea and given new life to the most fabled creature ever known to man - the legendary Loch Ness monster.
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