Nice type Alex (David Hess). If you didn't know him you could even be fooled when he amuses himself by playing the ""nice guy"". For some time he's been wearing one more necklace. He ripped it off a girl: Susan whom he then raped and killed. His brain flipped. Tonight he wants to go out and have fun with Ricki (Giovanni Lombardo Radice). Ricki's a strange guy. He's highly strung and the slightest thing will crack him up. They're about to leave when two kids Tom and Liza (Annie Be
While other films directed by Nicolas Roeg have attained similar cult status (including Walkabout and Don't Look Now), none has been as hotly debated as this languid but oddly fascinating adaptation of the science fiction novel by Walter Tevis. In The Man Who Fell to Earth, David Bowie plays the alien of the title, who arrives on Earth with hopes of finding a way to save his own planet from turning into an arid wasteland. He funds this effort by capitalising on several highly lucrative inventions, and in so doing becomes the powerful leader of an international corporate conglomerate. But his success has negative consequences as well--his contact with Earth has a disintegrating effect that sends him into a tailspin of disorientation and metaphysical despair. The sexual attention of a cheerful young woman (Candy Clark) doesn't do much to change his outlook, and his introduction to liquor proves even more devastating, until, finally, it looks as though his visit to Earth may be a permanent one. The Man Who Fell to Earth is definitely not for every taste--it's a highly contemplative, primarily visual experience that Roeg directs as an abstract treatise on (among other things) the alienating effects of an over-commercialised society. Stimulating and hypnotic or frightfully dull, depending on your receptivity to its loosely knit ideas, it's at least in part about not belonging, about being disconnected from the world--about being a stranger in a strange land when there's really no place like home. --Jeff Shannon.
House on the Edge of the Park' is set in the back end of the disco years of the seventies where street wise garage mechanic and erst while rapist Alex gate crashes at a decadent suburban party. Once there, Alex amuses himself by tormenting and raping the guests... in a machismo exhibition that Hess can do only too well. Special Features: Introduction to the film by star David Hess Interview with star David Hess & director Ruggero Deodato Theatrical Trailer Shameless Trailer Park
District 13: It's 2013 and Parisian ghetto District 13 has become so dangerous the authorities have walled it in and left its inhabitants to rot. But when a neutron weapon is stolen by a ghetto gangmember enter super-cop Damien (Cyril Raffaelli) and wrongly-imprisoned ghetto-dweller Leito (David Belle). They're both hard-as-nails and experts in Le Parkour an extreme sport involving wall scaling roof-running and building-to-building leaping... District 13 Ultimatum: Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses before the city's secret services take drastic measures to solve the problem.
An elite policeman and an ex convict have to diffuse a bomb that's fallen into the wrong hands.
In the town where movies go over schedule and directors go over budget something far more evil is about to go out of control! In a frightening new twist in the terror on Elm street Wes Craven (director of the original film) finds that his dreams have begun to dictate real-life horrors for the stars of the film!
In this sequel to David Cronenberg's original classic a corrupt, power-crazed police official has high ambitions and plans to use the telepathic power of scanners to achieve his goal. With the aid of scientist and a new drug he believes he can control their minds to do his bidding but a rogue Scanner has other plans.
The authorities are closing in and life in District 13 is growing more uncertain. But for Damien and Leito, the real games are about to begin in "Ultimatum" - a free running epic of an action film!
In order to take over the city corrupt police commander Forrester intends to use a telepathic breed of human Scanners. To control the Scanners Forrester enlists the help of evil scientist Dr Morse who wants to conduct mind control experiments on the Scanners with a new drug. Unfortunately the side effects render the Scanners incapable so Forrester finds David Kellum a good rational Scanner who unaware of his own powers agrees to work with him.
Micawber was ITV's big weapon in the Christmas 2001 television ratings war. With its gritty recreation of Dickensian London and David Jason--a name guaranteed to attract viewers regardless of the programme--in the title role it certainly had all the hallmarks of blockbusting television drama. Jason is certainly a fine Micawber, wringing every ounce of pathos and relentless optimism from one of Dickens' most well loved characters. And he is ably abetted by Annabelle Apsion as his put-upon wife who stands by him through thick and thin and who "never will desert him". The trouble is that if you're going to lift a familiar fictional character out of his original context and give him a whole new life and set of adventures, they really have to match or improve on the original. And Micawber has already been through so much during the course of David Copperfield that stretching him across four episodes and a plot which can only really offer a series of variations on the original theme doesn't give much room for development or dramatic impact. In the writer's corner, Jason's long-term collaborator John Sullivan (creator of Only Fools and Horses) makes a valiant attempt to generate some authentic Dickensian atmosphere. Touches of authentic Victoriana abound in the backstage theatre scenes, a dancing bear, the pawn shop and the highly imaginative flashbacks to the source of Micawber's straightened state. The script tends to combine gritty costume drama with modern comedy in an occasionally uneasy mixture; sometimes we see the ghosts of Del Boy or Pa Larkin rather than Dickens' hapless, pathetic but great-hearted victim of circumstance. But fans of Jason won't complain and there's enough soul in the story to make it compelling. --Piers Ford
Returning from military service in Flanders Dick Turpin discovers he has been cheated out of his inheritance by an unscrupulous landowner. Bitter and penniless Turpin takes to the open road as a highwayman in this first series of swashbuckling eighteenth century adventure...
Mikey is a former child star having a little trouble with his new role as a kids' talent agent. He's desperate to find a way to keep his third-rate talent agency from going under when he meets Angie a young con artist. With her streetwise smarts she's a natural for TV commercials and could be their ticket to the big time; that is if they don't drive each other crazy first! Count on big laughs with Life With Mikey a fun filled comedy treat that's sure to entertain everyone!
Gluck: Orphee Et Eurydice (Guidarini)
Charles Fuller adapted his Pulitzer Prize-winning A Soldier's Play for the big screen in 1984. The film version, A Soldier's Story is essentially a murder mystery, played out against a background of inter and intra-racial conflict at a Second World War training camp. To the consternation of his white opposite number at the camp, a black captain (Howard W Rollins) arrives to investigate the death of a black sergeant (Adolph Caesar). Suspicion immediately falls on a pair of bigoted white officers but as the tale unfolds in a series of flashbacks, it soon becomes clear that a different kind of prejudice is also at work. Assisted by some excellent performances, director Norman Jewison opens the story out from its stage roots. There's a wonderful baseball scene (filmed on location at Little Rock) in which the double standards of Dennis Lipscomb's fidgety white captain are exposed with neat irony; he'll cheer his successful black team all the way home in the name of sport. His gradual, forced liberalisation provides the film with an important comic element. A Soldier's Story wears its heart on its sleeve without being superficial in any way. It's a compelling tale, well told and often highly entertaining, in which nobody gets off lightly, least of all the good guy. On the DVD: The widescreen presentation helps give an epic feel to what could, in other hands, have been a claustrophobic production. The picture quality is fine. But the monaural sound track is often rather muffled, leaving you straining to catch some of the dialogue. This is also a shame because the blues music--an inspired job by Herbie Hancock, assisted by Patti Labelle singing her lungs out as bar owner Big Mary--is an important element of the film's underlying theme and deserves to be better heard. The extras are valuable. Norman Jewison's commentary is detailed and sensitive. As he says, the film deals with "ideas in racism never seen on screen before", and he acknowledges the strength of his actors in getting those ideas across. "March to Freedom" is an excellent short documentary which features the moving testimonies of black servicemen on the insufferable prejudices they encountered while attempting to defend their country during the Second World War; A Soldier's Story is thus put sharply into context. --Piers Ford
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