Three years after A Boy Named Charlie Brown, Charles Schulz's beloved 'Peanuts' characters hit the big screen again in Snoopy, Come Home. This time, everyone's favourite beagle turns the kids' world upside down when he receives a mysterious letter from a girl named Lila and hits the road with best friend Woodstock, evading a sadistic would-be pet owner and other perils along the way! Meanwhile, Charlie Brown is left to wonder: Who is Lila, and will Snoopy ever return? Snoopy, Come Home is a delight for kids of all ages, featuring songs by Richard M. Sherman and Robert B. Sherman (Chitty Chitty Bang Bang)
In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ran
This stylish, unclassifiable film depicts a future world in which sex is no longer an act that occurs naturally between two consenting adults, but rather an emotionless, business-like arrangement in which the man chooses his ideal mate from a selection of perfectly formed replicants. When successful businessman Sam Treadwell (David Andrews, Fight Club) finds that his android wife, the Cherry model 2000 (Pamela Gidley, The Maze), malfunctions during a steamy clinch, he decides to leave the safety of his everyday life and brave the treacherous and lawless region of The Zone' to find an exact replacement model from a remote factory warehouse. His guide for this dangerous journey is the renegade tracker E' Johnson (Melanie Griffith, Mulholland Falls), a fearless and undeniably real woman. High Definition transfer New interview with actor Tim Thomerson Audio commentary with director Steve De Jarnatt Making Cherry 2000 (1987): vintage featurette Original theatrical trailer
This terrific Walter Hill Western follows the careers of the James and Younger brothers--and uses the nifty idea of casting actual clans of acting siblings in the roles. Thus, the James brothers are played by James and Stacy Keach; the Youngers by David, Keith, and Robert Carradine; the Millers by Randy and Dennis Quaid; and the Fords by Christopher and Nicholas Guest. Hill, working with an evocative Ry Cooder score, creates a film that is at once breathtakingly exciting and elegiac in its treatment of these post-Civil War outlaws. The Keaches in particular bring a surprising dignity to the roles of Frank and Jesse James, while David Carradine is a hoot as Cole Younger--and the Quaids mimic real life (as it was for them then) in their battles as the Miller brothers. Bloody, to be sure, but also bloody good. --Marshall Fine
This mini-series based on Joanna Trollope's novel explores the internal politics and scandals of a British cathedral choir school. It features the singing voice of first-time actor and boy treble soloist Anthony Way a real-life student at the St. Paul's Cathedral Choral School in London.
Four classic Hammer chillers presented on Blu-ray for the very first time in the UK. Accompanied by a wealth of new and archival extras including exclusive new documentaries, audio commentaries, alternative versions, new and archival cast and crew interviews, a series of appreciations of their female stars, analyses of their composers' scores, and extensive booklets this stunning limited edition box set is strictly limited to 6,000 units. Extras: INDICATOR LIMITED BLU-RAY EDITION BOX SET SPECIAL FEATURES: THE REVENGE OF FRANKENSTEIN New 4K restoration Original mono audio New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by celebrated horror and fantasy authors Stephen Jones and Kim Newman (2019) A Frankenstein for the 20th Century (2019): video essay by film historian Kat Ellinger and Dima Ballin Hammer's Women Eunice Gayson (2019): profile of the Hammer star by critic and film historian Pamela Hutchinson David Huckvale on Leonard Salzedo (2019): new appreciation of the renowned composer by the author of Hammer Film Scores and the Musical Avant-Garde Super 8 version: original cut-down home cinema presentation Original theatrical trailer Trailer commentary (2013): short critical appreciation by filmmaker Joe Dante Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with new essays by Marcus Hearn and Kieran Foster, archival interview materials, historical articles, contemporary reviews, and film credits UK premiere on Blu-ray THE TWO FACES OF DR. JEKYLL High Definition remaster Original mono audio New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by film historians Josephine Botting and Jonathan Rigby (2019) Interview with Paul Massie (1967): rare archival audio interview with the film's star Hammer's Women Dawn Addams (2019): British cinema expert Laura Mayne explores the life and career of the UK-born star David Huckvale on Monty Norman (2019): new appreciation of the renowned composer Original theatrical trailer Trailer commentary (2013): short critical appreciation by Josh Olson Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with a new essay by Kat Ellinger, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray TASTE OF FEAR High Definition remaster Original mono audio Alternative presentation with US Scream of Fear title sequence New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television (2019) The BFI Interview with Jimmy Sangster (2008): archival audio recording of the celebrated filmmaker and screenwriter in conversation with Marcus Hearn at London's National Film Theatre The BEHP Video interview with Jimmy Sangster (2008): archival video recording, made as part of the British Entertainment History Project, featuring Sangster in conversation with Jonathan Rigby The BEHP Interview with Douglas Slocombe Part Two (1988): archival audio recording, made as part of the British Entertainment History Project, featuring the renowned cinematographer in conversation with Sidney Cole Fear Makers (2019): interviews with camera operator Desmond Davis, assistant editor John Crome and clapper loader Ray Andrew Hammer's Women Ann Todd (2019): Melanie Williams, author of Female Stars of British Cinema profiles the English star and producer David Huckvale on Clifton Parker (2019): new appreciation of the renowned composer Super 8 version of Scream of Fear: original cut-down home cinema presentation Original theatrical trailer Trailer commentary (2013): short critical appreciation by Samm Hamm Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with an essay by Marcus Hearn, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray THE DAMNED: New 2K restoration Original mono audio Two presentations of the film: The Damned, the original UK theatrical release version; and These Are the Damned, the complete and uncut restoration which first premiered in 2007 New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by film historians Samm Deighan and Kat Ellinger (2019) Beneath the Surface (2019): new interview with filmmaker Gavrik Losey, son of director Joseph Losey Interview with actor Shirley Anne Field (2019) Interview with screenwriter Evan Jones (2010) Children of 'The Damned' (2019): new interviews with actors Kit Williams, David Palmer and Christopher Witty Hammer's Women Viveca Lindfors (2019): profile of the renowned actor by critic and film historian Lindsay Hallam David Huckvale on James Bernard (2019): new appreciation of the celebrated composer Beyond Black Leather (2019): appreciation by film expert I Q Hunter No Future (2019): analysis by author and film historian Neil Sinyard Original theatrical trailer Trailer commentary (2013): a short critical appreciation by filmmaker Joe Dante Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with a new essay by Richard Combs, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray Limited edition box set of 6,000 numbered units All extras subject to change
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
First Among Equals: The Complete Series (3 Discs)
Few actors could be better suited than David Tomlinson for the role of a doltish viscount unintentionally entangled in politics and this brisk 1949 satire was a huge success both for the accomplished character player and his similarly gifted co-stars Cecil Parker and eighty-year-old film veteran A.E. Matthews. The Chiltern Hundreds is directed by John Paddy Carstairs - whose later career encompassed a string of box-office hits with the likes of Frankie Howerd Norman Wisdom and Tommy Steele - and is presented here in a brand-new transfer from the original film elements. Young Viscount Tony Pym wangles National Service leave on the pretext of standing as a Tory candidate for a local seat held by his family for generations. The request is a ruse to enable Pym to marry his wealthy American fiancée while she's still in England but his masterplan backfires when he finds himself swept into an election campaign and beaten by Labour's Mr Cleghorn - who is then made a peer. In an attempt to save face Pym decides to stand again - as a socialist. It all proves too much for the Pyms' loyal true-blue butler Mr Beecham... Special Features: Image Gallery
David Tennant returns to his role as The Doctor along with his new companion Martha Jones.
Stop On By And Give Afterlife A Try. Zach Galligan (Gremlins) teams up with special effects wizard Bob Keen (Alien Highlander) to star in this spine-tingling horror. Mark and his college class decide to have a little fun and attend a 'private' midnight showing at the new waxwork museum. Admission is free... but getting out may cost them their lives! Join them in this roller-coaster ride into terror in Waxwork.
She's Blond Beautiful Forever Young! It's 2017. Romance is just a memory and love has been replaced by robotic sex toys. Of all these man-made playmates none can compare to the Cherry 2000 an android designed only to please her master. So when Sam Treadwell's (David Andrews) 'Cherry' permanently short circuits nothing will stop him finding a replacement. Even if it means hiring the tough (and female) tracker E. Johnson (Melanie Griffiths) and risking his life in the law
Liam is a seven year old boy growing up in Liverpool during the 1930s. At school he is learning about the perils of Catholicism, and at home he watches things change after his Father loses his job.
Following the success of A Boy Named Charlie Brown the first feature-length film starring the famous Peanuts characters created by Charles M. Schulz Snoopy Come Home was the second feature to be released and first appeared in 1972. Re-mastered and re-released for the first time Snoopy Come Home features the original Peanuts characters and also introduces Snoopy's bird friend Woodstock for the first time. The story focuses on Snoopy and how after discovering that his former owner
Angel - Season 1 Box Set [Repackaged]
In an early performance Liam Neeson plays Brother Sebastian a man questioning his faith and his role in life. He befriends a small boy named Owen who has had a troubled life. When Sebastian's father dies and leaves the estate to him he takes the money and runs away with young Owen.
Anyone who's suffered the misfortune of stumbling upon Kevin Allen's nauseous debut Twin Town--a ramshackle Trainspotting transposed to the cinematic slag heap of Swansea--will be pleasantly surprised by this gentle sophomore effort. The Big Tease follows gay Glaswegian hairdresser Crawford Mackenzie (Craig Ferguson), a flamboyant character who stays just the right side of caricature, as he heads to LA to represent bonny Scotland in the World Freestyle Hairdressing Championship. Only there's a hitch: once in Hollywood, Crawford discovers he's only been invited to be a spectator at the event, which means the huge hotel bill he's racked up will have to come out of his own pocket. Undeterred, the stubborn stylist sets about gaining a union card and, ultimately, entry to the competition, frantically trying to establish Beverly Hills contacts with a mind to pulling a few much-needed strings. Allen's movie is an interesting hybrid, half Hollywood satire (the greed, the self-importance, the insincerity) and half sports-movie with a twist (events inevitably lead to a climactic showdown, as Crawford goes blade-to-blade with the wonderfully pompous Norwegian champ). And yet, by and large, it works, the loquacious Ferguson giving us someone to hold onto in a slippery world populated by disdainful creeps, his probity alone ensuring our heartfelt support come competition night. The filmmakers' decision to opt for a "mockumentary" format à la The Blair Witch Project and Drop Dead Gorgeous also pays dividends, for it is Crawford's candid confessions to camera that allow us to navigate beyond his carefully constructed plumage and discover the person beneath.--Jamie Graham
This stylish, unclassifiable film depicts a future world in which sex is no longer an act that occurs naturally between two consenting adults, but rather an emotionless, business-like arrangement in which the man chooses his ideal mate from a selection of perfectly formed replicants. When successful businessman Sam Treadwell (David Andrews, Fight Club) finds that his android wife, the Cherry model 2000 (Pamela Gidley, The Maze), malfunctions during a steamy clinch, he decides to leave the safety of his everyday life and brave the treacherous and lawless region of The Zone' to find an exact replacement model from a remote factory warehouse. His guide for this dangerous journey is the renegade tracker E' Johnson (Melanie Griffith, Mulholland Falls), a fearless and undeniably real woman. New interview with actor Tim Thomerson Audio commentary with director Steve De Jarnatt Making Cherry 2000 (1987): vintage featurette Original theatrical trailer
Episode titles: Notes From The Underground Parts One Two and Three The King Shredder Strikes Back Parts One and Two Tales of Leo.
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
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