The director of Ghostbusters and Ghostbusters II takes you on an evolutionary roller coaster ride with big laughs and even bigger special effects in EVOLUTION. Starring David Duchovny (The X Files, Return to Me), Orlando Jones(Say It Isnt So and Double Take), Seann William Scott(Road Trip, American Pie) and two time Academy Award nominee Julianne Moore (Hannibal, Magnolia, The End of the Affair). Community college teachers Ira Kane (Duchovny) and Harry Block (Jones) are inadvertently called to the site of a meteorite crash where they discover a variety of single-celled alien life forms. It seems that Earths newest inhabitants hitched a ride on the meteorite and are quickly making themselves at home. Government scientist Allison Reed (Moore) gets involved and goes head to head with the local scientific duo. But when the alien cells begin evolving at the speed of sound and the monstrous creatures they become threaten the future of the human race, they find themselves playing on the same team. Its Darwins biggest nightmare and survival of the fittest in the craziest, funniest, wildest comedy of 2001!
All 13 episodes from the second season of the US crime drama starring David Duchovny as an LAPD detective. Set in 1967, the story follows Hollywood Detective Sam Hodiack (Duchovny) and narcotics officer Brian Shafe (Grey Damon) as they search for missing teenager Emma Karn (Emma Dumont), with their search leading them to encounter Charles Manson (Gethin Anthony) and his infamous family. The episodes are: 'Helter Skelter', 'Happiness Is a Warm Gun', 'Why Don't We Do It in the Road?', 'Revolution 1', 'Everybody's Got Something to Hide Except Me and My Monkey', 'Revolution 9', 'Piggies', 'While My Guitar Gently Weeps', 'Sexy Sadie', 'Blackbird', 'Can You Take Me Back?', 'Mother Nature's Son' and 'I Will'.
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations. But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim Newman
A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
Focused lightning bolts, stigmata, possession, and ancient curses become secondary in Season 3 of The X-Files as more episodes are devoted to pursuing the increasingly complex story threads. "The Blessing Way" is an explosive start, introducing the Syndicate's well-manicured man (John Neville), while Scully's sister Melissa is shot and Mulder experiences Twin Peaks-like prophetic visions. We learn of medical records of millions, including Scully, who have been experimented upon ("Paper Clip"): the fast-paced train-bound two-parter "Nisei" and "731" suggests the experiments are about alien hybridisation. Krycek turns out to be hosting an alien in the next double-act, "Piper Maru" and "Apocrypha", in which Skinner is shot by Melissa's killer. Two great one-offs outside the arc are "Clyde Bruckman's "Final Repose", a bittersweet tale of foreseeing death (featuring an Emmy-winning performance from Peter Boyle) and Jose Chung's "From Outer Space", a spoof of alien conspiracy theories through an author's investigations into abductees. --Paul Tonks
In Blumhouse's continuation of the cult hit The Craft, an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
Ben Stiller - last seen in "Meet The Parents" - writes, directs and stars in this new comedy about Derek Zoolander, the world's most famous and most dumb male model.
Now for the first time on Blu-rayâ¢, the original nine exhilarating, groundbreaking seasons of The X-Files, along with exclusive special features, can be yours to own. Although they begin as reluctant partners, FBI special agents Fox Mulder and Dana Scully (Golden Globe® Winners David Duchovny and Gillian Anderson* ) ultimately form a powerful bond as they struggle to unravel deadly conspiracies and solve paranormal mysteries. With over 23 hours of extras, including documentaries, and commentary by creator Chris Carter and the production team as well as special effects sequences and deleted scenes this collection, which includes space for the upcoming The X-Files Event Series in 2016, is a must-have for any fan of the truth!
In Blumhouse's continuation of the cult hit The Craft, an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
Ed Harris plays the captain of a Cold War Soviet missile submarine who has secretly been suffering from seizures that alter his perception of reality. Forced to leave his wife and daughter, he is rushed into a classified mission, where he is haunted by his past and challenged by a rogue KGB group (led by David Duchovny) bent on seizing control of the ship's nuclear missile. With the fate of humanity in his hands, Harris discovers he's been chosen for this mission in the belief he would fail. ...
The Joneses have it all: the fastest cars, the trendiest clothes, the largest televisions, the smallest phones - the Joneses have a lifestyle that quickly becomes the envy of all the neighbours in their new suburban town.
Includes: Beethoven Beethoven's 2nd Beethoven's 3rd Beethoven's 4th Beethoven's 5th Beethoven's Big Break Beethoven's Christmas Adventure Beethoven's Treasure Tail
All 12 episodes from the sixth season of the adult comedy drama starring David Duchovny as Hank Moody, a successful author and university professor. For all his professional accomplishments, Hank struggles to balance the demands of his career, his relationships with his daughter (Madeleine Martin) and ex-girlfriend Karen (Natascha McElhone), and his insatiable appetite for drinking and beautiful women.
Don't Tell Mom the Babysitter's Dead aspires to be a cross between Home Alone and Risky Business, with Christina Applegate as an inadvertent scam artist who gets in over her head and somehow pulls it off. When her mother goes to Australia for two months, Sue Ellen (Applegate) thinks she's going to be in charge--until an elderly tyrant of a babysitter arrives. But on the very first night the old lady has a heart attack and keels over. Sue Ellen and her siblings leave the body at a mortuary, only to discover afterward that all the money their mother had left for the summer was in the babysitter's clothes. So Sue Ellen has to get a job. Thanks to a trumped-up resume, she ends up as an executive assistant at a clothing manufacturer. For a while she keeps her head above water by skilfully exploiting a friendly coworker, but her brothers and sisters are running amok at home and a venomous receptionist has it in for her at work. The role-reversal humour of Sue Ellen having to mother her siblings is unsurprising, but Applegate is unexpectedly appealing; her scenes with Josh Charles have a sweet chemistry. Joanna Cassidy plays Sue Ellen's boss and a young David Duchovny is a weaselly clerk. --Bret Fetzer, Amazon.com
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations.But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim NewmanOn the DVD: The individual episode discs have a small selection of deleted scenes, foreign language clips and behind-the-scenes footage, but the bulk of the extra material is on the final disc. There's not a lot to get to grips with, but what there is consists of a 14-minute documentary about the making of Season Two, with contributions from Chris Carter, various directors, writers and actors (but not the two principals); Carter talking briefly about each episode in turn; a series of short TV spots and pieces about the show's FX and secondary characters; and three very short behind-the-scenes glimpses, one of which has the self-explanatory title "Gillian eats a cricket". There's also a DVD-ROM utility with Web links and a game. --Mark Walker
A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.
Based on a true story this is the chilling account of how one woman's torment led her to commit a despicable and selfish crime. The desperate need of a childless 38-year old Bianca Hudson to have a child arouses in her the darkest most primitive instincts. When she fears she may lose her husband Cal who longs for a family of his own Bianca's desperation reaches dramatic proportions as she hatches a sinister plan: she fakes a pregnancy abducts the baby of a complete stranger - Karen Williams - and passes it off as her own. Incredibly the plan works. But for Karen a young single mother struggling to raise two children and pregnant again by her married boyfriend the abduction marks merely the beginning of a nightmare train of events.
Life can change in an instant and certainly does for the two lead characters in this romantic comedy, starring David Duchovny and Minnie Driver.
Mulder continues his search for a cure for Scully's illness even as her genetically altered DNA takes her to the brink of death. Scully's DNA comes into play once again when it proves that she is somehow the mother of a little girl named Emily an incident that could only be related to her abduction years earlier. But in the end it is a young boy named Gibson Praise whose body may actually contain the elusive proof Mulder has been searching for so desperately. Episodes comprise:
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Please wait. Loading...
This site uses cookies.
More details in our privacy policy