Disney's direct-to-video sequel to their 1995 hit places the Native American princess Pocahontas in harm's way in London, where she is almost tossed into jail and has some other mishaps. She's not alone, however: a cute racoon named Meeko does a nice job as the obligatory funny animal. The songs are about as memorable as those in the first film, but the art and animation maintain far higher standards than most animated sequels dumped onto tape. If you don't drive yourself nuts thinking about the appalling historical revisionism at work here, this is passable family entertainment. --Tom Keogh
After a violent shipwreck, onetime billionaire Oliver Queen (series star STEPHEN AMELL) was missing and presumed dead for five years before being discovered alive on a remote island in the North China Sea. He returned home to Star City, bent on righting the wrongs done by his family and fighting injustice. As the Green Arrow, Oliver successfully saved his city with the help of his team including former soldier John Diggle (series star DAVID RAMSEY), computer-science expert Felicity Smoak (EMILY BETT RICKARDS), former protégé Roy Harper (COLTON HAYNES), street-savvy Rene Ramirez (series star RICK GONZALEZ), metahuman Dinah Drake (series star JULIANA HARKAVY), brilliant inventor Curtis Holt (ECHO KELLUM) and Earth-2 Laurel Lance (series star KATIE CASSIDY). Following the untimely arrival of godlike being The Monitor (series regular LaMONICA GARRETT), Oliver Queen left his home, his family, and his team behind to take on his most challenging battle yet, knowing the cost may be his life. But this time it's not just his city he's seeking to protect it's the entire multiverse: everything that ever was or ever will be. In ARROW's eighth and final season, Oliver's quest will send him on a journey where he is forced to look back at his years as the Green Arrow and confront the reality of the ultimate question: what is the true cost of being a hero?
Back in 1927, The Jazz Singer entered the history books as the first true, sound-on-film talking picture, with Al Jolson uttering the immortal words, "You ain't heard nothing yet!" But even then it was a creakingly sentimental old yarn. By the time this second remake showed up in 1980 (there was a previous one in 1953) it looked as ludicrously dated as a chaperone in a strip club. Our young hero, played by pop singer Neil Diamond in a doomed bid for movie stardom, is the latest in a long line of Jewish cantors, but secretly moonlights with a Harlem soul group. When his strictly Orthodox father (Laurence Olivier, complete with painfully hammy "oya-veh" accent) finds out, the expected ructions follow. Though the lad makes it big in showbiz, it all means nothing while he's cut off from family and roots. But in the end--well, you can guess, can't you? Diamond comes across as likeable enough in a bland way, but unencumbered by acting talent, and the music business has never looked so squeaky clean--nary a trace of drugs, and precious little sex or rock 'n' roll. As for anything sounding remotely like jazz, forget it. This is one story that should have been left to slumber in the archives. --Philip Kemp
In season five, Supergirl faces threats, both new and ancient. National City becomes enthralled with addictive virtual reality technologies created by CatCo's charming-but-secretive new owner, Andrea Rojas. As Kara uses the power of the press to try to expose this danger, she must contend with challenges put up by rival reporter William Dey, renegade Martian Malefic J'onzz, a shadowy organization called Leviathan, and the shocking return of Lex Luthor who, in addition to his plot for world domination, seeks to claim the soul of Supergirl's best friend (and his sister) Lena. With humanity choosing to lose itself in technology, can Supergirl save the world yet again?
Tron Original/Tron Legacy
In season five, Supergirl faces threats, both new and ancient. National City becomes enthralled with addictive virtual reality technologies created by CatCo's charming-but-secretive new owner, Andrea Rojas. As Kara uses the power of the press to try to expose this danger, she must contend with challenges put up by rival reporter William Dey, renegade Martian Malefic J'onzz, a shadowy organization called Leviathan, and the shocking return of Lex Luthor who, in addition to his plot for world domination, seeks to claim the soul of Supergirl's best friend (and his sister) Lena. With humanity choosing to lose itself in technology, can Supergirl save the world yet again?
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
Collection of the 1982 classic 'Tron' and the 2010 sequel, 'TRON: Legacy'. In 'Tron', hero Kevin Flynn (Jeff Bridges) is transported into the data stream of a huge computer system by a rogue pirate programme known as Master Control. Inside the world of cyberspace, Flynn teams up with computer character Tron to try to overthrow the evil Master Control. In the 2010 sequel, 'TRON: Legacy', Sam Flynn (Garrett Hedlund) goes searching for his father, who disappeared 25 years ago, only to be led into the same digital world. After finding him, he discovers that his father actually created this new version of The Grid, but was overpowered by his own subjects. Together they must find away to escape from his computer-generated prison cell.
This dark and decrepit factory was once used to make deadly experimental chemicals. One of the workers contracted a grim virus and the company denied responsibility. The ill worker quit her job once she started to physically mutate. As the time went by she returned to the factory a half-human creature driven mad and craving human blood to survive. In an orgy of bloodshed she maliciously slaughtered all of her co-workers. The vile creature disappeared and the factory was shut down.
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