A young couple go to the mountains for a weekend away, but find their cabin is already occupied by another couple, who are criminals on the run. As tensions rise amongst both pairs, and a claustrophobic night begins, fear, greed and suppressed hostility bubble over, before the arrival of another danger builds to a nail-biting climax and a fight for survival.
The International Piano Festival of La Roque d'Antheron provides an opportunity for many talented young musicians to share the stage - and the audience - with the greatest pianists of our time. The DVD collection 'Les Pianos De La Nuit' has set itself the task of constituting a film archive of the classical music of the 21st century; in this special issue it presents a selection of these 'Pianists of Tomorrow'.Tracks Include:Iddo Bar-Shai :Chopin - MazurkasBertrand Chamayou:Liszt - Nuages Gris S.199; En reve S.207Verdi - Miserere De Trovatore; Paraphrase De RigolettoSeverin Von Eckardstein:Schumann - Fantasie Opus 17Lise De La Salle:Liszt - St Francois De Paule Marchant Sur Les Flots S.175Bach - Choral 'Ich Ruf' Zu Dir Herr Jesu Christ' BWW639Chopin - Etude No4 Opus 25David Fray:SCHUBERT: Fantaisie 'Der Wanderer' D.760 Opus 15Jean-Frederic Neuburger:BEETHOVEN: Rondo A Cappriccio Opus 129; Variations Opus 34
Forget what you think you know... A street hustler who makes all the wrong moves finds himself doing hard time in the pen in this gritty thriller.
With memorable and unsettling opening credits and exceptional performances and direction Armchair Thriller became a massive hit for Thames Television in the late 1970s and early 1980s. With its trademark ghoulish razor-sharp cliff hangers and iconic theme tune (by Roxy Music's Andy Mackay) this haunting anthology series was an immediate success its eerie disturbing and downright scary tales regularly attracting over 15 million viewers. Each of its ten stories is a gripping exercise in compelling television showing ordinary people plunged into extraordinary situations. For many this series remains a high-watermark of dramatic television and its many frightening and spooky moments are remembered by viewers nearly thirty years after its original transmission. The Circe Complex: Tom Foreman has hidden ''400 000 worth of jewellery from a robbery and is now in prison but his wife Val has a plan for aiding his escape. In prison Tom's health begins to deteriorate and is finished off by his cell-mate Ollie Milton. But Ollie soon starts showing hints on insanity and he is driven mad trying to decipher the meaning behind Tom's last words on the whereabouts of the loot.
No smoke, no mirrors. The street is his stage. David Blaine takes his astonishing, almost mystical performance to the streets of America. Hailed as the next Houdini, David Blaine's illusions have to be seen to be believed.
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of course in these plots things never quite go as planned and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who has a feeling that not all is as it seems... The Lady Eve (Dir. Preston Sturges 1941): In 1941 Barbara Stanwyck was offered two screwball roles equally suited to her tart intelligence deft comic timing and undeniable sex appeal and it's a photo finish as to which was funnier; showgirl-on-the-lam Sugarpuss O'Shea the title character in Howard Hawks's 'Ball of Fire' or con artist Jean Harrington a.k.a. Lady Eve Sidwich the delirious fulcrum for this classic Preston Sturges comedy. Under Sturges's typically antic microscope the collision between the gold-digging Harrington and the very rich very hapless brewery-heir-turned-herpetologist Charles Pike (a wonderfully callow guileless Henry Fonda) yields ample opportunity for the writer-director to skewer issues of class and sex; as always Sturges is bold in pushing the censors' envelope capturing a palpable erotic heat between the canny Jean and the literally feverish Charlie who after a year up the Amazon is instantly smitten by the mere sight of her shapely ankles (in hindsight a precursor to her subsequent effect in 'Double Indemnity'). The Bitter Tea Of General Yen (Dir. Frank Capra 1933): Caught in a Chinese rebellion newly-arrived American Megan Davis (Stanwyck) is rescued by a cultured bandit General Yen. When she realises she is being held captive she sets about undermining her captor. In time however she finds that it is not her confinement she must fight against - rather it is her growing attraction to the man... The Golden Boy (Dir. Rouben Mamoulian 1939): The tale of Joe Bonaparte; a boy encouraged by his father to pursue his dream of playing the violin who turns to boxing when poverty sets in. What he witnesses is the tough and uncompromising world of major league boxing; the widespread corruption; and the alluring qualities of one hot dame! The Miracle Woman (Dir. Frank Capra 1931): Barbara Stanwyck stars as Sister Faith Fallon the charismatic leader of a Pentecostal sect. David Manners plays John Carson the blind man whose life is changed by her powerful sermon. Little does he know that Faith works alongside a con-man performing hoax miracles to boost the coiffeurs. Will John's love for Faith finally steer her back onto the right path? All I Desire (Dir. Douglas Sirk 1953): Barbara Stanwyck stars as Naomi Murdock a wayward mother and struggling actress who yearns for her old life before she walked out on her family. Returning to town she finds herself the subject of hearsay and loose speculation from the locals. More importantly her husband is striking up a relationship with a local school teacher and her oldest daughter remains hostile to the mother who abandoned her. Will Naomi be able to repair the damage done and rest her demons?
The Paris Jazz festival is a tradition in the Jazz calendar with artists from around the world delighted to accept an invitation to perform. The unique 1987 Paris Jazz Festival series not only captures some of jazz's finest innovators in concert but also the rehearsals for this prestigious event and candid backstage interviews with the artists. Tracklisting: 1.London 2.Dr. Jeckyll Again 3.Zipper Teaser 4.Para 5.Scofields Improv 6.Espace Sonore 7.Bulgare 8.Dr. Jeckyll 9.Scofi
Abbott & Costello Classic Comedies three-disc collector's set consists of oddments from the latter days of their career that have fallen into public domain; which means you don't get their best routines or classiest productions, and indeed find the double act doing fairly tired schtick as Costello is chubbily chicken-hearted and Abbott grumpily money-grubbing. Africa Screams is a 1949 safari parody, with Costello running away yelping from sundry alligators, gorillas (including a Kong-sized giant), cannibals ("Chief have sweet tooth for little fat man") and lions amid backlot jungles as Abbott competes with stock villains for a fortune in diamonds. Jack and the Beanstalk, from 1952, finds the duo attempting to sell themselves as children's entertainers in a Wizard of Oz-influenced fairytale book-ended by sepia modern-day segments. The magical story unfolds in wonderfully gruesome cheap colour with some of the worst musical numbers ever committed to film ("he's perpendicular-la-la") as Jack the Clod (Costello) and Mr Dinkelpuss the Butcher (Abbott) climb the beanstalk and plod around the Giant's lair until the story runs out. Possibly the most interesting item is the third disc, which offers an episode of the Colgate Comedy Hour (aka The Abbott and Costello Show) from the 1950s. It shows the pair doing live routines closer to their original vaudeville act than their film roles (including an amazingly cruel bit in which Abbott slaps Costello every time he says the word "tin"). A loose plot about Latin American intrigue, with Lou hired to stand in for an assassination target "El Presidente", makes room for speciality guest stars ranging from child xylophonist Baby Mistin to four starlets (including Jane Russell and Rhonda Fleming) harmonising on a "Happy Easter" medley. Best of all, and now funnier than the comedy, are original hard-sell ads for household products like "Ajax, the foaming action cleanser" and "Halo, the shampoo that glorifies your hair". --Kim Newman
So you think you're funny do you? Well unfortunately so do these guys... For some unknown reason the Diamond and Hutz Talent Agency is sending deluded stand-up comics to venues all over New Jersey: bar-mitzvahs baby showers corporate team building days and well farms. Fortunately for us journalists from one of the nation's leading papers were assigned to document the Diamond and Hutz world of stand-up comedy in its natural habitat... Whether or not you're a fan of stand-up you'll love this brainchild of Glenn Rockowitz. Much like 'This Is Spinal Tap' and 'Best In Show' 'Hacks' is an hysterical mockumentary with killer performances that leave you wondering just how far from the truth this may actually be!
Angelique (Christine Gallo) Sarah (Wendy Allyn) and Ellie (Jessica Hester) head for a secluded cabin in upstate New York for a weekend getaway. Sarah and Ellie make plans to party the night away with the assistance of countless beers but Angelique is focused on uncovering evidence of a connection between her grandfather's death (the cabin's late owner) and a satanic cult. That night Sarah will make a deadly mistake in her drunken state. What follows is an overwhelming atmosphere of
The Matchmaker (Dir. Mark Joffe) (1997): The most successful matchmaker in Ireland is about to hit a brick wall. Janeane Garofalo stars as Marcy Tizard an election campaigner sent to Ireland to trace the relatives of her charge Senator John McGlory in an effort to emphasize his Irishness to the voters. Marcy lands in a remote Irish town during its annual matchmaking festival. Men are at every corner but love is nowhere in sight. Until she meets a man even more cynical than herself! Mickybo And Me (Dir. Terry Loane) (2004): We all need heroes! Set in a divided Belfast in 1970 this is the story of two boys whose friendship breaks down the barriers. Based on Owen McCafferty's acclaimed play it tells the tale of two kindred spirits obsessed with 'Butch Cassidy and the Sundance Kid' and how this infatuation leads them from fantasies into petty crime. The two boys play at becoming their heroes gaining the courage against all the odds for a daring escape to Australia. This heart warming comedy introduces the two pint-sized stars of the story; John Jo McNeill and Niall Wright in their first big screen appearance. Based on the acclaimed play by Owen McCafferty.
An affluent neighbourhood has been besieged with violence. Emily (Sally Struthers) and Joe Cates (David Ackroyd) are concerned for their safety. Joe's job working for an airline has him away from home more often than not, and their young daughter Diana has seen two strange men lurking outside their house.After getting a dog and deciding this still is not enough protection, Emily and her friend Marcie (Belita Moreno) take a gun class to learn how to shoot. When Joe is out of town and two intruders break into their home, Emily is brutally violated. After a struggle she grabs her gun and shoots one of her attackers in the back. But the nightmare isn't over...
Doom (Dir. Andrzej Bartkowiak 2005): Based on the hugely popular video game Doom is an explosive action-packed thrill ride! A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Serenity (Dir. Joss Whedon 2005): Beloved television cult director Joss Whedon (Buffy The Vampire Slayer Angel) makes a spectacular first foray onto the big screen with Serenity the cinematic adaptation of his wildly popular but short-lived sci-fi series Firefly. A mix of space western comedy and drama Serenity follows captain Malcolm ""Mal"" Reynolds (Nathan Fillion) and his ragtag crew as they trade their way around the edges of civilized society. Of particular interest are two passengers they take on Simon and River Tam (Sean Maher and Summer Glau) a brother and his telepathic sister on the run from the corrupt governing Alliance. As notorious former members of the anti-Alliance opposition Mal and his crew make it difficult for Simon and River to stay hidden. Everything goes completely awry when a government assassin is sent to retrieve River. As Mal is forced to choose between his close-knit crew and the brother and sister newcomers it becomes apparent that River harbors both a dangerous secret and astounding fighting powers and Mal decides that discovering the truth about what she knows might just be worth his time. Many of the film's action sequences revolve around Summer Glau's martial arts skills in her portrayal of River. Glau prepared for her role with Hong Kong stuntwoman Ming Lu as well as stunt coordinators Chad Stahelski and Hiro Koda and as a result performed nearly all the stuntwork herself. In addition to the stellar stunts realistic graphics and an often haunting score the film's actors display a rare chemistry that brings viewers both into their lives and into a possible version of humanity's future.
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