A century is a long time to wait for your dreams to come true. In this whimsical thought-provoking fantasy Vincent Van Gogh returns to life in modern day Los Angeles a century after his death. Having sold only one painting in his lifetime Vincent is awestruck to learn that he is now considered one of the world's greatest artists and that his paintings command millions. But no one believes that he's Vincent Van Gogh least of all his own lawyer the media and a skeptical art detective who is out to prove that he's an imposter. He devises a plan to give the proceeds from his masterworks to struggling young artists -- however the only way he can profit from his own work is to steal it back from the greedy and rich collectors who hoard it. Vincent soon falls in love with a talented art students who inspires him to paint new masterpieces in this award-winning film about art love and second chances.
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Sometimes the only way out is to break in. A psychological thriller a coming-of-age drama a gay love story and a black comedy Ethan Mao tells the story of an 18-year-old boy reaching the point of no return. Booted out of his house for being gay Ethan Mao survives on the street as a hustler. There he meets 19-year-old Remigio a drug dealer and fellow hustler who takes him in. After being tipped off by his younger brother that his family is going on a day tri
Stephen Bradley's deliciously wicked horror/comedy in which a boy declares his love for his girlfriend only to die the same night. He is brought back to life by his mother as a flesh-craving zombie who sires more teen undead while trying to control his appetite for his beloved...
While on a cross-country drive a bitter writer (Franco Nero) and his beautiful wife (the stunning Corinne Clery) pick up a stranded motorist (David Hess). But when this hitcher turns out to be a depraved psychopath their road trip takes a vicious detour into sex and savagery where the miles are marked in mayhem and vengeance is the ultimate rule of thumb. Released theatrically in the UK as 'Death Drive' 'Hitch-Hike' has been called 'one of the greatest exploitation films no-one
Strange things are happening in Riverdale Illinois. A huge seemingly alien structure has been found jutting out of the Earth. A bizarre Earth-drilling craft discharges a horde of fuzzy parasitic creatures that fasten themselves to the necks of the townsfolk and control their brains. Sent to investigate the origin of the mysterious object Senator Walter Powers and scientist Dr.Paul Kettering are responsible for stopping the invasion when it becomes clear that the whole town is under the control of the invaders.
Kalifornia: When urban intellectuals Brian (Duchovny) and Carrie (Forbes) set out a cross-country trip to research a book about serial killers they share the ride with a couple they barely know - Early Grayce (Pitt) and his girlfriend Adele (Lewis). Locked in a car hurtling westword the four travelers struggle to find some common ground. But when they finally do connect Early's violent nature abruptly emerges and the petrified Brian and Carrie realise they don't need to go very far to learn about ruthless killers... because they're already face to face with one! Misery: When author Paul Sheldon suffers a car accident in a blizzard he thanks his lucky stars that nurse Annie Wilkes was on hand. That is until he discovers that she's his number one fan and has no intention of ever letting him go... Shallow Grave: Juliet David and Alex find that their new reclusive roommate has not left the bedroom for days. After kicking in the door they discover this drug overdosed corpse; and a suitcase full of cash! Fatefully choosing to keep the money they know they have to get rid of the body. But the remains won't stay buried and a careless trail from the shallow grave leads the police and two money-hungry thugs back to the trio. As the stakes get higher so does the body count not to mention their paranoia which is quickly putting their friendship in deadly jeopardy!
In an audio recording, the distinctive quality of this Netherlands Opera production of The Barber of Seville would go unnoticed, and a lot of people might like it better without pictures. The singing is first-class, with a pert, smart, visually appealing Rosina (Jennifer Larmore), a Count who can spin out bel canto melodies and also do a good drunk scene (Richard Croft), and a Figaro with lots of personality (David Malis). Conductor Alberto Zedda is an expert in the music of Rossini, but video reveals that, for better or for worse, this Barber of Seville differs radically from other treatments of Rossini's comic masterpiece. Usually, The Barber of Seville is an intimate little comedy with a half-dozen solo roles and a small, all-male chorus. Except for a few ensemble numbers, there are only two or three people on stage at any given moment, often conversing in stage whispers. Sometimes, in a plot full of secrets and deceptions, supernumeraries are out of place. Dario Fo's staging ignores this stylistic tradition. He gives the solo singers a crowd of artfully choreographed silent partners (including acrobats, dancers and two men rigged to imitate a donkey), who scamper around the stage carrying ladders and sheets, pushing platforms, waving banners and making sure that there is always something to amuse the eyes as well as the ears. This staging gives a solid visual embodiment to the comic spirit of the words and music, but it wipes out any pretence of dramatic realism. The Barber of Seville does not pretend to be "a slice of life" and many patrons will find that the energy of these added participants is its own justification. But those who treasure traditional staging and the conventions of realism should be ready for a lively but unconventional production. Perhaps they can listen with their eyes closed and enjoy a first-class sound recording. --Joe McLellan
The true and dramatic stories of the great figures of the American West! A time of notorious outlaws gunfighters-turned-sheriffs and frontier justice the Wild West has proved a fertile ground for stories of heroism and triumph over adversity to grow. From the most famous outlaw of them all Billy the Kid to vengeful lawman Wyatt Earp audiences have been captivated by these legends. But what of the men behind the myths - and the truth? Blending fast-paced drama with the latest archaeological forensic and ballistic research this series brings the truth to life. Was General Custer little more than an inept vain man the Battle of Little Bighorn nothing more than an attempt to further his career? Which side of the law was Wyatt Earp really on? And find out why the Governor of New Mexico is today considering a pardon for Billy the Kid.
A.I. - Artificial Intelligence 'Artificial Intelligence' is the story of David (Haley Joel Osment) the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma adopts David to help them recover from their loss. Naturally things do not go as planned and David is forced to leave the mother (Frances O'Connor) he's been imprinted to love and make his way in the world. Traveling with Teddy a hi-tech stuffed bear David escapes the Flesh Fair where angry humans destroy mechas to purge artificiality and unexpectedly befriends Gigolo Joe (Jude Law) a robot designed to pleasure women. Joe agrees to help David in his quest to become human. The Time Machine (2002): This adaptation of the classic sci-fi adventure tale by H.G. Wells directed by Simon Wells (the great-grandson of the author) stars Guy Pearce as Alex Hartdegen an absent-minded New York professor preoccupied with what passes for technology at the turn of the 20th century. However the one thing that can distract him from his calculations is his love for Emma (Sienna Guillory) his bride-to-be. When tragedy strikes and he loses Emma Alex uses the time-travelling machine that he's built in secret to change the present by going into the past. When that fails to alter fate he leaps forward in time eventually landing 800 000 years in the future an era where humanity has splintered into two races; the docile Eloi and the ferocious Morlocks. There Alex befriends two of the Eloi (Samantha and Omero Mumba) and attempts to help them resist almost certain death at the hands of the Morlocks... Eight Legged Freaks: What do you get when you cross toxic waste with a bunch of exotic spiders? Eaten!!! Mutated ravenous arachnids the size of SUVs invade a tiny Arizona town in this gleeful comedy monster-mash.
Scorched (Dir. Gavin Grazer 2003): Three bank tellers. One goal: knock the place over. Each has their own idea. Sheila (Silverstone) wants to break into the ATM. Stuart plans to ""borrow"" some money for the weekend and head to Vegas. And Woods (Harrelson) has a scheme involving a duck a dog and a safety deposit box. The ultimate inside jobs plotted by three people with nothing to lose. If only they were aware of each others plans! Monty Python's The Meaning Of Life (Dir. Terry Jones 1983): Those six pandemonium-mad Pythons are back with their craziest adventure ever! These naughty lads offer the usual tasteful sketches involving favorite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Python crew. After seeing them in action you'll never look at life in quite the same way again. It's far-out frank and jolly good fun!
Gangster Jack Martin comes into conflict with his rival Earl Dawson.... Matthau plays mob leader Jack Martin whose girlfriend Carol (Grace) is desperate for him to give up his unlawful and dishonest lifestyle. The problem is Jack doesn't have the same yearning to turn his back on his shady past but the crunch comes when he persuades the bank manager to lease him an office in the building and promptly robs the bank! With events turning very nasty is there any point in Carol trying to
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