A fourth volume of adventures with those heroes in a half-shell! Episodes Comprise: 1. The Shredder Strikes (Part One) 2. The Shredder Strikes (Part Two) 3. The Unconvincing Turtle Titan
Used Cars, the 1980 film by director Robert Zemeckis, gives no indication of things to come in his career (Back to the Future, Contact, Forrest Gump), but it is representative of a certain cynical humour he shared early on with writer-partner Bob Gale. Kurt Russell and Jack Warden star in a sketchy comedy about competing used-car salesmen who resort to outrageous tactics to lure customers away from each other. The jokes, like the characters, are intentionally recycled, self-conscious comic fodder from a baby-boomer's lifetime (such as Gale's or Zemeckis') of immersion in pop culture. That makes Used Cars more pastiche than original (the film's title itself suggests that), but as such it has some good, if vaguely familiar, laughs in it. Russell, particularly, is very funny as a practiced con man. --Tom Keogh, Amazon.com
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
A collection of spine-tingling horror tales from the pen of bestselling horror novelist Stephen King... Salem's Lot - 2 Discs (Dir. Tobe Hooper 1979): Ben Mears (David Soul) returns to his hometown Salem's Lot to complete work on his latest novel but finds himself increasingly disturbed by the object of his attention Mr Straker's (James Mason) mansion house which terrified Ben as a child. It seems that the residents have been acting up and some have even gone missing; all of which coincides with the arrival of Mr Straker and his mysteriously anonymous business partner Mr Barlow to Salem's Lot. Ben vows to get to the bottom of the disappearances and confront his childhood fears... It - 1 Disc (Dir. Tommy Lee Wallace 1990): A series of murders prompts Mike Hanlon to suspect that the supernatural menace that he and a group of friends battled as children has returned. He begins to call his friends to remind them of the oath they swore: if It returned again they would come back to Derry to do battle again... Storm of the Century - 2 Discs (Dir. Craig R. Baxley 1999): From Stephen King the best-selling novelist of all time comes the terrifying tale of a town besieged by evil. The inhabitants of a picturesque sleepy little town on a small island off the coast of Maine find themselves completely cut off from the rest of the world when they are hit by the worst storm of the century. As Snow steadily buries everything familiar terror arrives in the form of an evil stranger. As streets disappear and an eerie darkness envelops the town a series of bizarre murders creates a nightmare of fear. With no help coming from the outside world and no end to the storm in sight the towns folk are forced to take drastic action before it's too late... The Shining - 2 Discs (Dir. Mick Garris 1997): A recovering alcoholic must wrestle with demons within and without when he and his family move into a haunted hotel as caretakers. TV miniseries remake of Stanley Kubrick's classic chilling 1980 film. Rose Red - 2 Discs (Dir. Craig R. Baxley 2002): The chilling tale of Dr. Joyce Reardon (Nancy Travis) an obsessed psychology professor who commissions a team of psychics and a gifted 15 year old autistic girl Annie Wheaton to literally wake up a supposedly dormant haunted mansion: Rose Red. Their efforts unleash myriad spirits and uncover horrifying secrets of the generations who have lived and died there... Diary of Ellen Rimbauer - 1 Disc (Dir. Craig R. Baxley 2003): This series is a prequel to the Stephen King mini-series Rose Red. At the turn of the twentieth century Ellen Rimbauer (Lisa Brenner) the young bride of charming Seattle industrialist John Rimbauer (Steven Brand) began keeping a remarkable diary. This diary became the secret place where Ellen could confess her anxieties about her new marriage express her confusion over her emerging sexuality and contemplate the nightmare that her life was becoming. The diary also follows the construction of the Rimbauer mansion Rose Red an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead. Due in part so it seems to a murder that took place during its construction. After Ellen's daughter vanishes John's philandering ways and violent tendencies aggravate her desperation...
Upon his execution mass murderer Klaus Jenke curses the detective who captured him - Lucas and his family. Jenke returns from the dead to exact his hideous revenge. The horrors he performed before his death are insignificant compared to the circus of evil he now unleashes on Lucas's family...
A series that's as much about one as the other, the wonderfully funny, touching and utterly genuine Sex and the City dares to portray real adults in a thoroughly realistic environment. Filmed in and around the streets of Manhattan, the show brings New York life--and specifically singles life--alive as no other has done before. Like its HBO stablemate The Sopranos, this is TV for grown-ups: frank and non-patronising, dizzyingly well written and devastatingly accurate in its characterisations. Sarah Jessica Parker plays Carrie Bradshaw, Manhattan's "sexual anthropologist" whose weekly newspaper column gives the series its title. Kristen Davis, Kim Cattrall and Cynthia Nixon are her acerbic, cynical, thirtysomething singleton pals: gossip, sex, men, shoes, shopping, sex, designer clothes, fashion and sex dominate their affluent yet incomprehensibly empty lifestyles as they move from swanky restaurant opening to night club to art exhibition in the relentless pursuit of fulfilment and validation. Conspicuously, the men in their lives--from "toxic bachelors" to "modelisers" and beyond--fail to provide either, leaving the women to pick up the pieces after each shattered relationship. Adapted from Candace Bushnell's bestseller, in the first season Carrie embarks on her long and tortuous liaison with "Mr Big" and watches wryly as her pals seek solace with various members of the male sex, electric appliances and even, disastrously yet briefly, celibacy. On the DVD: Fortunately, 12 outstanding episodes are their own selling point here, since the presentation of these two discs leaves something to be desired. Although Region 2 encoded, inexcusably the broadcast format is American NTSC not PAL, so if you don't have a reasonably modern TV you'll have trouble playing the discs in the first place; there's a tiny promo feature and teaser trailers, plus cast biographies and synopses that pop up at the beginning of every episode. The interface lacks a "Play All" facility, forcing you to skip back and forth from the main menu after each episode. Add to that some pretty nasty packaging and this set won't win any prizes for presentation. But the shows themselves are a constant delight: anyone who's ever dated or been dumped should own this set. --Mark Walker
Product of science - nightmare from hell.
Pitch Black: The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... The Chronicles Of Riddick: The wanted criminal Riddick arrives in Helion Prime and finds himself against the invading Necromongers an army that plans to convert or kill all humans... Doom: A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive.
Recorded live at The Sydney Opera House this timeless ballet tells the story of Dr. Coppelius who tries to bring to life his beautiful doll Coppelia.
Pitch Black: The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... (Dir. David Twohy 2000) The Chronicles Of Riddick: The wanted criminal Riddick arrives in Helion Prime and finds himself against the invading Necromongers an army that plans to convert or kill all humans... (Dir. David Twohy 2004) Doom:No one gets out alive! Based on the hugely popular video game Doom is an explosive action-packed thrill ride! A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. (Dir. Andrzej Bartkowiak 2005)
Local news reporter Chris Hawthorne (David Roper - Eastenders) and his wife Fliss (Diane Keen - The Sandbaggers) had lived a frugal but contented life with their twin babies and few material possessions punctuated by occasional visits from Fliss' mum Connie and eccentric neighbour Austen Tweedale. All that changed however when they took in newly single lodger Gavin Rumsey (Lewis Collins - The Professionals). Having filled the house with expensive furniture flashy gadgets and a succession of decorative young temps his flamboyant lifestyle has left the hard-up Hawthornes feeling distinctly squeezed out...
Lake Placid (Dir. Steve Miner 1999): Bill Pullman Bridget Fonda and Oliver Platt share an appetite for sheer adventure when a tranquil New England lakefront erupts into an action-packed den of destruction in this ""Monster of a hit!"" (Wireless Magazine). An investigative team of malcontents (armed with state-of-the-art equipment high-powered weaponry and a biting sense of sarcasm) must work together to defeat Black Lake's most ferocious resident: a 30-foot prehistoric crocod
Disease specialist Samantha Carter (Turner) must team up with Dr. Nick Baldwin (Sabato Jr.) to track down a deadly virus causing a series of mysterious deaths...
Pitch Black: The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... (Dir. David Twohy 2000) The Chronicles Of Riddick: The wanted criminal Riddick arrives in Helion Prime and finds himself against the invading Necromongers an army that plans to convert or kill all humans... (Dir. David Twohy 2004) Doom:No one gets out alive! Based on the hugely popular video game Doom is an explosive action-packed thrill ride! A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban they descend into the Olduvai Research Station where they find a legion of nightmarish creatures lurking in the darkness killing at will. Once there the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. (Dir. Andrzej Bartkowiak 2005)
Pitch Black (Dir. David N. Twohy 2000): It's evil vs. evil in an electrifying showdown that USA Today calls the best excuse to root for the bad guy since Arnold in the original Terminator. The daylight can burn you but the darkness will kill you. From the mind of the writer of The Fugitive comes the pulse-pounding sci-fi thriller Pitch Black. Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness. XXX (Triple X) (Dir. Rob Cohen 2002): This amped action drama stars Vin Diesel as Xander (aka Triple X) a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie Xander pulls an outrageous series of stunts with the help of a band of similar-minded jocks broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody Gibbons (Samuel L. Jackson) a representative from a government agency hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable along with a sizeable team of extra-large Slav bodyguards a laboratory staffed by top scientists and an always-ready gaggle of gorgeous concubines. Non-stop stunts pounding hard-core music elaborate sets and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting aurally engaging highly entertaining success. The Fast & The Furious (Dir. Rob Cohen 2001): A nitro-burning joyride that makes outstanding use of special effects innovative camera work and a nonstop throbbing soundtrack. From the opening sequence the film never drops below the red line. Roaring along at breakneck speed Dom (Vin Diesel) and his crew meet on the streets of L.A. each night to show off their high-powered racers. When new guy Brian (Paul Walker) wants to add his fuel to the fire he can't getup the money to race but offers up his car as collateral. In their tiny jacked compacts Dom Brian and Edwin (Ja Rule) burst into a high-gear race with Brian nearly beating perennial champion Dom. But in the final moments he loses the race and his car. Brian's debt is quickly cleared however when he saves Dom both from the cops and from a potentially violent encounter with Johnny Tran (Rick Yune) a rival gang lord. Dom takes Brian under his wing--a decision that disgusts his gang but delights his sister Mia (Jordana Brewster).
Abducted by aliens as a child... he returns to Earth as an outer-space killing machine! Programmed as a warrior drom and wanting to fit in on Earth Spaceman finds work as a mob hitman. However when his foreign code of honour forces him to botch a hit Spaceman finds himself on the run from his employers. Accompanied by a beautiful young woman Spaceman decides to look for his long lost mother... Directed by Scott Dikkers editor in chief of The Onion (surely America'
Pitch Black is a guilty pleasure that surpasses expectations, even though it owes a major debt to Alien and its cinematic spawn. As he did with The Arrival, director David Twohy revitalises a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser) and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of straight-to-video schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this film works better than it should. --Jeff Shannon, Amazon.com
Please wait. Loading...
This site uses cookies.
More details in our privacy policy