"Actor: David Neal"

• Studio Classic: Fantastic Classics | DVD | (10/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £34.99

  Five all time classics from 20th Century Fox. The Fly (Dir. Kurt Neumann 1958): Scientist Andre Delambre becomes obsessed with his latest creation a matter transporter. He has varying degrees of success with it. He eventually decides to use a human subject - himself - with tragic consequences. During the transference his atoms become merged with a fly which was accidentally let into the machine. He winds up with the fly's head and one of it's arms and the fly with Andre's

• Soldier Soldier - The Complete Series 6 | DVD | (19/09/2005) from £21.92   |  Saving you £8.07 (36.82%)   |  RRP £29.99

  The complete sixth series of ITV's hit series Soldier Soldier which followed the lives of the Kings Fusiller's regiment. In this series the Fusiller's find themselves posted at Aldershot in order to form part of the 5th Airborne Brigade. The boys have mixed feelings about the move and are warned that the training facing them is far from easy. The King's Own are put through their paces as Platoon Sergeant Chris McLeod gets them ready for their 'P' company training which

• The Stranger | DVD | (07/03/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Epoch | DVD | (10/02/2003) from £12.41   |  Saving you £-2.42 (N/A%)   |  RRP £9.99

  Across the planet sudden increases in earthquake activity is causing massive damage and worldwide panic. Mason Rand (David Keith) a young nuclear weapons expert is recruited by the President's science advisor to investigate some additional strange activity over the giant Himalayan mountains. With the Earth's life support system in the balance Rand and his team fly to Bhutan to join a top secret U.S. task force. What they discover will change man's view of history forever...

• Coraline -LAIKA Studios Edition | Blu Ray | (31/08/2021) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Shotgun | DVD | (12/04/2005) from £7.99   |  Saving you £-2.00 (N/A%)   |  RRP £5.99

  Detective Jones was told to play by the rules.... But playing by the rules can get you killed....

• The Killing Club | DVD | (13/01/2003) from £10.29   |  Saving you £6.96 (77.08%)   |  RRP £15.99

  Jamie (Julie Bowen) is a successful writer. When she accidentally kills her cocky boyfriend with a kitchen knife her best friend Laura (Traci Lords) convinces her not to call the police but to dispose of the body by feeding it to the animals at the local zoo. Jamie soon comes to terms with her guilt and is overwhelmed by a strange sense of liberation. Laura views the accidental murder as an omen and seizes the opportunity to embark on a murderous campaign of revenge against all the bad men in their lives. Next on their list of victims is Peter Gish the smooth boss of their friend Arlene (Dawn Maxey). Now with three members this self-styled 'Killing Club' plan to continue their murderous spree as long as luck stays on their side.

• Prom Night 3 - The Last Kiss | DVD | (12/09/2005) from £26.98   |  Saving you £-6.99 (N/A%)   |  RRP £19.99

  A romantic comedy from Hell. Thirty years ago prom queen Mary Lou Maloney died in a fire at Hamilton High. But this hot tomato just won't stay dead. She's come back... for some fun. She falls in love with a handsome hunk Alex and suddenly the boy is earning straight A's and scoring for the football team as well as with the lovestruck Mary Lou. But Mary Lou's magic turns to murder when anyone gets in her way. As the body count grows Alex is no longer sure he can handle th

• il replicante (blu-ray) blu_ray Italian Import | Blu Ray | (31/10/2014) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Edward G. Robinson - Scarlet Street / The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp

• Sniper - 23 Days Of Fear In Washington D.C. | DVD | (13/09/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £51.99

  SNIPER - 23 DAYS OF FEAR IN WASHINGTON DC tells the story of the 23 day shooting spree that gripped Washington DC. Charles Dutton stars as Chief Charles Moose, whose job it is to piece together the clues and apprehend the sniper on the rampage.

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• Joey / Crocodile Hunter / Good Boy | DVD | (03/10/2005) from £11.99   |  Saving you £8.00 (66.72%)   |  RRP £19.99

  Joey: A young boy's friendship with a playful kangaroo leads him on the ultimate adventure in this fun-filled story for all ages. 12 year-old Billy McGregor lives on a ranch in the wild rugged Australian Outback with a loving mom and lots and lots of great animal friends - especially a baby kangaroo named Joey. But when Joey's parents are kidnapped by poachers Billy knows he must do whatever it takes to help them and reunite Joey with his rightful family. Boarding a train for the big city the two pals embark on a fantastic adventure discovering tons of excitement and fun new friends along the way. But when they learn that Joey's parents' lives are in danger they come up with a daring plan to rescue them - with the entire nation cheering them on! Crocodile Hunter: Good Boy: Thousands of years ago a group of dogs who are actually aliens landed on Earth. They are sent as spies for their home planet Canid 3942 but as the years pass they forget all about their mission. When 12 year old Owen finally gets to have a dog of his own he discovers his new dog Hubble is actually an interplanetary scout from the Dog Star Sirius... Based on the story 'Dogs From Outer Space' by Zeke Richardson.

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Epoch | DVD | (12/11/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Across the planet sudden increases in earthquake activity is causing massive damage and worldwide panic. Mason Rand (David Keith), a young nuclear weapons expert, is recruited by the President's science advisor to investigate some additional strange activity over the giant Himalayan mountains. With the Earth's life support system in the balance, Rand and his team fly to Bhutan to join a top secret U.S. task force. What they discover will change man's view of history forever...