Taina Morales is New York Latina with the beauty and talent of a young Jennifer Lopez. As much as she loves the limelight Taina learns that making the big time is not as easy as it looks. Still she finds herself destined for the top as she attends high school at the Manhattan School for the Arts... Episodes include: Be Careful What You Wish For Blue Mascara Quinceanero Mega Funds.
When Bernardo Bertolucci went to the Himalayas to film Little Buddha, so the anecdote runs, he was disappointed by the scenery. Somehow, the real thing didn't quite live up to what he'd been led to expect by Powell and Pressburger's Black Narcissus. It's not hard to see why he felt let down. Their film is almost ridiculously gorgeous--a procession of saturated Technicolor, Expressionist angles, theatrical lighting and overwrought design. It has a good claim to being the high watermark of lushness in the British cinema (and, incidentally, every original foot of it was actually shot in Britain). No wonder it took the Oscar for colour cinematography (shot by Jack Cardiff) as well as for art direction and set decoration (created by Alfred Junge).Audiences loved it on its first release, but the critics were cooler: hadn't the story been upstaged by the baroque images? Well, probably, but that's not altogether a bad thing, since the plot--quite faithful to Rumer Godden's popular novel --isn't wholly free of corn. A group of five Anglican nuns, led by Sister Clodagh (Deborah Kerr) establish a school and hospital in a former harem among the Himalayan peaks. The wind blows, the drums pound, the Old Gods stir, and one by one the celibate sisters succumb to unchaste thoughts, above all Sister Ruth (Kathleen Byron, terrific in the role), so consumed by erotic yearning for the one Englishman in sight (David Farraar) she puts on crimson lipstick, wears her wimple-free tresses like an early Goth and takes a downward turn. (Black Narcissus features the greatest scene involving a nun and a high place this side of Hitchcock's Vertigo and Jacques Rivette's La Religieuse.) Silly, to be sure, but also sublime at times and as curiously entertaining as it is picturesque. --Kevin Jackson
What secrets have been passed down to each United States president? History uncovers the fascinating truths behind some of the most confidential secrets in American history in The President's Book of Secrets. Interviews with former intelligence operatives, renowned historians and archivists show how classified information is treated in the highest circles of political power, how it's preserved throughout history, and who ensures continuity when a new leader is elected.
**** Product Details TBC ****
**** Product Details TBC ****
When Jan Scruggs returns from the Vietnam War he feels alienated from the world he left only two short years ago. Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran. Jan forms an idea to heal the wounds of a nation split apart by war and at a veterans' meeting he suggests a memorial to those who fought in vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
The Sporting Life: The sports master has resigned and guess who they get to replace him! Unfortunately Bernard's swimming classes descend into chaos as Duffy's terrified of water and Dunstable just can't seem to keep those unusual swimming trunks on. Norman's Conquest: 5c decide to adopt an animal after watching a wildlife preservation programme. The adopted pet is named after Norman but what exactly is it and will it survive 5c? X Certificate: Determined that 5c will not just be the tea boys this Open Day Bernard and the class make a film about the school. It impresses no-one until a second interpretation catches the attention of a passing journalist...
Based on the series of novels written by Dorothy L Sayers in the 1920s and 30s, Lord Peter Wimsey was dramatised for TV by the BBC between 1972-5. Ian Carmichael, veteran of British film comedy, played the genial, aristocratic sleuth; Glyn Houston was his manservant Bunter. The pair are similar to PG Wodehouse's Jeeves and Bertie Wooster (whom Carmichael played in an earlier TV adaptation) though here the duo are equal in intelligence, breezing about the country together in Wimsey's Bentley and stumbling with morbid regularity upon baffling murder mysteries to test their wits. Those for whom this series forms hazy memories of childhood might be surprised at its somewhat stagy, lingering interior shots, the spartan paucity of music, the miserly attitude towards locations, especially foreign ones, and the rather genteel, leisurely pace of these programmes, besides which Inspector Morse seems like Quentin Tarantino in comparison. It seems that initially the BBC was reluctant to commission the series and ventured on production with a wary eye on the budget. The Britain depicted by Sayers is, by and large, populated by either the upper classes or heavily accented, rum-do-and-no-mistake lower orders, which some might find consoling. However, the acting is generally excellent and the murder mysteries are sophisticated parlour games, the televisual equivalent of a good, absorbing jigsaw puzzle. There were five feature-length adaptations in all. "Clouds of Witness" sees Wimsey investigate the death of his brother the Duke of Denver's fiancée. --David Stubbs
In Waxwork a waxwork museum appears overnight in an American small town and sinister showman David Warner invites a group of typical teens to a midnight party. However, as expected, the place is home to nasty secrets, and the blundering kids find themselves transported via the exhibits into the presence of "the 18 most evil men in history". What this means is that the film gets to trot out gory vignettes featuring such horror staples as Count Dracula (played inaptly with designer stubble and a Clint croak by ex-Tarzan Miles O'Keefe), the Marquis de Sade, an anonymous werewolf with floppy bunny ears (John Rhys-Davies in human form) and the Mummy. Nerdy hero Zach Galligan appeals to wheelchair-bound monster fighter Patrick MacNee for help. Waxwork is strictly a film buff's movie--with Warner and MacNee turning in knowingly camp performances, and references to everything from Crimes of Passion to Little Shop of Horrors cluttering up its very straggly story line. It's not without ragged charms, though the tone veers between comic and sick (the de Sade scene, although inexplicit, features some lurid dialogue) more or less at random. The effects are likewise variable, and in any case rather fudged by direction, which frequently fails to point up the gags properly. It winds up with a scrappy Blazing Saddles-style fight between the forces of Good and a whole pack of monsters, and the budget runs out before the climactic burning-down-the-waxworks scene. The episodic approach echoes the old Amicus omnibus horrors (Dr Terror's House of Horrors, The House that Dripped Blood etc.), and various cameos allow director Anthony Hickox to parody/emulate the styles of Hammer films, Night of the Living Dead and Roger Corman's Edgar Allan Poe adaptations. On the DVD: It's a nice-looking and sounding print, but fullscreen format. The only extras are filmographies taken from the IMDB and the trailer.--Kim Newman
Bartleby is the only person to answer a job advert that describes the role as dead end and boring. After being hired he prefers not to work and after he is fired he prefers not to leave... Based upon Herman Melville's novella 'Bartleby' is a unique black comedy satire of modern bureaucracy. A film that will stay in your mind for a very long time!
A funny and poignant debut from writer director Karl Golden. The Honeymooners strips away the gloss from the traditional romantic comedy creating a sparkling and universally appealing love story that also manages to be raw honest and true. David Ryan (Jonathan Byrne) is left at the alter on his wedding day when his bride to be (Justine Mitchell) has a last moment change of heart. After drowning his sorrows at the airport Ryan misses his flight and finds himself being d
Jamie (Julie Bowen) is a successful writer. When she accidentally kills her cocky boyfriend with a kitchen knife her best friend Laura (Traci Lords) convinces her not to call the police but to dispose of the body by feeding it to the animals at the local zoo. Jamie soon comes to terms with her guilt and is overwhelmed by a strange sense of liberation. Laura views the accidental murder as an omen and seizes the opportunity to embark on a murderous campaign of revenge against all the bad men in their lives. Next on their list of victims is Peter Gish the smooth boss of their friend Arlene (Dawn Maxey). Now with three members this self-styled 'Killing Club' plan to continue their murderous spree as long as luck stays on their side.
This DVD release features 4 of Gunn's best episodes selected by series creator Joss Whedon. Vampire hunter and vigilante Charles Gunn's (J. August Richards) life changed forever when his sister was turned into vampire. Sporting a pickup truck decorated with stakes Gunn took a while to warm up to Angel but is now a firm part of the team. His collection includes a face-off with his old gang and a visit from a debt collector who has come to fetch his soul. Episodes comprise:
Cinderella Man (2005): James J. Braddock (Russell Crowe) dubbed 'Cinderella Man' was a once-promising light heavyweight for whom a string of losses in the ring and a broken right hand became synonymous with the Great Crash. With one good hand Braddock was forced to labour on the docks of Hoboken while only his manager (Paul Giamatti) still believed in him finding fights for Braddock to help support his wife (Renee Zellweger)and children. One of the sport's oddest couples
Two insurance investigators are attempting to uncover truth behind the death of a colleague but their routine inquiry turns deadly when they are led to some dark truths about the company for which they work and the very people they consider as their friends...
A triple bill of stylish 'Giallo' thrillers from Italian maestro Dario Argento: The Bird With The Crystal Plumage (1970) The Cat o' Nine Tails (1971) and Phenomena (1984). The Bird With The Crystal Plumage : An American writer (Tony Musante - Toma TV series) travelling in Rome is the only witness to an attempted murder by a sinister man in a raincoat and black leather gloves though he is powerless to do anything to stop him. With a feeling that something is not quite right about the scene he has witnessed and the police's inability to make any progress he launches his own personal investigation - and nearly loses his life in the process. While this modern day Jack-the-Ripper type is slithering through the dark byways of Rome slicing up pretty girls director Dario Argento is carving up the emotions of terrified viewers. Dark deeds are mixed with black comedy worthy of Hitchcock in a film of almost unbearable tension and nail-biting suspense. Cat O'Nine Tales: The second movie directed by Dario Argento. With the screenplay by Dardano Sachetti and score by Ennio Morricone Cat O'Nine Tails is a haunting and suspensful thriller in the classic giallo tradition. The story begins when a blind puzzle maker (Karl Malden) overhears a conversation shortly before a robbery is committed at a genetics institute. When he teams up with a journalist (Franciscus) intent on solving the crime they uncover a trail off murders linked to the institute. Can they discover the murderer's identity before it is too late? Phenomena: Young Jennifer Corvino (Jennifer Connelly) is sent to study at an exclusive boarding school in Switzerland. A psychopathic killer is at large and has already murdered one of the academy's students. Jennifer sleepwalks and has a strange empathic relationship with insects. One day she befriends local entomologist Dr. McGregor (Donald Pleasance) who has been helping the police in their murder investigation with his knowledge of insects. McGregor encourages her to use her gift to track down the killer bu this places her in mortal danger...
Having proved himself a war hero in The Square Peg (1958), Norman Pitkin, Norman Wisdom's most famous incarnation of his riotous buffoon character, is here demobbed and, as usual for a Wisdom movie, dreaming of something better. Norman wants to follow in his father's footsteps and become a policeman, but being decidedly on the short side, has to settle for washing police cars. Of course it's not long before Norman is impersonating an officer of the law. As in The Square Peg, Wisdom also plays his nemesis here, the German General Schreiber, as well as the chief suspect in a series of jewel robberies which only Pitkin's chaotic antics can solve. In fact, as if emphasising that On the Beat really is The Square Peg with different uniforms, Terence Alexander, who later found fame as Charlie Hungerford in the long running BBC series Bergerac, also returns, albeit playing a different character. Wisdom film-regular David Lodge, previously seen co-starring in The Bulldog Breed (1960) is also on hand, though otherwise the supporting cast is less stellar than before. Solid if very predictable feel-good entertainment, Wisdom's particular brand of charming anarchy proves again his box-office formula could withstand endless variations. --Gary S Dalkin
Out Of The Frying Pan: Mrs. Savage has a rather unorthodox attitude towards lunchtime as she forces all of the school to eat in the local pub then resigns much to the confusion of Cromwell - but then he's never tried her cooking! Mixed Doubles: Abbott narrowly avoids a fight with a local yob but still manages to land a brick through a shop window. Maureen confesses her role to Bernard but will he do the right thing and tell the shopkeepers?
Please wait. Loading...
This site uses cookies.
More details in our privacy policy