The Best Of Jane Austin
The gunfighter El Topo ('The Mole') and his young son ride through a desert to a village whose inhabitants have been massacred. Bandits are nearby torturing and killing the survivors. El Topo rescues a woman (Mara) who leads him on a mission to find and defeat the four master gunmen of the desert. Leaving his son with a group of monks El Topo and Mara complete the mission accompanied by a mysterious woman in black. The women leave El Topo wounded in the desert where he is found by a clan of deformed people who take him to the remote cavern where they live. Awakening years later he goes with a dwarf woman to a nearby town promising to dig a tunnel through which the cave-dwellers can escape. They find the town run by a vicious sheriff and home to a bizarre religious cult. El Topo's son now a man is a monk in the town. The completion of the tunnel leads El Topo the townspeople and the cave-dwellers to a bloody and tragic end.
OK, brace yourself--this could get messy. Craig Burton (Arnold Vosloo, the eponymous vengeful goon in The Mummy) stars here as a dedicated, overworked hospital doctor whose sterling abilities in the emergency room are sadly unparalleled in the bedroom given that he still can't father a child with his spouse Sherry (Jillian McWhirter). Until, that is, he finds himself undergoing a dizzying--and inordinately lengthy--out-of-body experience in the middle of the night. Subsequently troubled by grotesque paranormal visions, Craig is distressed to discover Sherry is pregnant. Convinced his unborn child is, in fact, the product of his wife's abduction by aliens, he's not a happy man. In his fevered state, he first dispatches Sherry to alarming gynaecologist David Weatherly (Wilford Brimley), before visiting both shrink Susan Lamarche (Lindsay Crouse) and alien abduction expert Bert Clavell (Brad Dourif). And from here on in, it gets really dumb. Adorned with the kind of icky, low-rent effects and weird fixation with medical procedure that anyone acquainted with the work of director Brian Yuzna (Society) and scriptwriter Stuart Gordon (Re-Animator) will no doubt already be familiar with, Progeny is a boon for the connoisseur of straight-to-tape nonsense. Just check out that cast-can't you hear the deep, gravelly voice on the trailer now ("Together at last--Crouse. Brimley. Dourif. Vosloo!")? Obviously, anyone after plausible moments of human drama is in entirely the wrong place and, yes, both the direction and performances are erratic to put it politely (Vosloo appears in a state of near-catatonia throughout), but, in its own, stomach-turning, sub-Rosemary's Baby kind of way, Progeny is a prime example of sci-fi/horror nonsense at its best (and most nonsensical). --Danny Leigh
Set in Houston Texas during the 1940's Carrie Watts lives with her hen-pecked son and his controlling wife. Entering the last years of her life she wishes that she could revisit the town of Bountiful the place where she grew up as a child. However her son and his wife are very reluctant to let her go for her health and financial reasons. Carrie decides that an escape attempt is due... Catching a bus to Bountiful she meets and strikes up a conversation with a young woman (Rebecca De Mornay) to whom she recounts the story of her life...
Set in Houston Texas during the 1940's Carrie Watts lives with her hen-pecked son and his controlling wife. Entering the last years of her life she wishes that she could revisit the town of Bountiful the place where she grew up as a child. However her son and his wife are very reluctant to let her go for her health and financial reasons. Carrie decides that an escape attempt is due... Catching a bus to Bountiful she meets and strikes up a conversation with a young woman (Rebecca De Mornay) to whom she recounts the story of her life... Based on Horton Foote's Oscar-nominated screenplay this film features an Oscar-winning performance from Geraldine Page and is available for the first time on DVD!
Please wait. Loading...
This site uses cookies.
More details in our privacy policy