The One With The Fertility Test: Ross is in agony because brilliant and beautiful professor Charlie (Aisha Tyler) who usually prefers paleontologists is instead dating shallow Joey. Nevertheless Ross helps the desperate Joey pretend to be intelligent to impress Charlie - with mixed results. Meanwhile Chandler and Monica's nervous visit to a fertility clinic is made even more uncomfortable by the unexpected appearance of Chandler's annoying ex-girlfriend Janice (Maggie Wheeler). The One With The Donor: Disappointed to learn that they cannot conceive a baby naturally Monica and Chandler mull over their options. When Chandler brings home handsome unknowing co-worker Zack (John Stamos) for dinner Monica and Chandler embarrassingly 'interview' him as a potential sperm donor. The One In Barbados: Parts I & II as a feature-length 75 minute episode.
In an audio recording, the distinctive quality of this Netherlands Opera production of The Barber of Seville would go unnoticed, and a lot of people might like it better without pictures. The singing is first-class, with a pert, smart, visually appealing Rosina (Jennifer Larmore), a Count who can spin out bel canto melodies and also do a good drunk scene (Richard Croft), and a Figaro with lots of personality (David Malis). Conductor Alberto Zedda is an expert in the music of Rossini, but video reveals that, for better or for worse, this Barber of Seville differs radically from other treatments of Rossini's comic masterpiece. Usually, The Barber of Seville is an intimate little comedy with a half-dozen solo roles and a small, all-male chorus. Except for a few ensemble numbers, there are only two or three people on stage at any given moment, often conversing in stage whispers. Sometimes, in a plot full of secrets and deceptions, supernumeraries are out of place. Dario Fo's staging ignores this stylistic tradition. He gives the solo singers a crowd of artfully choreographed silent partners (including acrobats, dancers and two men rigged to imitate a donkey), who scamper around the stage carrying ladders and sheets, pushing platforms, waving banners and making sure that there is always something to amuse the eyes as well as the ears. This staging gives a solid visual embodiment to the comic spirit of the words and music, but it wipes out any pretence of dramatic realism. The Barber of Seville does not pretend to be "a slice of life" and many patrons will find that the energy of these added participants is its own justification. But those who treasure traditional staging and the conventions of realism should be ready for a lively but unconventional production. Perhaps they can listen with their eyes closed and enjoy a first-class sound recording. --Joe McLellan
Based on the book by Raymond Briggs The Snowman is one of the most beautiful and charming animated films ever made. Nominated for an Oscar in 1982 it's the story of a boy whose snowman comes to life at midnight and the two embark on a series of magical adventures. Awarded the British Academy Award for the best children's entertainment of 1982 The Snowman is an essential children's classic.
This is a hilarious comedy about a man who suffers from a severe identity crisis as his 30th birthday apparoaches.
Centuries in the future in the year After Colony 195 orbiting space colonies surrounds Earth. The colonists are cruelly oppressed by the Earth Alliance which deploys huge humanoid fighting machines called Mobile Suits to control the populace. Behind the tyranny is the secret society called 'Oz' which has infiltrated the Alliance military and steered it towards its repressive course. Now the space colonies are ready to strike back. Five young pilots equipped with advanced mobile
By order of Her Majesty's Secret Service Captain Strong (Gary Daniels) a senior officer of the elite Queen's Messenger Corps is given the dangerous assignment of delivering a delicate communication to the British Ambassador of a troubled eastern European state. If intercepted the document will compromise secret agreements made by the various heads of state for control of the region's lucrative oil resources. Captain Strong is sworn to protect his cargo with his life. Now his comm
Lots happened behind the scenes between seasons and early on in the seventh year of the hit comedy, leaving audiences speculating that this might be the last. Perry became seriously ill again, and returned looking more emaciated than eve r. Cox regained weight, but despite finishing Scream 3 happily, things were already rocky with David Arquette. Much was made in the press about Aniston marrying Brad Pitt, of course, but the real news (allaying fans' fears) was NBC's expensive renewal of the cast for two years at $750,000 per episode each (more than six times their previous increase). On-screen, at least there was Chandler and Monica's engagement lasting the whole year, despite predictable ups and downs (eg: "T.O.W. The Truth About London" revealing that Monica fancied Joey). By the time we finally get to "T.O.W. Chandler's Dad" (Kathleen Turner), it seems inevitable that the two-part finale will be an insane mess--but with a happy-ish ending. Sure enough, "T.O.W. Chandler and Monica's Wedding" features Gary Oldman joining in the chaos as Chandler repeatedly goes missing. Other star-turns in the year were Seinfeld's Jason Alexander as a suicidal Office Manager, Susan Sarandon as soap queen bitch Jessica Lockhart, Denise Richards as one of Ross and Monica's endless number of cousins and Winona Ryder as a surprise old friend, prompting "T.O.W. Rachel's Big Kiss". But perhaps the most telling instalment of this weirdly atmospheric year was "T.O.W. They All Turn Thirty". It suggested that maybe the Friends are all getting too old to carry on living their frivolous lives the same way after all. Paul Tonks
Deeply troubled by the accidental death of his first wife Wendy (Candice Daly) respected psychiatrist Dr. Ian Lazarre (John Savage) slips into a dark abyss of alcoholism depression and insomnia. Concerned for his health following a failed suicide attempt Lazarre's second wife Teresa and his best friend and lawyer Joe (Eric Pierpoint) agree to have him committed to a rehab clinic run by the mysterious Dr. Renquist (Malcolm McDowell). Placed in the care of the sensuous but si
Centuries in the future in the year After Colony 195 orbiting space colonies surrounds Earth. The colonists are cruelly oppressed by the Earth Alliance which deploys huge humanoid fighting machines called Mobile Suits to control the populace. Behind the tyranny is the secret society called 'Oz' which has infiltrated the Alliance military and steered it towards its repressive course. Now the space colonies are ready to strike back. Five young pilots equipped with advanced mobile
The cutely indomitable Lina Inverse and the quite inexplicable Naga the Serpent are in trouble all the way up to their eyebrows once again! What starts out as the simple task of ridding a village of some villains turns into a full-blown fiasco when Lina and Naga (gasp!) realize their spells won't work. An ancient elf-made weapon a would-be world conqueror and a plot with more twists than a twisting factory: this Slayers adventure is sure to have you tied up in knots with laughter
This revised revival of the acclaimed 1986 Drottningholm production by Michael Hampe conducted by Arnold Ostman was staged during the Mozart Bicentenary year. Combining both tragedy and comedy with drama Idomeneo boasts a series of superbly expressive pieces which Einstein described as one of those works that even a genius of the highest rank like Mozart could write only once in his life.
Attorney Matt Murdock is blind, but his other four senses function with superhuman sharpness. By day, Murdock represents the downtrodden. At night, he is Daredevil, a masked vigilante stalking the dark streets of the city, a relentless avenger of justice.
Blood & Oil
Titles Compride: Human Traffic: The real story of youth in the nineties is this: chemicals clubs bars pubs pushing the vinyl blagging the guest list mobile phones trainers combats care-less monged mashed sorted safe. And here it is in all its pupil-dilated teeth grinding club-hopping glory. The weekend has well and truly landed... Goodbye Charlie Bright: is the humorous and heart-warming story of the friendship between two teenage boys from a tough council estate. Set during a long hot summer it charts the close but volatile relationship between Charlie and Justin. The Last Seven: When William awakes from unconsciousness he finds himself confused and alone in an empty London street. As he explores the area he discovers that not only are all the people missing but so are his memories.
In the episodes contained in this third volume, Farscape's fourth series finally kicks into gear and does some of the most surprising things a television show has ever done. The first three episodes are all Farscape classics, which take our expectations and jump up and down on them. "Unrealised Realities" takes John Crichton (Ben Browder) through a wormhole to be interrogated by a creature who regards the Ancients who put the knowledge of wormhole technology in his brain as annoying bumblers and who tells him a lot about time and about alternate universes. This gives the cast a chance to play each other again--Claudia Black's performance as Chiana is particularly disorientating. In "Kansas" John finds himself finally back on Earth, during his own adolescence, with the task of ensuring that his father does not die in the Challenger explosion and alter his personal history. The visit to his long-missed home continues in "Terra Firma" where the crew of Moya have to cope with Bush's America and John discovers the hard way--politics, family, old girlfriends, alien assassins--that you cannot go home again. Lastly in the moderately weaker "Twice Shy", Chiana (Gigi Edgeley) and the others learn that no good deed goes unpunished as a slave they rescue turns out to be one of the more deadly individual menaces they have ever faced. --Roz Kaveney
Dabney Coleman stars as demolition contractor Stewart McBain in director John Boorman's 'Where The Heart Is' a Capra-esque fable that harkens back to the populist comedies of the 1930s. When an architectural conservation group legally thwarts McBain's plans to vaporize the aging Dutch House apartments in Brooklyn he's ridiculed for defending his actions in the media by the twentysomething layabout children who live off the fruits of his labor. Consequently the affluent businessman d
Peter McDougall's (Just Another Saturday Just A Boys Game) first televised script for the acclaimed BBC Play for Today series in 1972. Based on fact the story is of Alison who unexpectedly falls pregnant to Alex (David Hayman's first TV role). The couple decide to marry and break the news to their parents - an uncomfortable meeting and slightly acrimonious wedding follow exploring the sectarian divide of that era. A witty bleak and audacious tale which caused uproar after the original broadcast but was also proclaimed as the most exciting writing debut since John Osborne's Look Back in Anger. Another early triumph for Peter McDougall
In these times of enlightened sexual politics Ted Davis is a womanising machine. Ted has become a guru to his pals who are in awe of his charm and chat up technique. When the woman of his dreams moves in next door Ted's ordeal begins. She is beautiful athletic and rampant. The thin walls of their apartments echo the constant howls of amourous pleasure and its driving bachelorman insane.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy