Dog Man, half dog and half man, he is sworn to protect and serve as he doggedly pursues the feline supervillain Petey the Cat.
In this adrenaline-fueled adventure, Optimus Prime and the Autobots take on their biggest challenge yet. When a new threat capable of destroying the entire planet emerges, they must team up with a powerful faction known as the Maximals. With the fate of humanity hanging in the balance, Noah (Anthony Ramos) and Elena (Dominique Fishback) will do whatever it takes to help the Transformers as they engage in the ultimate battle to save Earth.
In this adrenaline-fueled adventure, Optimus Prime and the Autobots take on their biggest challenge yet. When a new threat capable of destroying the entire planet emerges, they must team up with a powerful faction known as the Maximals. With the fate of humanity hanging in the balance, Noah (Anthony Ramos) and Elena (Dominique Fishback) will do whatever it takes to help the Transformers as they engage in the ultimate battle to save Earth.
Assemble a collection of cons, arm them heavily and drop them on the enemyinfused island of Corto Maltese. If anyone's laying down bets, the smart money is against themall of them.
Oscar®-winning director Tom Hooper (The King's Speech, Les Misérables, The Danish Girl) transforms Andrew Lloyd Webber's record-shattering stage musical into a breakthrough cinematic event. Cats stars James Corden, Judi Dench, Jason Derulo, Idris Elba, Jennifer Hudson, Ian McKellen, Taylor Swift, Rebel Wilson and introduces Royal Ballet principal dancer Francesca Hayward in her feature film debut. Featuring Lloyd Webber's iconic music and a world-class cast of dancers under the guidance of Tony-winning choreographer Andy Blankenbuehler (Hamilton, In the Heights), the film reimagines the musical for a new generation with spectacular production design, state-of-the-art technology, and dance styles ranging from classical ballet to contemporary, hip-hop to jazz, street dance to tap.
Assemble a collection of cons, arm them heavily and drop them on the enemyinfused island of Corto Maltese. If anyone's laying down bets, the smart money is against themall of them.
Evil never gets old in this horror thriller from the creator of The Purge and the producer of Halloween. Rebellious twentysomething Max is sentenced to community service at a quiet retirement home. The residents on the fourth floor are strictly off-limits, said to require special care. As his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents' lives and his own in grave danger. Starring Pete Davidson (The King of Staten Island), John Glover (Scrooged), Ethan Phillips (Inside Llewyn Davis) and Bruce Altman (Running Scared). The Home is written by Adam Cantor and James DeMonaco (The Purge) and is directed by DeMonaco.
In this adrenaline-fueled adventure, Optimus Prime and the Autobots take on their biggest challenge yet. When a new threat capable of destroying the entire planet emerges, they must team up with a powerful faction known as the Maximals. With the fate of humanity hanging in the balance, Noah (Anthony Ramos) and Elena (Dominique Fishback) will do whatever it takes to help the Transformers as they engage in the ultimate battle to save Earth.
This inevitable sequel finds Jim Carrey reprising his role as the world's greatest pet detective. His latest case, the disappearance of a rare African white bat, draws him out of his spiritual retreat at a Tibetan monastery following the tragic outcome of his previous case. That traumatic experience, which makes for a hilarious opening-scene send-up of the Stallone thriller Cliffhanger, prompts Ace to venture to Africa, where he goes native with the tribe that hired him to find their symbolic bat. From that point anything goes, with Carrey pushing the boundaries of good taste (what, you were expecting good taste?) up to and including his now-infamous "birth" scene from the backside of a mechanical rhinoceros. Lighten up, and don't be ashamed if you find yourself laughing. --Jeff Shannon, Amazon.com
Arthur Bishop (Charles Bronson) is a mob hit man who operates in a world of his own... an uncompromising world where conventional rules of morality don't apply and where one wrong move could cost him his life! He's always worked alone but as age catches up with him, Bishop takes on a competent and ruthless apprentice (Jan-Michael Vincent) the son of a previous victim. Against the advice of his superiors, Bishop teaches him everything he knows and together they become an unmatchable team of globe-trotting killers...until the pupils ruthlessness puts him on a collision course with his teacher.
The film that launched Arnold Schwarzenegger's international career, Conan the Barbarian is still regarded by many as his finest hour. Limited to a mere handful of lines and expertly directed to play up the Nietzschean strength of the character by John Milius, the Austrian Oak has never looked more suited to a role, his muscle flexing and sword twirling apparently effortless. The extraordinarily finely detailed production design ensures that the barren Spanish countryside perfectly suits the Hyborean-era backdrop envisioned by author Robert E Howard. Whether dressed in rags or riches, Schwarzenegger and companions Subotai (Gerry Lopez) and Valeria (Sandahl Bergman) look believably born to their surroundings. Backing their own very fine performances are brilliant supporting roles from James Earl Jones as serpentine baddie Thulsa Doom and Max Von Sydow as doomed King Osric. Plot-wise the film is simply the transformation of a wild barbarian into a worldly-wise king who, via a quest for revenge, finally learns the riddle of steel. The script is highly regarded for its dazzling set-pieces (the opening village raid, the orgy of body parts) and quotable dialogue ("They shall all drown in lakes of blood"), and it comes complete with an anti-peace movement reactionary subtext for anyone who cares to look close enough. One other element deserving mention is the extraordinary score by Basil Poledouris, which inspires the film with a sense of operatic grandeur. On the DVD: Conan the Barbarian appears as a suitably mythic special edition DVD. Sadly the magnificent score can only be heard in a mono mix, but the very fine picture is presented in 2.35:1. The extras package is phenomenal, too. Several deleted scenes have been re-edited into the film, but are available to view independently as well. There's a quick split-screen special effects feature showing how the ghostly spirits were added to Conan's resurrection. "The Conan Archives" is an 11-minute slide show of drawings, costumes and advertising. Best of all is the fantastic 53-minute "Conan Unchained" documentary interviewing every conceivable contributor who all reminisce with great fondness. It's slightly better seeing Schwarzenegger and Milius than hearing them talk in their commentary, which inevitably re-tells many of the same anecdotes in between puffs of Arnie's stogies. --Paul Tonks
A self-consciously epic sci-fi adventure of Cecil B DeMille-sized proportions, Stargate refreshes and combines several well-worn sci-fi and sword 'n' sandal genre conventions with some Erich von Daniken-style Biblical Egyptology. The directing-writing-producing team of Roland Emmerich and Dean Devlin had previously collaborated on B-movies Moon 44 (1990) and Universal Soldier (1992), but handed a significantly bigger budget they were able to give their Steven Spielberg pretensions free reign here ("Indiana Jones and his Close Encounters with the Chariots of the Gods" might be a suitable subtitle). James Spader is endearingly dithery as the fish-out-of-water academic who finds himself teamed with taciturn tough guy Kurt Russell: the two excellent leads are largely responsible for imparting what depth there is to otherwise two-dimensional characters. British composer David Arnold makes his major studio debut in the grandest fashion with an outstanding score that pays suitable homage to epic film music (John Williams' CE3K and Maurice Jarre's Lawrence of Arabia in particular). It's all done with such unabashed enthusiasm that viewers will happily forgive the film's derivative elements and even overlook the high-camp theatricality of Jaye Davidson's bizarre bad guy. Despite subsequent huge box-office hits (Independence Day, Godzilla, The Patriot), Stargate remains Emmerich and Devlin's freshest, most satisfying film. On the DVD: This special edition version adds approximately seven minutes of additional footage, much of which is in the form of slightly extended scenes, but does also include an opening sequence in Ancient Egypt, a scene with Kurt Russell and the fossilised Horus guards, and Ra's bath scene. These are also collected in a bonus "Promo Reel". The anamorphic widescreen presentation of the 2.35:1 Panavision picture looks sharp and clear, although some of the additional footage is degraded; the sound is suitably spectacular 5.1 or DTS. Devlin and Emmerich provide a relaxed, chatty commentary ("We have nothing to do with the TV series"!), although you have to access this from the Set Up menu not the Special Features menu. There's a photo gallery and trailer, but sadly no "making-of" documentary. --Mark Walker
Paced at about a million miles an hour, Dick Dynamite is a roller coaster ride of a movie where the humour is relentless and unapologetically crass and the violence frenetic and bloody.
1971: Glam Rock explodes onto the world scene in a blaze of glitter and guitars. At its centre the flamboyant Brian Slade (Jonathan Rhys Meyers). Together with outrageous American rocker Curt Wild (Ewan McGregor) they challenge conformity and take on the world! 1974: Suddenly at the height of his career Slade decides to fake his own death on stage. The stunt backfires and he is never seen again. 1984: It's the 10th anniversary of Slade's disappearance and journalist Arthur Stuar
Get ready for big fun - experience the smash hit, West End stage show Heathers: the Musical, filmed live at its original London home, The Other Palace! Based on the 1989 cult classic film starring Winona Ryder and Christian Slater, this rebellious, award-winning production follows Westerberg High student Veronica Sawyer, whose dreams of popularity finally start to come true when she's taken under the wings of the three beautiful, yet impossibly cruel Heathers. But when mysterious new kid, teen rebel J.D arrives in town, Veronica realises that whilst it might kill to be a nobody, it's murder being a somebody... Wickedly funny, with dazzling book, music and lyrics by Tony Award-nominated, Legally Blonde composer, Laurence O'Keefe, and Emmy-winning Reefer Madness author Kevin Murphy, Heathers: the Musical is directed by acclaimed screen and stage director Andy Fickman, with electrifying choreography by Thriller Live's Gary Lloyd.br/
The Crying Game offers a rare and precious movie experience. The film is an unclassifiable original that surprises, intrigues, confounds, and delights you with its freshness, humor, and honesty from beginning to end. It starts as a psychological thriller, as IRA foot soldier Fergus (the incomparable Stephen Rea) kidnaps a British soldier (Forest Whitaker) and waits for the news that will determine whether he executes his victim or sets him free. As the night wears on, a peculiar bond begins to form between the two men. Later, the movie shifts tone and morphs into something of a romantic comedy as Fergus unexpectedly becomes involved with the soldier's girlfriend Dil (Jaye Davidson) and discovers more about himself, and human nature in general, than he ever dreamed possible. Like Spielberg's E.T. , The Crying Game was supposed to be director Neil Jordan's "little, personal movie," the one he just had to make, even though no studio was willing to give him money because the story was so unusual. Instead, it became a surprise popular sensation, thanks in part to Miramax's cleverly provocative campaign playing up the hush-hush nature of the movie's big secret. The performances (including Miranda Richardson as one of Fergus's IRA colleagues) are subtly shaded, and the writing and direction are tantalizingly rich and suggestive; you're always trying to figure out the characters' true motives and feelings--even when they themselves are fully aware of their own motives and feelings. The Crying Game is a wise, witty, wondrous treasure of a movie. Director Jordan's credits include Mona Lisa, Interview with the Vampire, Michael Collins, and The Butcher Boy. --Jim Emerson
New York, 1929: a war rages between two rival gangsters, Fat Sam and Dandy Dan in Alan Parker's much-loved kiddie mob flick.
Assemble a collection of cons, arm them heavily and drop them on the enemyinfused island of Corto Maltese. If anyone's laying down bets, the smart money is against themall of them.
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