Mike Leigh writes and directs this class struggle comedy drama which portrays the intertwined lives of an extended working class family in London during the Thatcher years. The story follows left-wing bike messenger Cyril Bender (Philip Davis), his girlfriend Shirley (Ruth Sheen) and Cyril's conservative mother (Edna Dore), who lives in the last council house on her street next to the appallingly upper class Boothe-Braines (Lesley Manville and David Bamber). Cyril's consumerist sister Valerie (Heather Tobias) and her car salesman husband Martin (Philip Jackson) join the family to throw a surprise 70th birthday party for Mrs. Bender but, despite their best intentions, the event descends into disaster.
The original 2 hour feature length pilot from 1997 has now been updated! With a new score and new visual FX this is a must for all fans of the hit sci-fi series!
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
Life is going nowhere for Shaun (Simon Pegg). He spends his life in his local pub, The Winchester, with his best mate Ed (Nick Frost), has issues with his Mum and neglects his girlfriend Liz. When Liz dumps him, Shaun finally decides to get his life in order. He must win back the heart of his girlfriend, repair his relationship, with his mum and face up to the responsibilities of adulthood. Unfortunately, The Dead are returning to life and attempting to eat the living. For the newly inspired Shaun, this is just another obstacle. In the face of a full scale Zombie Epedemic, armed with a cricket bat and spade, Shaun sets out with Ed in tow, to rescue his mum and grudgingly his step-dad, his girlfriend and even more grudgingly her friends David and Dianne and take them to the safest most secure place he knows, The Winchester. Special Features: Missing Bits - Deleted Scenes and Outtakes Trails of the Dead TV Bits Zombie Gallery Raw Meat - Simon Pegg Video Diary and other featurettes Audio Commentaries
""We are the mods we are the mods we are we are we are the mods!"" London 1964: two rival youth cults emerge - the mods and the rockers - with explosive consequences. For Jimmy (Phil Daniels) and his sharp-suited pill-popping scooter-riding mates being a mod is a way of life. It's their generation. Together they head off to Brighton for an orgy of drugs thrills and violent confrontation against the rockers. Jimmy never wants to stray from his maxim: ""I don't wanna be like everybody else that's why I'm a mod see?"" Will Jimmy emerge a hero or will he be disillusioned by his way of life?
Billed as a fantasy to please kids and adults alike in 1988, Willow was revolutionary in its day. Not only did it have a vertically challenged actor (Warwick Davis) as its leading man, it also set new standards for special effects, using the first known "morfing" (sic) systems. To top it all off it combined the talents of two of Hollywood's biggest names, director Ron Howard and writer-producer George Lucas, and changed Val Kilmer's destiny, influencing both his career and love life. In theory all this should have added up to a rip-roaring success of a film. Alas, the end result has been unkindly if accurately described as the bastard son of Lord of the Rings, with Star Wars as its doting mother. The plot line (plucky young man sent off on a quest to protect something which could change the reign of evil) has obvious links to Tolkien's classic; Kilmer's Madmartigan (the diamond in the rough) has distinct similarities to Hans Solo. And with the great advances in modern cinemas special effects, Willow's ferocious two-headed dragons now look like something out of 1963's Jason and the Argonauts. However, even though it marked the end of the road for fantasy films in the 1980s, Willow's combination of locations, set design and groundbreaking SFX set new standards and influenced much modern cinema, including Peter Jackson's epic Lord of the Rings. All in all, this is a movie with its heart, soul and magic in the right place. On the DVD: Willow is brought up to date on DVD with this excellent special effects enhancing anamorphic transfer of the original 2.35:1 screen ratio; the Dolby 5.1 surround sound boosts the power behind Badmorda's roar as well as spotlighting James Horner's swashbuckling score. A lively commentary is offered by Warwick Davis, although he has a tendency to dwell on his own musings rather than the film as a whole. Other features include "The Making of the Adventure", which is a standard TV behind-the-scenes documentary/advert and a wealth of TV spots, trailers and photos. By far the most interesting feature is the "Morf to Morphing: The Dawn of Digital Film" documentary including interviews with George Lucas, Ron Howard and Dennis Muren (the renowned special effects guru) on the creation of morphing and its influence on later movies. -Nikki Disney
In an uncanny piece of art imitating life, Who Dares Wins came out in 1982 just after the infamous storming of the Iranian Embassy by the legendary British Special Air Services (SAS) unit. The plot builds up to that unshakeable image of black-clad troops abseiling the front of a stately home and smashing through the windows, and pays off expectations with a thrilling finale. Anyone expecting two hours of military instruction will be disappointed however. After the opening 10 minutes with the troops, the almost James-Bond-like story follows Lewis Collins (riding high in those days after TV's The Professionals) as he infiltrates a radical anti-Nuclear society. Operation: Destroy requires him to go undercover with their potentially insane leader Frankie (Judy Davis), ignoring his wife and child. The period detail is often the film's most entertaining feature as Collins tours across 1980s London constantly eluding spies on his tail. Apart from the endless permed hairdos and the fact that the Campaign for Nuclear Disarmament hasn't got much to demonstrate about these days, there's the fashions and low-tech gadgetry to enjoy. In the US the film was called The Final Option. The DVD includes a photo gallery, and a history of the SAS. --Paul Tonks
A Passage to India, David Lean's adaptation of EM Forster's mysterious tale of racism in colonial India, turned out to be the master director's final film. Subtle and grand at the same time, Lean's adaptation is faithful to the book, rendering its blend of the mystical and the all-too human with exquisite precision. Judy Davis plays a young British woman travelling in India with her fiancé's mother. While visiting a tourist attraction, she has a frightening moment in a cave--one that she eventually spins from an instant of mental meltdown into a tale of a physical attack that ruins several lives. Lean captures Forster's sense of awe at the kind of ageless wisdom and inexplicable phenomena to be encountered in India, as well as the British tendency to dismiss it all as savage, rather than simply different. --Marshall Fine
Hunderby 1831 - A young woman thought to be a spinster missionary is washed up on the beach. In an attempt to escape her terrible past, she assumes the name of Helene Blone and marries the local widowed pastor and master of Hunderby. Once wed, it soon becomes apparent that Pastor Edmund is not quite the man he appeared to be and his peculiar housekeeper Dorothy (Julia Davis) makes it clear she prefers the dead wife, doing all she can to undermine the new mistress. Such trials push Helene towards the sturdy arms of the dashing Doctor Foggerty. Can she resist his charms and birth her husband an heir to save Hunderby?
When Robin of Loxley transformed into Robert of Huntingdon in the third series of Robin of Sherwood, many viewers were understandably confused. Michael Praed left the series for reasons that never really became apparent while Jason Connery clearly wasn't a replacement chosen for similar looks or performance. Across the 13 episodes of the third series, Connery's choice became slowly apparent. The magical stories frequently dipped into darker territory as much as they aimed for uplifting humour. The new Hood was at ease with both, while reuniting the merry band and ultimately wooing the fair Marion all over again. Connery turned in a very confident embodiment of the character, clearly bonding well with the established team of actors. Guest stars lined up to contribute alongside him. Memorable appearances include those of Richard O'Brien, David Rappaport, Matt Frewer, Patricia Hodge, Ian Ogilvy and Lewis Collins. (It's fascinating to speculate how different things could have been if the close-second casting choice of Neil Morrissey had been pursued.) The strangest aspect of the series, however, is knowing in retrospect that everyone's confidence and merriment was for nothing. Scripts were written in readiness for the fourth series, but then the studio went bankrupt. Cliffhangers therefore remain that will confuse viewers far more than the lead's replacement. --Paul Tonks
An ingenue insinuates herself in to the company of an established but aging stage actress and her circle of theater friends.
Assemble a collection of cons, arm them heavily and drop them on the enemyinfused island of Corto Maltese. If anyone's laying down bets, the smart money is against themall of them.
The smallest member of The Little family returns in this blockbusting sequel. Alongside fellow family pet Snowbell the cat he sets of on a journey through the streets of New York in search of a missing friend.
Tim Allen stars in this Disney remake about a man who finds himself infected with a top-secret serum.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a longburied secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Wayne left home because of an argument about pies. Cyril would like to machine gun the Royal family. Rupert and Laetitia Boothe-Brain play yuppie sex games while deep in suburbia Valerie fails to arouse her husband Martin with a suggestion that he be Michael Douglas and she a virgin. Mrs Bender gets locked out of her house and is criticised by her neighbour for selfishly occupying a whole house in an increasingly fashionable area. And Cyril's girlfriend Shirley wants to start a family but gets no encouragement from Cyril who feels that the world should be spared more babies until everyone already here has a job a place to live and enough to eat.
When a blonde sorority queen is dumped by her boyfriend, she decides to follow him to law school to get him back and, once there, learns she has more legal savvy than she ever imagined!
Stuart Little: Join the fun when the Little family adopts an adorably spunky boy named Stuart (voiced by Michael J. Fox) who looks a lot like a mouse. Mr. and Mrs. Little (Hugh Laurie and Geena Davis) fall in love with Stuart right away but their older son George (Jonathan Lipnicki) isn't so sure what to make of his new brother and the family's white cat Snowbell (voiced by Nathan Lane) devises a dastardly plan to get Stuart out of the house...permanently. Stuart Littl
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