Violent anti-hero Bill Williamson has a plan to change the world by exacting vengeance on the rich, and ripping Washington apart. He holds a number of people hostage and uses his captives as his political platform to spread his message and awaken humanity
Set in Florence and the English countryside, the film tells the story of a young English couple, Lucy Honeychurch (Helena Bonham Carter) and George Emerson (Julian Sands), who encounter passion whilst on holiday in Italy. Defying the Victorian conventions of their elders they dare to be true to their feelings, each other and true love. Superbly adapted from E.M. Forster's classic novel, and boasting a wonderful supporting cast including Daniel Day-Lewis, Maggie Smith, Dame Judi Dench, Denholm Elliot and Simon Callow, A Room With A View was a world-wide smash hit and cemented the reputation of Merchant Ivory as masters of the period film.
The third season of Outlander picks up right after Claire travels through the stones to return to her life in 1948. Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank. Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire. As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love. The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire's heart... as well as new doubt. Separated by continents and centuries, Claire and Jamie must find their way back to each other. As always, adversity, mystery and adventure await them on the path to reunion. And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago? Click Images to Enlarge
Ever since the late 1970s when the Australian New Wave was in full surge, Down Under directors have delivered movies that often hit you like news from another planet. Offbeat characters, weird narrative twists and a tart mixture of laughs and catastrophe--this is the juice that fuels such flicks as Proof, The Adventures of Priscilla, Queen of the Desert, Strictly Ballroom, Heavenly Creatures and, most certainly, Muriel's Wedding. Directed by PJ Hogan (who would go on to helm the Hollywood hit My Best Friend's Wedding), this little gem follows tradition by featuring an authentic misfit: Muriel (Toni Collette), a great, overweight horse of a girl obsessed with getting married and the music of ABBA. Appropriately, we first meet Muriel at a wedding, all trussed up in a leopardskin number she's boosted for the occasion. When her snotty peers insist that she give up the bridal bouquet to someone who might actually get hitched, when one of the guests turns out to be a clerk in the very store where Muriel ripped off her outfit, you've just got to laugh, she's such an unmitigated mess. A loser, her philandering politician father (Bill Hunter) calls her--along with his doormat wife and his other couch-potato offspring. But this movie's no exercise in geek-bashing. As Muriel takes up with feisty Rhonda (Rachel Griffiths) and moves from Porpoise Spit to the big city, her good-hearted grin and zest for life draw us in despite hilarious gaffes and mishaps. (Making out with a boy for the first time, Muriel suddenly finds herself awash in styrofoam: the oaf has unzipped the beanbag chair instead of her skin-tight leather pants.) Muriel's Wedding covers territory Hollywood would banish from a comedy--Rhonda's cancer, the suicide of Muriel's mother, a marriage of convenience to an arrogant athlete--yet, like its heroine, it never loses its sense of humour, its will to move on to whatever good thing might happen next. Everyone in the idiosyncratic cast is terrific, but it's Toni Collette's Dancing Queen who makes Muriel's Wedding a cinematic celebration you won't forget. --Kathleen Murphy
Off to the sensuous landscape of Florence for her horizon-broadening tour Lucy a perfectly proper young Edwardian lady is chaperoned by her even more proper Aunt Charlotte. At the merest hint of scandal - Lucy is kissed by an improper suitor - Charlotte whisks her back to the serene English countryside where she is betrothed to a supposedly suitable gentleman insufferably in love with himself. Based on E.M. Forster's classic novel.
The story of Calamity Jane, her saloon, and her romance with Wild Bill Hickok.
Academy Award winner Daniel Day-Lewis gives an impassioned performance in this riveting drama that mirrors one man's 15 year struggle and ultimate triumph over a terrible injustice. Oscar winner Emma Thompson co-stars in this gripping and highly emotive film. In The Name Of The Father tells the true-life saga of Gerry Conlon. A petty thief in strife torn '70s Belfast Gerry's main interests are getting drunk and partying much to the dismay of his quiet frail father Giuseppe (Pete Postlethwaite). When Gerry angers the IRA his father sends him to England where his antics put him in the wrong place at the wrong time. Innocent but forced to confess to an act of savage terrorism he is sentenced to life imprisonment as one of the 'Guildford Four'. An innocent Giuseppe is also arrested and while behind bars Gerry learns that his father's seeming frailty masks an unmatched inner strength and wisdom. Working with a fiercely dedicated lawyer Gerry determines to prove his innocence clear his father's name and expose the truth behind one of the most shameful legal events in recent history.
A compilation of sketches from the comedy series The Fast Show featuring characters such as Ted and Ralph coughing Bob Fleming the ""Suit you sir"" tailors from hell and the bloke in the stupid hat.
15 years after they first crashed onto our screens Britain's best loved off the wall comedians Vic and Bob are back. Big Night Out was first transmittd in 1990 and quickly became essential viewing for the discerning comedy fan launching the alternative comedy scene as we know it today. This release includes over 7 hours of footage from the cult comedy show including favourites such as The Man With The Stick Les (in his lab coat) Novelty Island Judge Nutmeg and Mr Wobbly Hand and
Soar into the skies on a thrilling airborne adventure in this meticulously restored John Wayne film classic. In one of his most memorable roles Wayne plays Dan Roman a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself scheduled on a routine Honolulu-to-San Francisco flight - one that takes a terrifying suspense-building turn when disaster strikes high above the Pacific Ocean at the point of no return. A ""Who's Who"" of Hollywood greats - Claire Trevor Laraine Day Robert Stack Jan Sterling Phil Harris and Robert Newton among others - are aboard for this celebrated drama bursting with conflict and excitement. Nominated for six Academy Awards including Best Director (William A. Wellman) and two Best Supporting Actress nods (Trevor and Sterling) the film nabbed the Oscar for Dimitri Tiomkin's unforgettable musical score.
Season 1 Outlander follows the story of Claire Randall, a married combat nurse, who, in 1946, is mysteriously swept back in time to 1743, and immediately thrown into an unknown world where her life is threatened. When she is forced to marry Jamie, a chivalrous and romantic young Scottish warrior, a passionate affair is ignited that splits Claire's heart between two vastly different men in two irreconcilable lives. Season 2 Season 2 of Outlander begins as Claire and Jamie arrive in France, hellbent on infiltrating the Jacobite rebellion led by Prince Charles Stuart, and stopping the battle of Culloden. With the help of his cousin Jared, a local wine merchant, Jamie and Claire are thrown into the lavish world of French society, where intrigue and parties are abundant, but political gain proves far less fruitful. Altering the course of history presents challenges that begin to weigh on the very fabric of their relationship. However, armed with the knowledge of what lies ahead, Claire and Jamie must race to prevent a doomed Highland uprising and the extinction of Scottish life as they know it. Season 3 The third season of Outlander picks up right after Claire travels through the stones to return to her life in 1948. Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank. Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire. As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love. The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire's heart... as well as new doubt. Separated by continents and centuries, Claire and Jamie must find their way back to each other. As always, adversity, mystery and adventure await them on the path to reunion. And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago?
Everyone knows who won. But not everyone knows how. The result of the Brexit referendum in the summer of 2016 caused a political earthquake that laid waste to the normally stable British establishment and sent political tremors across the world. This punchy and provocative feature length drama goes exclusively behind the scenes of the Vote Leave campaign, unpacking the personalities, strategies, and feuds of the winning side, and exploring the new world of data driven campaign tactics. Starring Benedict Cumberbatch as Dominic Cummings and Rory Kinnear as Craig Oliver, BREXIT: THE UNCIVIL WAR is written by playwright James Graham, taking inspiration from All Out War by Tim Shipman (the Sunday Times political editor), Unleashing Demons: The Inside Story of Brexit by Craig Oliver (former Number 10 Communications Director), and is directed by Emmy award-winning Toby Haynes. BREXIT: THE UNCIVIL WAR is not an analysis of who was right and who was wrong. It is the story of how it happened, and why - on the high street, in the campaign offices, and the darker corners of the internet. A drama of political ambition and personal betrayals with nation-changing results.
Titles Comprise: Annie Get Your Gun: Betty Hutton (as Annie Oakley) and Howard Keel (as Frank Butler) star in this sharpshootin' funfest based on the 1 147-performance Broadway smash boasting Irving Berlin's beloved score including Doin' What Comes Natur'lly I Got the Sun in the Morning and the anthemic There's No Business like Show Business. As produced by Arthur Freed directed by George Sidney and seen and heard in a new digital transfer from restored elements. This lavish spirited production showcases songs and performances with bull's-eye precision earning an Oscar for adaptation scoring. The story is brawling boy-meets-girl-meets-buckshot rivalry. But love finally triumphs when Annie proves that yes you can get a man with a gun! Easter Parade: When his long-time dance partner abandons him for the Ziegfeld Follies Don Hewes decides to show who's who what's what by choosing any girl out of a chorus line and transforming her into a star. So he makes his choice and takes his chances. Of course since Fred Astaire portrays Don and Judy Garland plays the chorine we know we're in for an entertainment sure thing. Calamity Jane: The Deadwood Stage is comin' to town bringing Doris Day and Howard Keel to fuss feud and fall in love as Calamity Jane and Wild Bill Hickok in this entertainment from the golden age of movie musicals. At first curvaceous Calamity is too durned busy fighting Indians and cracking a bullwhip to pay much mind to such girlie what-alls as dresses and perfume. And Wild Bill is too danged busy wooing a dainty chanteuse to give a hoot about a hotheaded tomboy. But things change in a rootin' tootin' big way with love and romance just down the trail. There are wide-open Technicolor Western spaces lots of high-stepping terpsichory and a hummable humdinger of a score by Academy Award winning songwriters Sammy Fain and Paul Francis Webster who won an Oscar for the classic ballad (and '50's mega hit) 'Secret Love'. High Society: Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that safe doesn't always mean the best bet? Meet Me In St Louis: The wonderful Judy Garland stars in this charming musical as Esther Smith whose father comes home and announces he is going to uproot his whole family to New York on the very eve of the 1903 St. Louis World Fair. Brilliantly directed by Vincente Minnelli and full of wonderful songs - 'Trolley Song' 'Have yourself A Merry Little Christmas'.
Michael Mann (Heat) brings James Fenimore Cooper's novel to the screen in this epic story of a woodsman, Hawkeye (Daniel Day-Lewis) living amongst British colonists in mid-18th century America. Sharing the values of his adopted Mohican father, Chingachgook (Russell Means), Hawkeye is asked to lead two british sisters (Madeleine Stowe and Jodhi May) through dangerous territory to their father's fort at the height of the French-Indian war.
Set in the glamour of 1950's post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. With his latest film, Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey, and the women who keep his world running. Phantom Thread is Paul Thomas Anderson's eighth movie, and his second collaboration with Daniel Day-Lewis. Bonus Features Camera Tests: with Commentary by Writer/Director/Producer Paul Thomas Anderson For the Hungry Boy House of Woodcock Fashion Show
The Last of the Mohicans is a large-scale adventure set during the colonial conflicts between Britain and France 20 years before the American War of Independence. Based loosely on the novel by James Fenimore Cooper, but actually inspired by director Michael (Manhunter, Heat) Mann's boyhood love of the 1936 film of the same name, this is rousing, romantic stuff. As "Hawkeye", a white raised by the last of the Mohican tribe, Daniel Day-Lewis delivers a performance which, had he followed it up, could have established him as an action hero for the 1990s and beyond. Despite an under-written role Madeline Stowe convinces as the heroine. The remaining cast are uniformly excellent. Filmed amid the spectacular mountains, rivers and forests of North Carolina by Mann's regular cinematographer, Dante Spinotti, the film is a visual joy, while Trevor Jones' majestic, spine-tingling score (with additional music by Randy Edleman) is one of the finest of the decade. Taking time to establish the motives of British and French colonists and the various native tribes, as well as the varying opinions and characters within these groupings, Mann offers much greater balance and complexity than The Patriot (2000), yet never looses sight of the object here: telling a stirring yarn laced with bold action set pieces and passionate romance. On the DVD: The anamorphically enhanced 2.35:1 image is a massive improvement over VHS, but still shows considerable grain in many scenes, possibly a result of the film being shot in low, natural light and containing many very dark sequences. The Dolby Digital 5.1 soundtrack is very powerful, though little use is made of the rear channels, and in some scenes the sound effects all but drown out the dialogue. Isolated scores are usually only found on feature-packed special editions, so the inclusion here is a welcome surprise--and testament its popularity. The only other extra is an anamorphic 2.35:1 presentation of the immensely stirring theatrical trailer. --Gary S Dalkin
Martin Scorsese does not sound like the logical choice to direct The Age of Innocence, an adaptation of Edith Wharton's novel about the manners and morals in New York society in the 1870s. But these are mean streets, too, and the psychological violence inflicted between characters is at least as damaging as the physical violence perpetrated by Scorsese's usual gangsters. At the centre of the tale is Newland Archer (Daniel Day-Lewis), a somewhat diffident young man engaged to marry the very respectable May Welland (Winona Ryder). But Archer is distracted by May's cousin, the Countess Olenska (a radiant Michelle Pfeiffer), who has recently returned from Europe. As a married woman seeking a divorce, the Countess is an embarrassment to all of New York society. But Archer is fascinated by her quick intelligence and worldly ways. Scorsese closely observes the tiny details of this world and this impossible situation; this is a film in which the shift of someone's eyes can be as significant as the firing of a gun. The director's sense of colour has never been keener, and his work with the actors is subtle. --Robert Horton, Amazon.com
As with the great John Ford (Young Mr. Lincoln) before him, it would be out of character for Steven Spielberg to construct a conventional, cradle-to-grave portrait of a historical figure. In drawing from Doris Kearns Goodwin's Team of Rivals, the director instead depicts a career-defining moment in the career of Abraham Lincoln (an uncharacteristically restrained Daniel Day-Lewis). With the Civil War raging, and the death toll rising, the president focuses his energies on passage of the 13th Amendment. Even those sympathetic to the cause question his timing, but Lincoln doesn't see the two issues as separate, and the situation turns personal when his son, Robert (Joseph Gordon-Levitt), chooses to enlist rather than to study law. While still mourning the loss of one son, Mary (Sally Field) can't bear to lose another. Playwright Tony Kushner, who adapted the screenplay, takes a page from the procedural handbook in tracing Lincoln's steps to win over enough representatives to abolish slavery, while simultaneously bringing a larger-than-life leader down to a more manageable size. In his stooped-shoulder slouch and Columbo-like speech, Day-Lewis succeeds so admirably that the more outspoken characters, like congressman Thaddeus Stevens (Tommy Lee Jones) and lobbyist W.N. Bilbo (James Spader), threaten to steal the spotlight whenever they enter the scene, but the levity of their performances provides respite from the complicated strategising and carnage-strewn battlefields. If Lincoln doesn't thrill like the Kushner-penned Munich, there's never a dull moment--though it would take a second viewing to catch all the political nuances. --Kathleen C. Fennessy
The prestigious film-making trio of producer Ismail Merchant, director James Ivory and screenwriter Ruth Prawer Jhabvala had made other critically acclaimed films before A Room with a View was released in 1985, but it was this popular film that made them art-house superstars. Splendidly adapted from the novel by E.M. Forster, it's a comedy of the heart, a passionate romance and a study of repression within the class system of manners and mores. It's that system of rigid behaviour that prevents young Lucy Honeychurch (Helena Bonham Carter) from accepting the loving advances of a free-spirited suitor (Julian Sands), who fears that she will follow through with her engagement to a priggish intellectual (Daniel Day-Lewis) whose capacity for passion is virtually non-existent. During and after a trip to Italy with her protective companion (Maggie Smith), Lucy gradually gets in touch with her true emotions. The fun of watching A Room with a View comes from seeing how Lucy's thoughts and feelings finally arrive at the same romantic conclusion. Through an abundance of humour both subtle and overt, the film rose to an unexpected level of popular appeal. The Merchant-Ivory team received eight Academy Award nominations for their efforts, and won the Oscar for Best Adapted Screenplay, Art Direction and Costume Design. --Jeff Shannon
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