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• New York, New York | DVD | (13/06/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  The day WWII ends Jimmy (De Niro) a selfish and smooth-talking musician meets Francine (Minelli) a lounge singer. From that moment on their relationship grows into love as they struggle with their careers and aim for the top...

• Extras - Series 2 | DVD | (26/03/2007) from £6.62   |  Saving you £15.37 (232.18%)   |  RRP £21.99

  The story of a man with small parts. The second series sees Andy (Gervais) experience the highs he has longed for with his newly written sitcom 'When The Whistle Blows'. However while the show achieves high ratings Andy's creative integrity is under threat from the catchphrase-riddled mainstream appeal of it all. The answer; artistic credibility and celebrity friends which leaves poor Maggie out in the cold now working as a background artist on Andy's breakthrough venture. As before a slew of high-profile celebrities pop up for some hilarious cameos including Sir Ian McKellen Robert De Niro and Orlando Bloom amongst others all willing and able to humiliate themselves!

• Russ Meyers UP! Standard BD | Blu Ray | (28/04/2025) from £28.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  No fairy tale this! In 1976, producer/director/cinematographer/editor Russ Meyer delivered his penultimate feature film co-written by Beyond the Valley of the Dolls screenwriter and Pulitzer Prize winner Roger Ebert hailed as jaw-droppingly perverse (Entertainment Weekly), Meyer at his most outrageous (Images Journal) and definitely not to be confused with the Pixar cartoon (The Spinning Image).Welcome to a sex-blasted burg in Northern California where sodomized Führers, ravenous piranha, sapphic ecstasy, murder mystery, Shakespearean appropriation and the remarkable Raven De La Croix collide, with Kitten Natividad in her RM Productions debut as The Greek Chorus of it all. Janet Wood (The Centrefold Girls) co-stars in one of Russ Meyer's best films (We Are Movie Geeks), now scanned in 4K from the original negative by Severin Films with new and archival Special Features curated in association with The Russ Meyer Trust.BLU-RAY:Audio Commentary by Film Historian Elizabeth PurchellNo Fairy Tale... This! Interview With Actress Raven De La CroixRadio Spot

• El Mariachi / Desperado | DVD | (01/11/1999) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Before Robert Rodriguez' El Mariachi, Mexicans in North American action films were typically maids, drug dealers or prison inmates. Even if the Cisco Kid was a friend of yours, you handled a dust cloth or a Mac-10 if you lasted in Hollywood longer than a New York minuto. But when El Mariachi crossed the border in 1992, things changed. Granted, it still involved a drug lord in a shoot-em-up but this time the good guy was a Mexican. Austin-based Rodriguez made El Mariachi for a fistful of pesos and a little help from his friends. He wrote, directed, coproduced, edited and operated the camera. Plus, he assembled a cast that had never acted before to work por nada. Desperado continues the outrageous action adventure. Working with a much bigger budget, Rodriguez returns the nameless mariachi to non-stop action. Again thrust into a world he never made, the hero takes his guitar-case arsenal deep into the criminal labyrinth of Bucho (Joaquim de Almeida), el gran chingon of the Mexican drug lords. With an amigo (Steve Buscemi) and a beautiful bookstore owner (Salma Hayek), el mariachi confronts an outrageous cast along the way, including a bartender (Cheech Marin), a drug-deal, pick-up guy (Quentin Tarantino) and the original mariachi (coproducer Carlos Gallardo) as a new-found compa'. Antonio Banderas has the lead this time, and if he's not quite up to the challenge, it's probably because he's Spanish, not Mexican, a distinction not lost by anyone raised on what the popular media now calls "ethnic food." That said, Desperado is not to be missed. Using intelligence, romance and humour--as well as plenty of explosive, surreal violence--Rodriguez again showcases the timeless struggle between the forces of darkness and light. And, in the process, he's recasting the mould for the contemporary action hero--kids now argue about who gets to play the Mexican. --Stephan Magcosta, Amazon.com

• Julia | DVD | (07/09/2015) from £8.99   |  Saving you £7.00 (77.86%)   |  RRP £15.99

  Rehab for anything can be a real bitch. Especially if an unorthodox treatment is sought but not followed to the letter. The result could well be psychological damage with horrific consequences. Enter Julia Shames (THE HUMAN CENTIPEDE (FIRST SEQUENCE) star Ashley C. Williams), a meek and mild clinician at a thriving plastic surgery business, who dates the wrong guy and ends up being drugged and gang-raped by his friends. Catatonic after suffering such brutal trauma she hears about a new kind of therapy being whispered about for her damaged condition as practised by the mysterious Dr. Sgundud. What that restorative cure entails takes Julia into a whole new shadowy area of her personality, one that teaches her how not to become a victim anymore and transforms her into an empowered Angel of Vengeance.

• Charles Dickens Collection | DVD | (19/03/2012) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.91

  Great ExpectationsThe key ingredient in this modern-day version of Charles Dickens's classic is director Alfonso Cuarón, who made the glowing, estimable A Little Princess. If you saw that (and you should), understand that Expectations has those ingredients (great sense of time, place, and timing) but adds modern music and sex appeal; the latter personified by the long-legged Gwyneth Paltrow. Finnegan Bell (Ethan Hawke as an adult, Jeremy James Kissner at age 10) is the new version of Dickens's Pip. He's a child wise beyond his years, befriending an escaped convict (Robert De Niro) in the warm waters of Florida's Gulf Coast. Finn is also the plaything for Estella (Paltrow as an adult, Raquel Beaudene at age 10), the niece of the coast's richest and most eccentric lady, Ms. Dinsmoor (a fun and flamboyant Anne Bancroft). The prudish Estella likes Finn (catch the best first kiss scene in many a moon) but has been brought up to disdain men; she'll break hearts. As the object of Finn's desires, Estella unfortunately is a one-dimensional character, yet what a dimension! Clad in Donna Karan dresses and her long, sun-kissed hair, Paltrow is luminous. She and Hawke make a very sexy couple. Mitch Glazer's script does better by Finn. He's a blue-collar worker with a gift for drawing (artwork by Francesco Clemente). Following his Uncle Joe's (Chris Cooper) honest ways, Finn grows up as a fisherman, thoughts of Estella and art drifting away in the hard work. When a mysterious benefactor allows him to follow his dream, Finn finds himself in New York, preparing for a once-in-a-lifetime art exhibit--and in the arms of the engaged Estella. Filled with cinematographer Emmanuel Lubezki's golden-drenched light, the film has an irresistible, wildly romantic look. Dinsmoor's place is certainly gothic, Estella and Finn's longing encounters glamorous. Cuarón uses an MTV-friendly soundtrack with a confident touch. Songs by Tori Amos and the band Pulp--along with Patrick Doyle's silky score--create passionate scenes. It all ends far too swiftly with a seemingly tacked-on ending (reflecting the book, as it happens) but the film is splendid storytelling. It's a stylish, sweet valentine. --Doug Thomas Oliver TwistIf Charles Dickens were alive to see Roman Polanski's faithful adaptation of Oliver Twist, he'd probably give it his stamp of approval. David Lean's celebrated 1948 version of the Dickens classic and Carol Reed's Oscar-winning 1968 musical are more entertaining in some ways, but Polanski's rendition is both painstakingly authentic (with superb cinematography and production design) and deeply rooted in the emotional context of the story. Both Polanski and Dickens had personal experiences similar to those of young Oliver (played here by Barney Clark)--Polanski in the Nazi-occupied ghettos of Poland during World War II, and Dickens during his hard-scrabble youth in Victorian London--and this spiritual kinship lends a certain gravitas to the tale of a tenacious orphan who escaped from indentured servitude in London society and is taken in by Fagin (Ben Kingsley) and his streetwise gang of pickpockets. As the evil Bill Sykes, who exploits Oliver for his own nefarious needs, Jamie Foreman is no match for Oliver Reed (in the '68 musical) in terms of frightening menace, but even here, Polanski's direction hews closer to Dickens, while the screenplay by Ronald Harwood (who also wrote Polanski's The Pianist) necessarily trims away subplots and characters for the sake of narrative economy. All in all, this Oliver Twist rises above most previous versions, and with the benefit of Kingsley's nuanced performance, Polanski arrives at a compassionate conclusion that captures the essence of Dickens' novel in a way that viewers of all ages will appreciate for many years to come.-- Jeff Shannon Nicholas NicklebyWhile it necessarily streamlines the Charles Dickens classic, this delightful adaptation of Nicholas Nickelby captures the essence of Dickens in all of its Victorian splendor and squalor. With Charlie Hunnam (the U.K. Queer as Folk) doing noble work in the title role, this quintessentially Dickensian tale begins with the death of Nicholas's father, and the subsequent scheme by his cruel uncle (Christopher Plummer, perfectly cast) to separate Nicholas from his now penniless sister and mother. Stuck in a squalid school run by the evil Mr. and Mrs. Squeers (Jim Broadbent, Juliet Stevenson), Nicholas escapes with his loyal friend Smike (Billy Elliott's Jamie Bell), whose lineage will determine the greedy uncle's fate. As he did with Jane Austen's Emma, writer-director Douglas McGrath has crafted a prestigious production that shifts effortlessly between comedy and tragedy without compromising its warm, inviting tone. His dialogue rings true throughout, inspiring a stellar cast including Nathan Lane, Alan Cumming, Edward Fox, and Timothy Spall. Dickens himself would almost certainly have approved. --Jeff Shannon

• Horseplay | DVD | (17/07/2023) from £8.95   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Nutcracker 3D DVD | DVD | (07/11/2011) from £12.45   |  Saving you £-4.22 (N/A%)   |  RRP £8.23

  Set in 1920s Vienna, this a tale of a little girl, whose godfather gives her a special doll one Christmas Eve.

• Guilty By Suspicion | DVD | (30/06/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  A witch hunt has begun. The hunters are politicians sitting before clicking cameras in HAUC hearing rooms. Hollywood is on trail. An David Merrill is asked to 'name names'. This powerful directorial and screenwriting debut of veteran producer Irwin Winkler vividly recreates the creative community's infamous Blacklist era. De Niro plays Merrill an A-list director who can revive his stalled career by testifying against friends who are suspected communists. Annette Bening is Merrill's e

• Joey - The Complete First Season | DVD | (25/07/2005) from £29.99   |  Saving you £21.00 (70.02%)   |  RRP £50.99

  New town. Still lost! In this hilarious 'Friends' spin-off the lovably dim Joey Tribbiani (Matt Le Blanc) moves to Los Angeles to pursue his disastrous acting career... Episodes comprise: 1. Pilot 2. Joey and the Student (aka Episode One ) 3. Joey and the Party 4. Joey and the Book Club 5. Joey and the Perfect Storm 6. Joey and the Nemesis 7. Joey and the Husband 8. Joey and the Dream Girl (Part 1) 9. Joey and the Dream Girl (Part 2) 10. Joey and the Big A

• Ally McBeal, Series 5 Box Set 1 | DVD | (10/02/2003) from £10.65   |  Saving you £9.34 (87.70%)   |  RRP £19.99

  The fifth season was the last series of Ally McBeal, and probably the least satisfying. While always at least slightly entertaining, it was troubled by two conflicting imperatives: first, to steer its neurotic characters and multiplicity of sub-plots towards a coherent and credible resolution; second, to sustain another series of a programme which had, by now, exhausted all the plot possibilities that were remotely believable. The result is a bemusing onslaught of new characters (Ally's Mini-Me Jenny and a barely distinguishable phalanx of lantern-jawed male leads), celebrity cameos (Edna Everage, Christina Ricci, Barry White, Matthew Perry, Jon Bon Jovi), several storylines that would test the credulity of any of the curiously indulgent judges before whom Ally's firm practises (notably the arrival of a 10-year-old daughter that Ally didn't know she had) and one misbegotten attempt to anchor the programme to the real world (the "Nine One One" episode, an unwatchably mawkish allegory about the 9/11 terrorist attacks on the United States). Granted that Ally McBeal was never intended to be realistic drama, but when the programme spirals entirely off into the realms of the surreal, any possibility of the sort of identification with the characters on which the programme once relied is lost. Though not without its moments, the sudden redemption of Fish, always the best-written character, is deftly handled. Series Five will be of chief interest to adherents who stuck with it through the first four and so wanted to see how it all ends; in keeping with the central character's defining motifs of solipsism and self-pity, it does so with a whimper. On the DVD: Ally McBeal has episode selector on each disc, and a scene selector within each of those. The final disc contains two short and desultory documentaries on the series billed, somewhat hopefully, as "Special Features". A French audio soundtrack is available, as are subtitles in English, French and Dutch. –-Andrew Mueller

• Cuba | DVD | (05/04/2004) from £13.94   |  Saving you £-0.95 (N/A%)   |  RRP £12.99

  Robert Dapes (Connery) is a cynical mercenary who comes to Cuba at the request of one of Batista's most corrupt functionaries General Bello (Martin Balsam). Once there he finds himself unable to ignore the brutality and depravity of the Batista regime - or Alexandra Pulido (Adams) an older lover who is now married to a wealthy Cuban landowner. Surrounded by volatile guerrilla fighters and the human vultures present at all coups he must come to terms with himself and his shifting v

• The Lady From Shanghai | DVD | (18/08/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh

• Salo Or The 120 Days Of Sodom | DVD | (02/04/2001) from £43.99   |  Saving you £-24.00 (N/A%)   |  RRP £19.99

  Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews

• Falling In Love | DVD | (10/06/2002) from £7.45   |  Saving you £2.54 (34.09%)   |  RRP £9.99

  Two of the worlds finest actors Robert De Niro and Meryl Streep are brought together again in this touching romance about two people who are quite simply falling in love. Set against the backdrop of Manhattan New York City Frank and Molly are two commuters who literally bump into each other in a busy book store during the Christmas rush. Their parcels are sent scattering over the floor. Giggling they collect themselves and their shopping bags and reluctantly head their sep

• ROMA (Masters of Cinema) (Blu-ray) | Blu Ray | (24/02/2014) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  One of the maestro Federico Fellini's greatest '70s works (between Satyricon and The Clowns and Amarcord) Roma [Rome] erupts volcanically as a state-of-the-world pronouncement on what was not only happening within Rome at the tide of the hippies' organic birth and the post-Boom-set that made up his characters of the 1960s films but also where and how his city would move feverishly forward into one of potential futures. As Fellini himself travels with his crew to document the ring-road circling Rome with all the natural diversions that might inherently divert a traditional film shoot we move into episodes that chart the wartime difficulties of Roman life across those fleeting times that chronicle love and life within the modern-day Rome-time themselves pitted against the archaeological vestiges of the great city - and the Catholic church rears its dominance and we come into a midpoint that positions itself indeed between the memory-cinema of Satyricon and Amarcord. One of the great and bountiful colour-spectacles of Fellini's cinema almost leapt off toward from the moment of Giulietta of the Spirits Fellini's Roma remains a passionate testament both to the city that finally claimed him as its son after he left small Rimini and to the final stage of cinema that he himself would work till the day he died. The Masters of Cinema Series is proud to present Fellini's Roma in a Blu-ray edition for the first time in the UK. Special Features: Gorgeous restored 1080p HD transfer of the film Outtakes from the film More to be announced closer to the release date 36-Page Booklet featuring the words of Fellini and more

• Air Force One is Down | DVD | (24/07/2017) from £6.35   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Air Force One is Down is a hair-raising, high-altitude, wall-to-wall action-adventure based on the novel by bestseller Alistair MacLean. When a fearless rouge Serbian General is captured and imprisoned for war crimes, his loyal soldiers hijack Air Force One and kidnap the President of the United States in a brilliantly orchestrated scheme, and demand the release of the Serbian dictator within 12 hours or the President will die. Time is running out, and the nature of survival will be tested to the limit.

• What Have I Done To Deserve This | Blu Ray | (20/02/2017) from £11.89   |  Saving you £N/A (N/A%)   |  RRP £N/A

  What Have I Done To Deserve This? is a perfect example of director Pedro Almodóvar's earlier work, containing all the elements which earned his films a cult international following. Starring the incomparable Carmen Marua as Gloria, a prescription drug addicted mother battling to make sense of her life and family as the world around her goes crazy. Intelligent, offensive, risqué, hilarious, eccentric, ironic, compelling, sad and sext, this early film shows Almodóvar's genius at it's more raw and untamed, his explosive energy shining through right to the last frame. Extras: Around What Have I Done To Deserve This? Introduction by José Arroyo Trailer

• Heat | DVD | (01/11/1999) from £5.98   |  Saving you £13.01 (217.56%)   |  RRP £18.99

  Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in Heat, an intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, Heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon

• New Masters of Cinema 01 | DVD | (02/04/2007) from £25.00   |  Saving you £-10.01 (N/A%)   |  RRP £14.99

  One Minute Past Midnight: The year is 2058. Robert and Steve celebrate every New Year in the same 24-hour convenience store where they work the nightshift. No matter how much things change they always seem to stay the same even when Steve wins the lottery. But when Robert discovers that the girl of his dreams works on the dayshift he suddenly finds himself with a big decision to make. One Minute Past Midnight is a sweet dark and surreal comedy about love dreams and the fear of change. Fare Bene Mikles: The film explores the relationship between siblings Sergio and Maria from their troubled childhood to the hardships of adult life. Throughout the years their invented game called 'Mikles' provides their very own survival technique. Trafic: It is rush hour in Bucharest and young businessman Tudor is soon to be late for a meeting. Every passing minute seems endless as he sits wedged behind the wheel of his car. When he finally abandons his vehicle to confront a family drama he finds a new perspective on the everyday life he leads. Trafic is a disturbing and dazzling introspective into the sometimes meaningless rituals of contemporary urban life. Canciones De Invierno: It is November on the outskirts of an anonymous European city. Five different people are killing time in a variety of peculiar ways. But the pretence that their lives are under control is unravelling; all of them are trapped in the wreckage of recent love affairs. Wracked by insomnia self-abandonment midnight confessions and desperate behaviour their lives soon take unexpected turns as they try to win back the objects of their affection. Mekong Interior: When a couple travel to Cambodia the man is curious to search out his heritage but finds little to connect with and soon feels alienated in the environment. When the woman begins to experience a fascinating and exotic new world which draws her further and further in a profound tension develops that soon reaches breaking point. Breaking Out: Once a bubbly and extroverted singer Jessie now spends her day in anguished solitude desperately seeking to avoid her friends family and - most of all - her own paranoia. Fuelled by insecurity and a morbid fear of confrontation her fervid imagination finally leads her to make an unexpected reconnection with life.