It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
The third instalment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Big Wednesday), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. --Tom Keogh
Somewhere, lost in the clouded annals of history, lies a place that few have seen. A mysterious place called The Unknown... where long-forgotten stories are revealed to those who travel through the wood. Two brothers named Wirt and Greg find themselves lost in The Unknown: a strange forest adrift in time. With the help of a shadowy Woodsman and a foul-tempered bluebird named Beatrice, they travel through the foggy land in hope of finding a way home.
Brothers and sisters, can we get a witness for Elmer Gantry, a woeful tale of saints and sinners? Burt Lancaster earned his only Oscar as the wide-smiling, glad-handing, soul-saving charlatan Gantry, a salesman who turns his gift for preaching into a career at the pulpit. Climbing on board the barnstorming evangelical tour of revivalist Sister Sharon Falconer (Jean Simmons), Gantry declaims, invokes, and sermonises his way to the top, until a former flame-turned-prostitute (Shirley Jones in an Oscar-winning performance) threatens to reveal his dark past as a womaniser and con man. Lancaster harnesses all his physical vigour and natural charisma for this role, literally throwing himself into his preaching with the suppleness of an acrobat and the sing-song delivery of a gospel singer--he even brays like a hound to show the Holy Spirit within him. Gantry is a showman, pure and simple, and while he doesn't fool true-believer Sister Sharon, he gives her a few object lessons in playing the crowd. Director Richard Brooks, who also took home an Oscar for his screenplay (adapted from the Sinclair Lewis novel), creates a rousing drama both on and off the pulpit, and provides fine roles for an excellent supporting cast, including Arthur Kennedy, Dean Jagger, John McIntire, and singer Patti Page. --Sean Axmaker
Casting a fresh look on a timeless legend this exciting action-packed update of the DC Comic Superman captures the daring exploits of the mysterious visitor from another planet and brings the city of Metropolis to life. Originally airing on TV in the 1990s this humorously romantic action/adventure series puts a modern twist on the time-honored legendary superhero bringing to life the comic book characters Clark Kent (Dean Cain) his superhuman alter-ego Superman and Lois Lane (
A widowed Coast Guard Admiral and a widow handbag designer fall in love and marry, much to the dismay of her 10 and his 8 children.
Gloria Harkinson's mother an actress eager to maintain her glamorous mystique has tucked her away in a Swiss boarding school. The creative teenager realizes that she can not speak about her mom to anyone there. Because she has no living father either she decides to invent one -- a rugged adventurer no less. Her imaginary pop becomes a ""problem "" however when Gloria's friends demand to meet the heroic fellow. So she finds a vacationing composer to fill ""dad's"" shoes!
Includes: Beethoven Beethoven's 2nd Beethoven's 3rd Beethoven's 4th Beethoven's 5th Beethoven's Big Break Beethoven's Christmas Adventure Beethoven's Treasure Tail
Elvis Presley's third and best film is this musical romp released in 1957, just as the Big "E" was reaching the peak of his hip-swivelling pre-army success. Filmed in ultra-cool black and white, the movie stars Elvis as a good ol' boy who saves a woman from an assault but kills her attacker, so he's convicted of manslaughter and sent to jail. While doing time he takes up the guitar and becomes a singing sensation, ready for the big time when he's finally released. He becomes a big star but his inflated ego gets him into trouble with his former cellmate and his new girlfriend. Short on plot but heavy on rock & roll, this EP classic features such hit songs as "Treat Me Nice", "Baby, I Don't Care", "Don't Leave Me Now" and, of course, the classic title song, performed in an elaborate jailhouse number that Elvis choreographed himself. This is Elvis in all his big-screen glory, and the movie's upbeat ending made it a huge success during its original release. --Jeff Shannon
Herbie - The Love Bug (1969): The tale of a struggling race car driver named Jim Douglas who only begins winning races once he starts driving Herbie. Elated at his new found success Jim does not realise that it is the Volkswagen who is responsible for the first-place finishes! Herbie Rides Again (1974): Herbie the lovable VW protects Grandma against an evil property tycoon! Herbie Goes To Monte Carlo (1977): The lovable VW Beetle is entered for a road race from Paris to Monte Carlo. He falls in love and gets mistakenly involved in a robbery; will he manage to make it to the finishing line in time? Herbie Goes Bananas (1980): There's disorder south of the border when Herbie the almost human Volkswagen meets Paco the pickpocket and has to dismantle a counterfeiting ring down in Mexico! Herbie - Fully Loaded (2005): Herbie the most beloved movie-car of them all is back and Lindsay Lohan's behind the wheel in Disney's latest revved-up comedy hit! Maggie Peyton the new owner of 'Number 53' puts the free-wheelin' Volkswagen bug through its paces on the road to becoming a NASCAR competitor. Being a third generation member of a NASCAR family racing is in Maggie's blood but she if forbidden from competing by her overprotective father Ray Sr. (Michael Keaton). When Maggie's offered a car as a graduation present she surprisingly ends up with a battered old '63 VW Beetle; but this is no ordinary 'Bug'. As she prepares to leave town for a career at ESPN News Maggie discovers that 'Herbie' has a mind of his own... and an alternate route for her future.
A Place Beyobd Your Dreams. A Movie Beyond Your Imagination. Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert's bestselling sci-fi epic Dune finally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch's regular collaborators. The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the centre of an intergalactic war and an ancient prophecy that could change the galaxy forever. Though its initial reception ensured that Lynch largely eschewed mainstream filmmaking for the rest of his career, Dune has since been rightly re-evaluated as one of the most startlingly original and visionary science fiction films of the 1980s. Its astonishing production design and visual effects can now be appreciated anew in this spellbinding 4K restoration, accompanied by hours of comprehensive bonus features. Special Features: Brand new 4K restoration from the original camera negative 60-page perfect-bound book featuring new writing on the film by Andrew Nette, Christian McCrea and Charlie Brigden, an American Cinematographer interview with sound designer Alan Splet from 1984, excerpts from an interview with the director from Chris Rodley's book Lynch on Lynch and a Dune Terminology glossary from the original release Large fold-out double-sided poster featuring original and newly commissioned artwork by Dániel Taylor Six double-sided, postcard-sized lobby card reproductions Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Dániel Taylor Disc 1 High Definition (1080p) Blu-ray⢠presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Brand new audio commentary by film historian Paul M. Sammon Brand new audio commentary by Mike White of The Projection Booth podcast Impressions of Dune, a 2003 documentary on the making of the film, featuring interviews with star Kyle MacLachlan, producer Raffaella de Laurentiis, cinematographer Freddie Francis, editor Antony Gibbs and many others Designing Dune, a 2005 featurette looking back at the work of production designer Anthony Masters Dune FX, a 2005 featurette exploring the special effects in the film Dune Models & Miniatures, a 2005 featurette focusing on the model effects in the film Dune Costumes, a 2005 featurette looking at the elaborate costume designs seen in the film Thirteen deleted scenes from the film, with a 2005 introduction by Raffaella de Laurentiis Destination Dune, a 1983 featurette originally produced to promote the film at conventions and publicity events Theatrical trailers and TV spots Extensive image galleries, including hundreds of still photos Disc 2 BONUS DISC The Sleeper Must Awaken: Making Dune, a brand new feature-length documentary by Ballyhoo Motion Pictures exploring the making of the film, featuring dozens of new and archive interviews with cast and crew Beyond Imagination: Merchandising Dune, a brand new featurette exploring the merchandise created to promote the film, featuring toy collector/producer Brian Sillman (The Toys That Made Us) Prophecy Fulfilled: Scoring Dune, a brand new featurette on the film's music score, featuring interviews with Toto guitarist Steve Lukather, Toto keyboardist Steve Porcaro, and film music historian Tim Greiving Brand new interview with make-up effects artist Giannetto de Rossi, filmed in 2020 Archive interview with production coordinator Golda Offenheim, filmed in 2003 Archive interview with star Paul Smith, filmed in 2008 Archive interview with make-up effects artist Christopher Tucker *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
Casting a fresh look on a timeless legend this exciting action-packed update of the DC Comics Superman captures the daring exploits of the mysterious visitor from another planet and brings the city of Metropolis to life. Originally airing on TV in the 1990s this humorously romantic action/adventure series puts a modern twist on the time-honored legendary superhero bringing to life the comic book characters Clark Kent (Dean Cain) his superhuman alter-ego Superman and Lois Lane (
The 1994 movie Stargate was originally intended as the start of a franchise, but creators Roland Emmerich and Dean Devlin were distracted celebrating their Independence Day. Episodic TV treatment was the natural next step. Since neither Kurt Russell nor James Spader would be able to commit, it gave the producers licence to tinker with the cast and the universe they'd explore. Replacing the roles of Colonel Jack O'Neill and Dr. Daniel Jackson respectively are Richard Dean Anderson and Michael Shanks. They're joined by Captain Samantha Carter (Amanda Tapping) and guilt-stricken former alien baddie Teal'c (Christopher Judge) to form the teacher's pet primary unit SG-1 With a seemingly endless network of Stargates found to exist on planets all across the known universe, their mission is to make first contact with as many friendly races as possible. Chasing their heels at almost every turn are the "overlord" pharaohnic Goa'uld--the ancient Egyptian Gods who are none too chummy after the events of the original film. The welcome notion of a continued plot thread sees offshoots that follow the reincarnation of Daniel's wife, Sam's father literally joining a renegade faction of the Goa'uld, and Jack in an unending quest to out-sarcasm everyone. There's something of The Time Tunnel to the show's premise, but amid a dearth of derivative look-a-likes, Stargate has held its own with stories that put the science fiction back into TV sci-fi. "The Serpent's Song" is a cry for help from the team's nemesis--Apophis--who they've been fighting since the beginning. It's a morality showcase all-round. Although deserving a "Holiday", the team just can't leave alien artefacts alone, which gets them into all manner of trouble playing with Ma'chello's body-swapping machine. This episode gives everyone a fantastic opportunity to impersonate one another. "One False Step" of another kind lays a guilt trip on them all for accidentally infecting a race with a disease. Then in "Show and Tell" the central story arc takes a dramatic turn when a child arrives to warn that some survivors of a Goa'uld attack are determined to eliminate anyone who might host their enemy--which means Earth as a whole. --Paul Tonks
The biggest change for Stargate's sixth season was its move to the Sci-Fi Channel. Financial rescue or genre haven from cancellation? Whatever the behind-the-scenes politics, the departure of Daniel Jackson (actor Michael Shanks) the previous year most certainly contributed to the need to run a tighter ship somewhere. With the addition of his replacement, Jonas Quinn, the new show dynamic (hinted at by the new title theme tune) meant far more convoluted arc-stories and less individual focus. One of very few solo spotlights came from Christopher Judge writing his own show, when "The Changeling" saw Teal'c act out a life as a fireman. One reason for being a fan favourite was its cameo from still-alive-after-all Daniel Jackson. There'd be several more through the year, culminating in a finale that tested how much attention you'd been paying to that all-important back-story. Other kooky cameos included Dean Stockwell in one of the many spotlights on the energy resource n'quadria, Ian Buchanan as one of the devilish Replicators (and hopefully the end of that plotline) and regular spots from John DeLancie, Ronny Cox and Tom McBeath as the Earth-bound series baddies. More pertinently, we also saw Byers from The X-Files (Bruce Harwood) as a scientist involved with the Antarctic Gate. Lest we forget, there are other portals on Earth. Is that an already planned spin-off on the horizon? --Paul Tonks
New Order Part One: While Sam and Teal'c go to the planet of the former human-form Replicators to contact the Asgard to cure Jack Daniel and Dr. Weir must deal with Goa'uld System Lords who wish the Ancients weapon they used to destroy Anubis. New Order Part Two: As the Replicators overwhelm the new Asgard homeworld SG-1 works to revive Jack create an Ancients weapon to stop the invaders and tries to find the missing Sam who is held captive by the humanform Replicator Fifth in a virtual reality. Lock Down: A Russian Air Force Colonel comes to join SGC as an alien creature shows up at the same time. The creature starts taking over members of the SGC. General O'Neill orders SGC to be locked down until the creature can be contained. Zero Hour: Five days in the life of SGC as Jack assumes full command of the base and has to deal with a rapidly growing alien plant the capture of SG1 by Ba'al arguing alien delegates and a tricky traitorous System Lord.
A collection of movies featuring the lovable little Volkswagon! Herbie - The Love Bug: He tale of a struggling race car driver named Jim Douglas who only begins winning races once he starts driving Herbie. Elated at his new found success Jim does not realise that it is the Volkswagen who is responsible for the first-place finishes! Herbie Goes Bananas: There's disorder south of the border when Herbie the almost human Volkswagen meets Paco the pickpocket and has to
A gradual shift in overall style, character homecomings and departures, and evolving on and off-screen roles for the major players are among the attractions of the complete seventh season of Stargate SG-1. Spread out over five discs, these 21 episodes are ample indication that changes notwithstanding--and admittedly, not all of them are for the better--the series remains arguably the best-made, most compelling sci-fi program on television. Perhaps most noticeable is the reduced role of star Richard Dean Anderson, who opted to limit his number of trips to Vancouver, where Stargate SG-1 is filmed. But that's not a bad thing. The show's ability to poke fun at itself has always been a strong suit, and while Anderson still brings a welcome sense of humor to his portrayal of wiseacre and loose cannon Col. Jack O'Neill, his act is getting a little smug by now. What's more, the other principal cast members have taken up the slack, both behind and in front of the camera: Michael Shanks (Daniel Jackson, who rejoins the cast in episode 1) wrote one episode and co-wrote another; Christopher Judge (Teal'c) wrote one as well; Amanda Tapping (Lt. Col. Samatha Carter) directed episode 19, "Resurrection"; and even Corin Nemec (Jonas Quinn, who appears in just a few episodes) contributed one story. The seventh season also finds the series somewhat more earthbound than in the past; indeed, there are episodes in which the Stargate (the "wormhole" our heroes use to travel to different worlds) doesn't appear at all. On balance, the stories are more personal, and more political--especially the final two, with the newly elected U.S. President (William Devane) struggling to decide the fate of the Stargate program (and, of course, the fate of the entire known universe as well!). And then there's the ultimate villain, Anubis, who makes perennial nemeses the Goa'uld (of which Anubis is one... sort of) look tame. He's a combination of Star Wars' Darth Vader and evil Emperor, but hey, at least these guys borrow from the best. Stargate SG-1's production values remain first-rate. The bonus DVD features are also much better than they once were, with audio commentary (mainly by directors and writers) for every episode, as well as director profiles and "Beyond the Gate" featurettes focusing on individual characters. --Sam Graham
The complete third season of Lois & Clark! Casting a fresh look on a timeless legend this exciting action-packed update of the DC Comics Superman captures the daring exploits of the mysterious visitor from another planet and brings the city of Metropolis to life. Originally airing on TV in the 1990s this humorously romantic action/adventure series puts a modern twist on the time-honoured legendary superhero bringing to life the comic book characters Clark Kent (Dean Cain
Elvis Presley's third and best film is this musical romp released in 1957, just as the Big "E" was reaching the peak of his hip-swivelling pre-army success. Filmed in ultra-cool black and white, the movie stars Elvis as a good ol' boy who saves a woman from an assault but kills her attacker, so he's convicted of manslaughter and sent to jail. While doing time he takes up the guitar and becomes a singing sensation, ready for the big time when he's finally released. He becomes a big star but his inflated ego gets him into trouble with his former cellmate and his new girlfriend. Short on plot but heavy on rock & roll, this EP classic features such hit songs as "Treat Me Nice", "Baby, I Don't Care", "Don't Leave Me Now" and, of course, the classic title song, performed in an elaborate jailhouse number that Elvis choreographed himself. This is Elvis in all his big-screen glory, and the movie's upbeat ending made it a huge success during its original release. --Jeff Shannon
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