Herbie the VW with a heart adds some international flair to his lovable personality! Upon entering a Paris-to-Monte Carlo road race Herbie falls hood over wheels in love when he encounters a sleek sporty light-blue Lancia. Also vying for Herbie's attention is a gang of jewel thieves - who've ingeniously hidden a stolen gem in Herbie's gas tank! Thus begins a madcap chase across the French countryside that only The Love Bug could create!
It isn't difficult to imagine why this 1988 retelling of the Crucifixion story was picketed so vociferously on its release in the US--this Jesus bears little resemblance to the classical Christ, who was not, upon careful review of the Gospels, ever reported to have had sex with Barbara Hershey. Heavily informed by Gnostic reinterpretations of the Passion, The Last Temptation of Christ (based rather strictly on Nikos Kazantzakis's novel of the same name) is surely worth seeing for the controversy and blasphemous content alone. But the "last temptation" of the title is nothing overtly naughty--rather, it's the seduction of the commonplace; the desire to forgo following a "calling" in exchange for domestic security. Willem Dafoe interprets Jesus as spacey, indecisive and none too charismatic (though maybe that's just Dafoe himself), but his Sermon on the Mount is radiant with visionary fire; a bit less successful is method actor Harvey Keitel, who gives the internally conflicted Judas a noticeable Brooklyn accent, and doesn't bring much imagination to a role that demands a revisionist's approach. Despite director Martin Scorsese's penchant for stupid camera tricks, much of the desert footage is simply breathtaking, even on small screen. Ultimately, Last Temptation is not much more historically illuminating than Monty Python's Life of Brian, but hey, if it's authenticity you're after, try Gibbon's. --Miles Bethany
Dean Martin: Encore features Dino at the top of his form singing many of his greatest most enduring songs at the height of his popularity. Handsome charming and equally at home in heavy dramas slapstick comedy TV entertainment specials or live on stage Dean Martin was above all one of the most popular and most imitated singers of the twentieth century and this fabulous compilation of classic performances is ample proof of his remarkable versatility.
Both a road movie and a mystery, and featuring a sublime score by Ry Cooder, Wim Wenders' Cannes winner is the pinnacle of the filmmaker's career. Harry Dean Stanton plays Travis Henderson, who walks out of the desert after disappearing for four years. He is picked up by his brother Walt (Dean Stockwell), who with his wife Anne (Aurore Clément) have been looking after Travis' son Hunter (Hunter Carson). A man ill at ease in everyday life, Travis feels the need to search for his ex, Jane (Nastassja Kinski), who left him some years before. In doing so, he attempts to bring his family back together, with unexpected results. Paris, Texas is the summation of Wenders' fascination with the American West its landscape and the people who populate it. Stanton's grizzled face says more than any words could convey, his silence accentuating his feelings of dislocation from the modern world. Instead, Ry Cooder's music, heavily influenced by Blind Willie Johnson's blues standard Dark Was the Night, Cold Was the Ground', along with Robby Müller's stunning cinematography, transpose Travis' emotional and physical journey upon the vast sights and sounds of the American landscape. The script, co-written by L.M. Kit Carson and acclaimed playwright Sam Shepard, plays with the notion of myth, country and character a place always out of reach or a relationship consigned to the past. It's a potent idea that Wenders' film brilliantly embraces.
Based on John Steinbeck's novel and directed by Elia Kazan, East of Eden was James Dean's breakout big-screen performance, one that will forever be remembered in Hollywood history. The emotionally charged film tells the story of lonely youth Cal (Dean), who view for the affection of his hardened father (Raymond Massey) and favored brother, Aron (Richard Davalos). The film received four Academy Award nominations, and Jo Van Fleet won the Best Supporting Actress Oscar for her role as Cal's wayward mother. Product Features On-Disc Special Features 4K: Commentary by Richard Schickel BD: Documentary Forever James Dean Featurette East of Eden: Art in Search of Life 1955 New York City Premiere Actors' Screen Tests Wardrobe Tests Deleted Tests Theatrical Trailer
It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
The 80s are back and it's criminal! Series 1 2 and 3: The follow up to Life On Mars Ashes To Ashes sees the return of DCI Gene Hunt (Philip Glenister)! But he's no longer the self styled 'Sheriff Of Manchester' - drawn by the action and intrigue of the London Met Gene's turned his attentions to taking on the 'southern nancy' criminal scum! He is joined by his faithful sidekicks Ray Carling (Dean Andrews) and Chris Skelton (Marshall Lancaster). DCI Alex Drake is thrown into the mix - after suffering a horrific accident in 2008 she finds herself in 1981 alongside Hunt and his team.
2017 saw new WWE Superstars win championship gold, legends return to glory, and moments that made the WWE Universe say This is awesome! Relive every match and major moment from RAW and SmackDown Live and see why 2017 was a year that will never be forgotten. Featuring matches & inring segments with Roman Reigns, Seth Rollins, Dean Ambrose, Charlotte Flair, Braun Strowman, AJ Styles, Alexa Bliss, Samoa Joe, John Cena, Sasha Banks and many many more!!
In the late seventies celebrated director Francis Ford Coppola and his cast and crew ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece, ApocalypseNow. But the journey from page to screen soon spiralled into a hellish, life-threatening nightmare that echoed the film’s narrative. Plagued with adversity, one of the most influential films ever made had one of the most notorious shoots in cinema history that few survived unscathed. Compiled from rare on set footage filmed by Coppola’s wife Eleanor and interviews with the cast, Hearts Of Darkness is the ultimate feature-length documentary, capturing the explosive events that lead to Apocalypse Now becoming an acknowledged classic.
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations. But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim Newman
David Lynch's 1990 Wild at Heart is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his Blue Velvet. Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. --Tom Keogh
From director Zack Snyder (Man of Steel) comes Batman v Superman: Dawn of Justice, starring Oscar winner Ben Affleck (Argo) as Batman/Bruce Wayne and Henry Cavill (Man of Steel, The Man from U.N.C.L.E.) as Superman/Clark Kent in the characters' first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City's own formidable, forceful vigilante takes on Metropolis's most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it's ever known before. Number of Discs: 2 The Battle Intensifies in the Ultimate Edition In this no-holds-barred Ultimate Edition, with 30 minutes of additional footage not seen in cinemas, titans of justice Batman/Bruce Wayne (Ben Affleck) and Superman/ Clark Kent (Henry Cavill) face off in the most anticipated showdown of our time. But while Gotham City's formidable vigilante takes on Metropolis' revered saviour, the world wrestles with what sort of hero it really needs... and a new danger arises to threaten all of humanity. Includes over 2 hours of extras Extra Content: Uniting the World's Finest - Glimpse the future of DC's bold new cinematic superheroes Gods and Men: A Meeting of Giants - Become a witness to history as you discover how everything in Batman and Superman's pasts have been leading up to this ultimate, epic showdown The Warrior, The Myth, The Wonder - Explore the origin, evolution and powerful impact on popular culture by the legendary Amazonian Wonder Woman Accelerating Design: The New Batmobile - Batman's newest ride is sleek, tough, loud, and fast as hell. Host Sal Masekela goes under the hood of the celebrated vehicle, then puts rubber to the road Superman: Complexity & Truth - Experience the transformation as Henry Cavill goes from earnest journalist in glasses and tweeds to a powerful godlike being in a streamlined caped costume Batman: Austerity & Rage - From cape to cowl and from rugged body armor to carefully-tailored suits, Batman's outer gear perfectly camouflages and expresses the fury that simmers within Wonder Woman: Grace & Power - From her gladiator-influenced costume to her shield and sword, she is the mortal incarnation of a warrior goddess Batcave: Legacy of the Lair - Nature and technology exist side by side in Batman's breath-taking and modernistic subterranean digs The Might and the Power of a Punch - A dynamic and illustrative look at the power, physics and fascinating details that make the battle between Batman and Superman so formidable The Empire of Luthor - Dive deeper into the inception of an entirely new interpretation of Lex Luthor, including an examination of his storied history in the comics Save the Bats - Learn how the cast and crew gave back to the environment and brought awareness to a very real ecological problem Language: English Subtitles: English, Arabic, Bulgarian, Spanish, Croatian, Czech, Danish, Estonian, Finnish, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Korean, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Swedish, Turkish
Yorkshire, 1874. Penniless following the death of her husband, Annie Quaintain and her two children are turfed out of their village home and forced to start a new life in Jericho, a remote shanty town in the expansive and rugged Yorkshire dales. Jericho is home to a community of navvies and pioneers, prostitutes and vagabonds who will live and die in the shadow of the viaduct they've been brought together to build. Rough and rustic, yet with a wild west, carnival-like atmosphere, it's a place where people with secrets can hide, and where love can flourish against all odds. Set against a visually striking frontier landscape, this epic, eight-part drama series follows the creation of a community from nothing and the human stories and heroic struggles of survival that emerge.
The third instalment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Big Wednesday), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. --Tom Keogh
The Unholy, based on James Herbert's best-selling book Shrine, follows a young hearing-impaired girl who is visited by the Virgin Mary and can suddenly hear, speak, and heal the sick. As people from near and far flock to witness her miracles, a disgraced journalist (Jeffrey Dean Morgan) hoping to revive his career visits a small New England town to investigate. As terrifying events begin to happen all around him, he starts questioning if these miracles are the works of the Virgin Mary or something much more sinister.
It's been a bad day for Driver (Gibson) and it's not getting any better. He just made a big haul of millions that would give him a nice summer vacation on easy street. A good idea that went south - literally.
A visually haunting film, set at the foot of the Australian ski fields, this is the story of a young girl's sensory journey.
What A Cast! What A Past! What A Show!This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be wealthy...
Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman) and Enemy of the State kicks into high-intensity hyperdrive. Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humour, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey
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