From Here to Eternity offers a much more heartfelt interpretation of the event that propelled the United States into World War II than any film made in recent years. Here there are no angst-ridden scenes where "true love" returns from the dead, no costly CGI and definitely no Hallmark happy ending. This is a film about illicit sex, military machismo and tragic loss of love, friendship and ultimately life. The filmmakers did, however, have to make some compromises when adapting James Jones's novel: Alma becomes a "hostess" rather than a prostitute and the very downbeat ending, where Captain Holmes is essentially rewarded for his brutality by the military, was replaced with the morally acceptable punishment of his actions by a more self-aware army. Although Private Robert E Lee Pruitt's story provides the meat of the film, there are other subplots woven into the narrative, including a couple of doomed love affairs, which explore themes of adultery and social acceptance. Sergeant Warden (Burt Lancaster) begins a torrid affair with the commander's wife Karen (Deborah Kerr) leading to one of the most famous moments in movie history--the "clinch in the surf". From then on everything is challenged. Love, honour and eventually whether you should conform or stand up for what you believe in. At the end the couples are left wondering about the future of their relationship, but fate decides for them as the Japanese launch their attack on Pearl Harbor, leaving us with one of the most dramatic and moving endings of any war film. On the DVD: The black and white film is not anamorphically enhanced but presented full frame in its original aspect ratio of 1.37:1, although the transfer is well done and the picture is pretty sharp. Sound is 2.0 mono rather than the standard 5.1 reworking of the audio track, and it works. The dialogue is clear without any noticeable hiss. There's a 22-minute "making of" documentary, which doesn't really do justice to the film and contains very little information of interest. Along with this is Fred Zinnemann's As I See It, an extract from the director's home video footage from the shoot. You also get the theatrical trailer, but the best feature is the audio commentary, by Fred Zinnemann's son Tim and screenwriter Alvin Sargent, which has some fantastic detail about the struggle between director and studio-head Harry Cohn over casting, along with the run-ins with the censor and US military over the "inflammatory nature" of the film.--Kristen Bowditch
Welcome to the kingdom of Terry Gilliam: his solo-directing debut, a gonzo medieval comedy Amid the filth and muck of England in the Dark Ages, a fearsome dragon stalks the land, casting a shadow of terror upon the kingdom of Bruno the Questionable. Who should emerge as the town's only possible saviour but Dennis Cooper (Life of Brian's MICHAEL PALIN), an endearingly witless bumpkin who stumbles onto the scene and is flung into the role of brave knight? The first outing as a solo director by TERRY GILLIAM (Brazil)inspired by Lewis Carroll's poem Jabberwocky and made on the heels of Gilliam's success as a member of the iconic comedy troupe Monty Pytho - showcases his delight in comic nonsense, with a cast chock-full of beloved British character actors. A giddy romp through blood and excrement, this fantasy remains one of the filmmaker's most uproarious visions of society run amok. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES New 4K digital transfer from a restoration by the BFI National Archive and The Film Foundation, approved by director Terry Gilliam 5.1 surround mix, supervised by Gilliam and presented in DTS-HD Master Audio Audio commentary from 2001 featuring Gilliam and actor Michael Palin New documentary on the making of the film, featuring Gilliam, producer Sandy Lieberson, Palin and actor Annette Badland New interview with Valerie Charlton, designer of the Jabberwock, featuring her collection of rare behind-the-scenes photographs Selection of Gilliam's storyboards and sketches PLUS: An essay by critic Scott Tobias
A medieval comedy-adventure starring Michael Palin and directed by Terry Gilliam, Jabberwocky is an episodic adaptation of Lewis Carrolls surreal poem. Having previously directed Monty Python and The Holy Grail (1975) with Terry Jones, Jabberwocky marked Gilliams solo directorial debut--is it coincidental that Jones is killed by the titular monster in the opening scene? Palin plays the naive Dennis Cooper, a man seeking his fortune just as the Jabberwocky is laying waste to the country. Its much the same world as Holy Grail, with all the trappings of the romantic Hollywood epic being liberally coated with literal and metaphorical muck. Palins character causes unwitting mayhem wherever he goes--one stand-out scene involves the destruction of a maintenance shop for damaged knights-in-armour--though as much humour comes from exposing the foibles of the people he meets. And those people constitute a roll call of contemporary British comedy: Harry H Corbett as a sex-mad squire, Warren Mitchells Mr Fishfinger, plus Annette Badland, Max Wall, John Le Mesurier, Rodney Bewes, John Bird, Neil Innes and John Gorman. Jabberwocky lacks the hilarity of Holy Grail, but is a consistently amusing, exceptionally atmospheric, gleefully gory yarn which points the way to Gilliams Time Bandits (1981) and The Adventures of Baron Munchausen (1988). On the DVD Jabberwocky is distinguished by an engaging and enthusiastic commentary from Gilliam and Palin, in which they delight in the amazing cast and ponder how such a handsome film was made. Otherwise the extras are a short sketch-to-screen comparison, three posters and three trailers (only one for Jabberwocky). Transferred anamorphically enhanced at 1.77:1, the picture is variable, with many beautifully lit indoor scenes looking fine, while other exterior, daylight shots appear washed out. There is some minor print damage. The sound is a revelation for a low-budget 1970s film originally released in mono. Given a full Dolby Digital 5.1 remix the tremendously detailed, rich and involving soundscape really brings Gilliams world alive and puts many much more recent and expensive titles to shame. --Gary S Dalkin
Jonathan Kaplan (The Accused) directed this creepy thriller about an outwardly friendly cop (Ray Liotta) who attaches himself to a married couple (Kurt Russell, Madeleine Stowe) whom he helps during a crisis. In short order, he's revealed to be a psychopath who wants Russell's wife, but the film is about more than Liotta's mental state. A bold script and Kaplan's astute direction peel away the layers of masculine identity in the male leads and underscore the painful conflicts good men feel when faced with classic territorial challenges. This is not as profound as Straw Dogs, Sam Peckinpah's long-banned on video home-invasion classic, but it is honest and provocative, until mayhem overcomes the final act. --Tom Keogh, Amazon.com
Cultural critic David Kepesh finds his state of "emancipated manhood" thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Spearheaded by their dynamic leader ex waitress and Playboy bunny turned rock 'n' roll icon Debbie Harry the group sold more than 15 million albums. Then at the height of their worldwide success Blondie abruptly called it a day. But before they actually broke up in 1983 the band filmed one spectacular farewell concert in front of a wildly enthusiastic audience at the Canadian National Expo in Toronto. Tracklist: 1. Rapture 2. Island Of Lost Souls 3. Danceway 4. The Tide Is High 5. Heart Of Glass 6. Hanging On the Telephone 7. Dreaming 8. One Way Or Another 9. War Child 10. Start Me Up 11. Call Me
A modern film noir tale of murder and paranoia about a neurotic business man who beats a vagrant to death. Based on a short story by Cornell Woolrich (Rear Window). Dennis Lipscomb plays Harlan an accountant who lives a repressed life with his sexually unfulfilled wife Lillian (Deborah Harry) who has her eye on the building's superintendent Larry (Everett McGill). Harlan's obsession with catching the thief who steals sips of milk from his morning delivery ends in an a
From Stephen King (Pet Sematary) Michael McDowell (Beetlejuice) George A. Romero (Night of the Living Dead) and Arthur Conan Doyle (creator of Sherlock Holmes) comes Tales From The Darkside: The Movie an all-star horror anthology packed with fun and fright. The Wraparound Story concerns a little boy who spins all the tales... to distract a modern-day witch who wants to pop him in the oven! In Lot 249 a malevolent mummy gives new meaning to final exams when he awakens to wreak revenge on unsuspecting student bodies. A furry black kitty is really the Cat From Hell and a Lover's Vow brings a stone gargoyle to murderous life.
Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work Videodrome exemplifies Cronenberg’s extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M-style broadcasts called ‘Videodrome’. Embroiling his girlfriend Nicki (Debbie Harry) in his search for the source his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games shady organisations and body transformations stunningly realised by the Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (“he’s better than all of us combined”) and Martin Scorsese (“no one makes films like he does”) as a genius Videodrome was Cronenberg’s most mature work to date and still stands as one of his greatest. LIMITED EDITION CONTENTS: High Definition digital transfers of the uncut version of Videodrome and four of Cronenberg’s early works Original uncompressed mono audio tracks for all films Optional English subtitles for the deaf and hard of hearing for all films Limited Edition packaging fully illustrated by Gilles Vranckx Limited Edition Exclusive Extras VIDEODROME – BLU-RAY DISC 1 AND DVD DISC 2: Restored high-definition digital transfer of the unrated version approved by director David Cronenberg and cinematographer Mark Irwin Audio commentary by Tim Lucas the on-set correspondent for Cinefantastique Magazine and author of Videodrome: Studies in the Horror Film David Cronenberg and the Cinema of the Extreme – A documentary programme featuring interviews with Cronenberg George A. Romero and Alex Cox on Cronenberg’s cinema censorship and the horror genre Forging the New Flesh – A documentary programme by filmmaker Michael Lennick on Videodrome’s video and prosthetic make up effects Videoblivion: A brand new interview with cinematographer Mark Irwin A brand new interview with producer Pierre David AKA Jack Martin - Dennis Etchison author of novelizations of Videodrome Halloween Halloween II and III and The Fog discusses Videodrome and his observations of Cronenberg’s script The complete uncensored Samurai Dreams footage with additional Videodrome broadcasts with optional commentary by Michael Lennick Helmet Test and Betamax Camera (2000) Cronenberg’s short film starring Videodrome’s Les Carlson Fear on Film: A round table discussion from 1982 with Cronenberg John Carpenter John Landis and Mick Garris Deleted scenes (TBC) Promotional featurette with behind-the-scenes footage and interviews with Cronenberg James Woods Deborah Harry and Rick Baker Original theatrical trailers DAVID CRONENBERG’S EARLY WORKS: BLU-RAY DISC 3 AND DVD DISC 4 [LIMITED EDITION EXCLUSIVE] High Definition Blu-ray (1080p) and Standard Definition DVD presentation of four Cronenberg films Transfer (1966) & From the Drain (1967) Cronenberg’s previously unavailable short films newly restored by the Toronto International Film Festival [7 & 12 mins] Stereo (1969) & Crimes of the Future (1970): Cronenberg’s early amateur feature films shot in and around his university campus prefigure his later work’s concerns with strange institutions (much like Videodrome’s Spectacular Optical) as well as male/female separation (Dead Ringers) and ESP (Scanners). Newly restored from original lab elements [65 & 70 mins] Transfer the Future – Author and critic Kim Newman discusses Cronenberg’s early works COLLECTOR’S BOOKLET [LIMITED EDITION EXCLUSIVE] An illustrated 100-page hardback book featuring new writing including Justin Humphreys on Videodrome in a modern context Brad Stevens on the alternate versions Caelum Vatnsdal on Cronenberg’s early works extracts from Cronenberg on Cronenberg featuring Cronenberg’s reminiscences of getting started in filmmaking and shooting all the films in this collection plus more illustrated with original archive stills
Originally performed and broadcast for A&E on May 7, 2004 from Manhattan's John Jay College, Blondie: Live by Request finds New York City's cherished punk-popsters older, rounder, and still in possession--if not always in complete control--of the fire needed for credible performances of classics like "Dreaming," "Rapture," "Call Me," and "Heart of Glass." The 2004 Blondie includes founders Deborah Harry, Chris Stein, and Clem Burke solidly backed by Paul Carbonara (guitar), Kevin Topping (keyboards), and Leigh Foxx (bass). The disc's 17 tracks comprise Blondie's biggest hits, with "Atomic" notably absent and four cuts from 2003's Curse of Blondie (including a touching tribute to Joey Ramone) holding their own against the tried and true. Harry remains her flamboyant self, compensating for a diminishing vocal range with fresh phrasings and boundless pizzazz. Lead guitarist Stein seems lost at times, while drummer Burke plays tighter than ever, cementing the songs with a mix of disco sass and punk fervor. Keep your remote handy: caller requests and the show's vapid emcee get old fast. DVD sound is timbrally on target but dynamically compressed to within an inch of its life, but the mix breathes better in surround (Dolby or DTS) and it's easier on the ears in DTS. --Michael Mikesell
In upstate New York, seemingly located off the beaten highway, is the roadside tavern, 'Pete & Dolly's', where Victor, an introverted, over-weight pizza chef, maintains his daily vigil. Under the domineering sway of his mother, Dolly, Victor cooks her an elaborate breakfast every morning and does whatever else she wants. It amounts to a very passive, out-of-the-mainstream existence. Into this settled little world comes Callie, a beautiful, but directionless, college dropout, whom Victor imme...
My Life Without Me director Isabel Coixet draws excellent performances from a great cast in this moving drama. Ben Kingsley stars as a professor who finds his life in upheaval after he begins a romance with a young beauty (Penelope Cruz). This adaptation of Philip Roth's The Dying Animal also stars Dennis Hopper Patricia Clarkson and Peter Sarsgaard.
Used Cars, the 1980 film by director Robert Zemeckis, gives no indication of things to come in his career (Back to the Future, Contact, Forrest Gump), but it is representative of a certain cynical humour he shared early on with writer-partner Bob Gale. Kurt Russell and Jack Warden star in a sketchy comedy about competing used-car salesmen who resort to outrageous tactics to lure customers away from each other. The jokes, like the characters, are intentionally recycled, self-conscious comic fodder from a baby-boomer's lifetime (such as Gale's or Zemeckis') of immersion in pop culture. That makes Used Cars more pastiche than original (the film's title itself suggests that), but as such it has some good, if vaguely familiar, laughs in it. Russell, particularly, is very funny as a practiced con man. --Tom Keogh, Amazon.com
Before HD there was Super 8; before Independent film there was Underground Cinema and in the late 1970's and 80's, downtown Manhattan was the epicentre of a new kind of explosive, raw and confrontational filmmaking that bore witness to the rising East Village art and No Wave music scenes and the birth of hip hop. Filmmakers such as Jim Jarmusch, Beth B, Lizzie Borden and Amos Poe captured New York's gritty vibrance with dissonant tales and deadpan humour. Blank City tells their story and succeeds in capturing the glorious and grungy creative energy of another age, illustrated by extraordinary footage of their early work and the derelict landscapes of the Lower East Side. Interviews with Jim Jarmusch, John Waters, Steve Buscemi, Debbie Harry, Fab 5 Freddy, Thurston Moore and Lydia Lunch explore how a group of young visionaries pooled resources to create a DIY film movement that had a major influence on independent film today. Special Features: 50 minutes of bonus features - Director Interview Out-takes Deleted and Extended Scenes Trailer
The Notebook (Dir. Nick Cassavetes) (2004): A sweeping love story told by a man reading from his faded notebook (James Garner) to a woman in a nursing home (Gena Rowlands - real-life mother of Nick Cassavetes). 'The Notebook' follows the lives of two North Carolina teens from very different worlds (Ryan Gosling and Rachel McAdams). Though her upbringing takes place in an antebellum mansion and he grew up in the kind of house where musicians strum on the porch that doesn't stop Noah and Allie from spending one incredible summer together before they are separated first by her parents and then by WWII. After the war is over everything is different. Allie is engaged to a successful businessman and Noah lives alone with his 200-year-old house that he lovingly restores. But when Allie reads a newspaper article about Noah's handiwork. She knows that she's got to find him and make a decision once and for all about the path her life - and her love - must take... August Rush (Dir. Kirsten Sheridan) (2007): August Rush tells the story of a charismatic young Irish guitarist (Jonathan Rhys Meyers) and a sheltered young cellist (Keri Russell) who have a chance encounter one magical night above New York's Washington Square but are soon torn apart leaving in their wake an infant August Rush orphaned by circumstance. Now performing on the streets of New York and cared for by a mysterious stranger (Robin Williams) August (Freddie Highmore) uses his remarkable musical talent to seek the parents from whom he was separated at birth. Hairspray (Dir. John Waters) (1987): It's 1962 and Tracy Turnblad has the largest bouffant on the block. She also has all the right moves to be on the local dance show and win the crown of Miss Auto Show as well as the ex-steady of Amber the snooty reigning princess. But Amber is not too happy and has other plans for Tracy.
Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work, Videodrome exemplifies David Cronenberg's extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M style broadcasts called Videodrome. Embroiling his girlfriend Nick (Deborah Harry) in his search for the source, his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games, shady organisations and body transformations stunningly realised by Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (he's better than all of us combined!) and Martin Scorsese (no one makes films like he does) as a genius, Videodrome was Cronenberg's most mature work to date and still stands as one of his greatest. Product Features Brand new 4K restorations from the original camera negative by Arrow Films of both the full-length director's cut and the US theatrical cut, approved by director David Cronenberg 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless mono soundtrack Optional English subtitles for the deaf and hard of hearing Audio commentary by Tim Lucas, the on-set correspondent for Cinefantastique Magazine and author of Videodrome: Studies in the Horror Film David Cronenberg and the Cinema of the Extreme, a documentary featuring interviews with Cronenberg, George A. Romero and Alex Cox on Cronenberg's cinema, censorship and the horror genre Forging the New Flesh, a documentary by filmmaker Michael Lennick on Videodrome's video and prosthetic make up effects Fear on Film, a round table discussion from 1982 with Cronenberg, John Carpenter, John Landis and Mick Garris The complete, uncensored Samurai Dreams footage with commentary by Michael Lennick Helmet-Cam Test and Why Betamax?, two featurettes by Michael Lennick on the film's effects The Making of David Cronenberg's Videodrome, a 1982 featurette by Mick Garris, with behind-the-scenes footage and interviews with Cronenberg, James Woods, Deborah Harry and Rick Baker Videoblivion, an interview with cinematographer Mark Irwin Pierre David on Videodrome, an interview with executive producer Pierre David AKA Jack Martin, an interview with Dennis Etchison, author of novelisations of Videodrome and The Fog, discussing Videodrome and his observations of Cronenberg's script Camera, Cronenberg's short film starring Videodrome's Les Carlson Pirated Signals: The Lost Broadcast, deleted and alternate scenes from the TV version Original trailers Image gallery Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx Illustrated 60-page collector's booklet featuring writing on the film by Justin Humphreys, Brad Stevens and Tim Lucas, extracts from Cronenberg on Cronenberg, and a brand new roundtable retrospective with critics Alexandra Heller-Nicholas, Cerise Howard, Josh Nelson and Emma Westwood Foldout double-sided poster featuring original and newly commissioned artwork by Gilles Vranckx Six double-sided, postcard-sized lobby card reproduction artcards
Pecker (1998): Pecker, a sandwich shop clerk, takes photos of his rather odd family and friends and nobody thinks anything of them until one day a New York art dealer discovers his work and makes him famous. Is this what Pecker really wants? Another quirky entry from cult director John Waters. Hairspray (1987): It's 1962 and Tracy Turnblad has the largest bouffant on the block. She also has all the right moves to be on the local dance show and win the crown of Miss Auto Show, a...
Elaine has been mugged, fired, dropped by her agent and she's ready to end it all. Instead, she accidentally holds up a wealthy couple and winds up with a full-length mink and a full-blown mystery that changes her life for good. Internationally-acclaimed actress Hanna Schygulla stars as Elaine Hines, would-be novelist whose search for fame and fortune lead to murder and mistaken identity in this offbeat comedy of errors. Hoping to return the coat, Elaine finds herself on the trail of an elusive woman called Lulu (Deborah Harry) Elaine's wildest dreams come true as she becomes published, rich and New York's trendiest heroine. But her troubles aren't over yet in this wacky tale of two women and one unforgettable misadventure. Alec Baldwin, in his first screen appearance, plays the hard headed cop who is caught in a deadly cat-and-mouse chase involving big bucks, the mob, and two beautiful women.
Punk-rock superstars Blondie play an astonishing concert in Toronto in 1982 - at the climax of the band's amazing ground breaking career. Heart of Glass Hanging on the Telephone Dreaming Call Me One Way or Another: these and other unforgettable songs defined an entire musical era when the raw sounds of downtown New York City found huge club-going and radio audiences around the world. Debbie Harry's crystalline lead singing Chris Steins guitar playing and smart tough writing Clem Nurke's drumming. Nigel Harrison's bas playing and Jimmy Destri's trademark revival of the Farfisa organ - these elements came together in one of the most polished and compelling bands not only of punk rock but of rock and roll itself. This concert was shot only four years after the breakout success of Heart of Glass the band's record-breaking smash hit melding punk and disco: Rapture which the band plays here was introducing new audiences to the then-obscure form known as rap. Blondies moment was about to be over. This concert catches an amazing act at its absolute best. Track List: 1. Rapture 2. Island Of Lost Souls 3. Dance way 4. The Tide Is High 5. Heart Of Glass 6. Hanging On The Telephone 7. Dreaming 8. One Way Or Another 9. War Child 10. Start Me Up 11. Call Me
2 Outrageous Women Are Turning New York City Upside-Down! Elaine has been mugged fired dropped by her agent and she's ready to end it all. Instead she accidentally holds up a wealthy couple and winds up with a full-length mink and a full-blown mystery that changes her life for good. Internationally-acclaimed actress Hanna Schygulla stars as Elaine Hines a toilet seat company temp by day and would-be novelist by night whose search for fame and fortune lead to murder and mistaken identity in this offbeat comedy of errors. Hoping to return the coat Elaine finds herself on the trail of an elusive woman called Lulu (Deborah Harry). When a cryptic note takes her to a mobster's uptown hideaway she walks straight into a shootout - and straight away with a briefcase of greenbacks. After turning herself into the police Elaine's wildest dreams come true as she becomes published rich and New York's trendiest heroine. But her troubles aren't over yet in this wacky tale of two women and one unforgettable misadventure in the tradition of Desperately Seeking Susan.
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