An elite military unit comprised of special operatives known as G.I. Joe, operating out of The Pit, takes on an evil organization led by a notorious arms dealer.
Jesse James and his gang of outlaws ride again in this extraordinary western that pulsates with hard-driving action and electrifying drama. Four sets of acclaimed actor brothers - Dennis and Randy Quaid, Stacy and James Keach, Christopher and Nicholas Guest and Keith, Robert and David Carradine - each depict real-life siblings in emotionally charged portrayals of the Old West's legendary bandits. The notorious James-Younger gang is the most famous group of outlaws in the country, robbing banks, trains and stagecoaches with a sense of daring that makes them folk heroes throughout the land. But when the mighty Pinkerton detective agency swears to track them down, these criminals must face an awesome enemy that will stop at nothing to see them behind bars...or dead! Only through the strength of their loyalty and blood ties can the outlaws hope to survive the brutal pursuits, unexpected betrayals and blistering showdowns that mark the end of their dangerous ride.
In 1883 the volcanic island of Krakatoa situated in the Sundra strait in Indonesia erupted killing 36 000 people and unleashing a series of terrifying tsunamis. According to records it generated the loudest sound ever historically reported - the cataclysmic explosion was distinctly heard as far away as Perth in Australia (1900 miles). This spectacular docu-drama starring Olivia Williams uses eye witness accounts to tell the true story of one of the most destructive natural disasters in history
Directed by horror master Terence Fisher this black and white cult classic finally gets a UK release.The Earth Dies Screaming opens with a frightening series of disastrous accidents, a train crash, multiple car crashes, a plane crash and ordinary people dropping dead in the streets. Hundreds, thousands, millions of casualties and not a single word of dialog has even been spoken yet! Aliens have invaded on a world wide scale! A small handful of survivors gather together in a remote rural English town to battle the Alien robots. On contact with the robots humans are transformed into rampaging zombies.With its haunting score and general creepiness this is a lesson of cinematographic economy and atmospheric invention worthy of this subversive and very talented director.
First broadcast in 1993, NYPD Blue was created by Steven Bochco and David Milch, the team responsible for the magnificent, mould-breaking Hill Street Blues, which had featured both of NYPD's principal stars, David Caruso (Detective John Kelly) and Dennis Franz (Detective Andy Sipowicz). Here, their partnership takes up most of the screen time, a break from the ensemble feel of the earlier show (though he's the boss, James McDaniel's Lieutenant Fancy, for instance, is a peripheral figure). But there are familiar Bochco themes. Tough-but-put-upon cops struggle with their own problems as well as the criminal element: Kelly is going through a divorce, while Sipowicz is fighting alcoholism, though these are as nothing compared with officer Janice Licalsi's dramatic means of escaping her involvement with the Mob. Although fast-cut and street-sharp, NYPD Blue arguably betrays a right-wing bias: the villains are invariably irredeemable scum, too often let off the hook by a slack and excessively liberal judiciary, with victims of crime often forced to take desperate measures of their own. The fate of one 4B (a young David Schwimmer), however, acts as a warning against vigilantism. Unleavened by much of Hill Street's humour and with plots more designed to keep the pulse racing than reflect social realism, NYPD Blue is simmering, downbeat, compelling viewing that edged mainstream American TV nearer to the knuckle than it had previously dared to venture. On the DVD: NYPD Blue, Series 1 has a number of special features, including a making-of documentary in which creator Steven Bochco explains the lengthy negotiations he had to undertake with the network in order to get the show aired in anything like its original form. "Cast Blotters" is a feature about the characters and players. There's also a short piece on the love interest in NYPD Blue and biographies of the cast and programme makers. --David Stubbs
1 Giant Leap is a unique project devised by Duncan Bridgeman and Jamie Catto (formerly of Faithless). It's a DVD accompaniment to an album that "fuses spoken word, musicians, sound, rhythms and images from all around the world". Subdivided into themes including "God: Blasphemy", "Inspiration", "Death" and "Happy", its aim is to explore and discover the "unity in diversity" and to this end, they profess to have assembled the "most happening musicians, authors, scientists and thinkers we could find" to offer their own thoughts interspersed with a river of eclectic ambient and world music along with images captured on their global travels. While the list of contributors does include Kurt Vonnegut and Brian Eno, whose contribution regarding olive trees is typically apposite and perfectly formed, one might wonder if the likes of Big Brother presenter Davina McCall and an ex-porn star really represent the vanguard of global thinking. The musical contributors include some artists seemingly past their sell-by date, such as Eddie Reader and Neneh Cherry, while the participation of Robbie Williams might make some groan. Furthermore, this sort of audio-visual imagery runs the danger of resembling the language of modern advertising, with its soothing, pan-global blandishments used to promote multinational industry. And yet, for all one's doubts, this project really does work. So often, ethnic music is drowned in bland, new-age "muzak" to make it palatable to Western ears. Here, it is heightened. A free-thinking, free-flowing context is provided in which all shine, including Michael Stipe and even Williams himself. This is a laudable project that demonstrates the possibility of working in margins unspoiled by commercialism is still alive. On the DVD: 1 Giant Leap on disc includes an accompanying booklet, amply packed with text and illustration. The 5.1 Dolby Digital surround sound is particularly robust and bass-heavy. Extras include videos for the two singles, "Braided Hair" featuring Arrested Development's Speech and Neneh Cherry, and "My Culture", featuring Faithless's Maxi Jazz, both of which encapsulate the musical and ideological themes of the project as a whole. --David Stubbs
Rocky Colt and Tum Tum find themselves in action again as they get drawn into a struggle between an American Indian tribe and a ruthless businessman who is dumping toxic waste on their land.
Collection of unseen clips from several series of the popular BBC comedy programme hosted by Dara O'Briain. The compilation features regular panelists Hugh Dennis, Russell Howard, Andy Parsons and controversial Scottish comic Frankie Boyle, as well as a host of the funniest stand-up comedians on the circuit. Often seen as edgy in even its TV version, the too hot for TV moments presented in this release are unlikely to be for the faint-hearted.
For a while The Net looked like it was going to be quickly outdated by the technology it showcased. But now we know that anyone can personalise their systems and Internet search engines, so the colourful displays endlessly intercut on Sandra Bullock's screens look perfectly contemporary. As a movie, the concept was already outdated by the time of its 1995 release, however. The plot takes pains to emulate the style and formula of a Hitchcock chase thriller. There's a computer disc "McGuffin" being sought after by conspiratorial baddies; while the lonely hero on the run is eminently sympathetic yet attractively flawed. Bullock, though, was perfectly cast at a point well before her star status took over. Although some of the suspense contrivances may seem simplistically predictable, there's an undeniable fascination in the theme of losing one's identity. Everywhere Bullock turns she's faced with either a bald reflection or mirroring metaphor of how the computer age strips us of individuality. And, indeed, privacy. Sooner or later, the technology will become outdated of course. Until then, be careful how you surf. On the DVD: The Net comes to disc in Dolby 5.1 sound and widescreen 1.85:1. It's hard to choose between the two commentaries included. Both the Writer's and the joint talk from the Director and Producer are crammed with anecdotal reference (with a little overlap). Then there are two documentaries of about 20 minutes each, but here the newest is by far the most interesting. Trailers and filmographies fill out the package. --Paul Tonks
The sequel to the 1987 FBI action comedy, Another Stakeout sees the unlikely crime-fighting duo, again played by Richard Dreyfuss and Emilio Estevez, getting involved in, well, another stakeout. This time they are joined by Rosie O'Donnell (one of the comedienne's first film roles) as assistant DA and have to masquerade as the perfect nuclear family to flush out a star witness in their case against the mob. Pretty much the entire cast and crew from Stakeout are reunited by director John Badham for the sequel and, luckily, there is enough new material, slapstick comedy moments and solid performances from the trio of stars to ensure that this isn't just a rehash of the original. The film has a few laugh-out-loud moments, such as the dinner party the bogus family throw so that they can get the couple next door out of the house to enable Estevez to bug it, and there is a brilliant cameo performance from Dennis Farina (Get Shorty, Snatch) as the clueless next-door neighbour. This is not a classic by any means but is entertaining nonetheless. --Kristen Bowditch
You'll finding yourself rooting for this movie to take off in a sustained flight of comic inspiration, but it seldom does. It's too bad that it doesn't, given the casting, because both leads (Eric Idle and Robbie Coltrane) are capable of extreme funniness. Idle and Coltrane play a couple of low-level crooks who decide to get a piece of the action for themselves and abscond with the loot from a big score. But they're discovered before they can getaway and their only avenue of egress is into a convent. So they don habits and hide out by pretending to be nuns, teaching parochial school to budding young girls. Now think about the possibilities in that premise and anything you can think of is in the film (though Coltrane remains one of the funniest men alive). --Marshall Fine
A taut complex whodunit with a brilliantly nerve-racking climax Noose for a Lady marked the directorial debut of German-born writer producer and director Wolf Rilla - best known for 1960's Village of the Damned his masterly adaptation of John Wyndham's The Midwich Cuckoos. This rare and compelling feature released in 1953 is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Simon Gale returns from Uganda to find his cousin Margaret has been convicted of poisoning her husband and her execution is only seven days away. Refusing to believe in her guilt Simon and Margaret's stepdaughter Jill set out to find the real killer questioning everyone remotely connected with the dead man. As far as Simon is concerned everyone is a suspect and when the man who had promised him vital information is found poisoned he believes he has solved the mystery... Special Features: Original Theatrical Trailer Image Gallery Promotional Materials PDF
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features. Special Features: New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films Limited Edition packaging with reversible sleeve featuring newly commissioned artwork by Sara Deck 60-page perfect-bound collectors' booklet featuring new writing on the film by Kim Morgan and Nicholas Clement, a 2008 Maxim oral history featuring interviews with cast and crew, and Edgar Wright's 2012 eulogy for Tony Scott Double-sided poster featuring original and newly commissioned artwork by Sara Deck Six double-sided, postcard-sized lobby card reproductions High Definition (1080p) Blu-ray presentation of both cuts Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Tony Scott Audio commentary by writer Quentin Tarantino Audio commentary by stars Christian Slater & Patricia Arquette Audio commentary by critic Tim Lucas Select scene commentaries by stars Dennis Hopper, Val Kilmer, Brad Pitt and Michael Rapaport Brand new select scene commentary by star Saul Rubinek New interview with costume designer Susan Becker New interview with co-editor Michael Tronick New interview with co-composers Mark Mancina and John Van Tongeren New interview with Larry Taylor, author of Tony Scott: A Filmmaker on Fire New interview with Daniel Storm, co-founder of the annual True Romance Fest and owner of the original Cadillac Deleted scenes with optional commentary by Tony Scott Alternate ending with optional commentaries by Tony Scott and Quentin Tarantino Electronic press kit featurettes, behind-the-scenes footage and interviews with Tony Scott, Christian Slater, Patricia Arquette, Dennis Hopper and Gary Oldman Trailers and TV spots Image galleries *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
Bernardo Bertolucci does the nearly impossible with this sweeping, grand epic that tells a very personal tale. The story is a dramatic history of Pu Yi, the last of the emperors of China. It follows his life from its elite beginnings in the Forbidden City, where he was crowned at age three and worshipped by half a billion people. He was later forced to abdicate and, unable to fend for himself in the outside world, became a dissolute and exploited shell of a man. He died in obscurity, living as a peasant in the People's Republic. We never really warm up to John Lone in the title role, but The Last Emperor focuses more on visuals than characterisation anyway. Filmed in the Forbidden City, it is spectacularly beautiful, filling the screen with saturated colours and exquisite detail. It won nine Academy Awards, including Best Picture and Best Director. --Rochelle O'Gorman
An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
Peter Hall's lavishly staged L'Incoronazione di Poppea celebrated the 50th Anniversary of Glyndebourne in 1984 with a performance of Monteverdi's most celebrated and also most controversial opera. The score is conductor Raymond Leppard's "enhanced" edition, which he had premiered at Glyndebourne back in 1962, fully scored for a large orchestra. Much debate circles around the forces appropriate for performing Monteverdi's decidedly minimalist work, but one thing at least is certain: it didn't sound anything like this in the 17th century! Never mind, however inauthentic it may be, Leppard's big and beefy orchestral updating--including a fulsome continuo group with pairs of harpsichords, organs and cellos, as well as lute, guitar and harp--supports the weighty melodrama nicely. The singers, too, are full-bodied, led by a fruity Maria Ewing as Poppea (in various revealing outfits) sounding suitably seductive, and Dennis Bailey, oddly lovely of voice as Nero (one of the opera's controversial aspects is the heroic central role accorded to these two thoroughly wicked characters). Perhaps best of all is Robert Lloyd as Seneca, who not only boasts a profound, reverberant bass, but also looks the part under beard and toga. With an onstage chorus to lament him, Seneca's death scene is the most moving in the opera. Peter Hall's clever staging keeps the Olympians--Love, Fortune and Virtue--permanently watching from above as the venal humans below act out this tragedy of poisoned love. The no-frills DVD has subtitles in English, French, German and Spanish. --Mark Walker
The complete eighth season of the popular US drama following detectives as they help police the streets of the Big Apple. The episodes comprise: 'Daveless in New York' 'Waking Up Is Hard to Do' 'Franco My Dear I Don't Give a Damn' 'Family Ties' 'Fools Russian' 'Writing Wrongs' 'In-Laws Outlaws' 'Russellmania' 'Oh Golly Goth' 'In the Still of Night' 'Peeping Tommy' 'Thumb Enchanted Evening' 'Flight of Fancy' 'Nariz a Nariz' 'Love Hurts' 'Everyone Into the Pool' 'Dying to Testify' 'Lost Time' 'Under Covers' and 'In the Wind'.
A TOUCH OF LOVE (1969) directed by Waris Hussein is adapted from the novel The Millstone by Margaret Drabble. Sandy Dennis (Who's Afraid of Virginia Wolf) stars as Rosamund, a student and daughter of emotionally distant parents. After her first sexual encounter with handsome television announcer George played by Ian McKellen (The Good liar, The lord of the Rings) Rosamund discovers she's pregnant. After her failed attempt to terminate the pregnancy, she decides to keep the baby, despite pressure from friends and relatives. Preparing herself for the indignities and isolation that being a single mother will bring, she is adamant about not revealing the identity of the father, realising that however much she may need a husband, the only important thing in her life is her child. Also starring John Standing and Eleanor Bron.
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