Winning an incredible ten French Academy Awards in 1981 The Last Metro is one of Truffaut's most highly acclaimed and popular films. Starring Catherine Deneuve and Gerard Depardieu in magnetic performances the story is set in Paris 1942 during the Nazi occupation of France. When Lucas Steiner (Heinz Bennett) the Jewish owner of the Montparnasse Theatre is forced into hiding his wife and lead actress Marion (Deneuve) takes over. Desperate to keep both the troupe and Lucas alive she stages a new play which must be a success to continue. She hires the womanising actor Bernard Granger (Depardieu) for the lead in their next production. Just as the actors begin their rehearsals an anti-semitic journalist ensconces himself in the theatre creating an atmosphere of fear and insecurity. Will he discover Lucas' hideaway and the political affiliations of the group's lead actor? Truffaut delivers a captivating study of artists (the actors) struggling against the odds (the Nazis) and a compelling insight into the atmosphere of wartime Paris and the theatre set against a backdrop of exquisite period detail.
A kinky, creepy, disgusting, disturbing and occasionally funny ride into what keeps us all awake at night...
A five disc box set featuring a quintet of the finest films from around the world. Includes: Jean De Florette (Dir. Claude Berri 1986) French director Claude Berri's stunning adaptation of the acclaimed Marcel Pagnol novel is the winner of numerous international awards and is the world's most popular foreign language film ever. City-dweller Jean de Florette (Gerad Depardieu) moves his family to the Provence countryside in the 1920's to forge a new life as a farmer.
François Truffaut again tackles the elusive nature of creativity and creation in his thoughtful, sumptuous 1980 film The Last Metro. Nominated for the Best Foreign Language film Oscar, and a winner of various Césars, The Last Metro is set in occupied France during World War II. Marion Steiner (Catherine Deneuve) manages the Theatre Montmarte in the stead of her Jewish husband, director Lucas Steiner (Heinz Bennent). He has purportedly fled France but is really hiding in the basement of the theatre. The one hope to save the Montmarte is a new play starring the dashing Bernard Granger (Gérard Depardieu). The attraction between Marion and Bernard is palpable, and as usual Truffaut creates tension and drama from even the most casual of occurrences. The theme of the director locked away while his lover and his creation are appropriated by others makes for interesting Truffaut study, but first and foremost this is a well-spun romance.--Keith Simanton, Amazon.com
It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic, 101 Dalmatians (and originally Dodie Smith's classic children's story). The one bright notion anyone had was casting Glenn Close as Disney Übervillainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Joely Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a posse of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine, Amazon.com Don't be fooled by the title, there are four reasons to like 102 Dalmatians, the sequel to the successful live-action remake of Disney's 101 Dalmatians. There are the 101 spotted pooches, Glenn Close back in fine form as Cruella DeVil, Oddball--the spotless Dalmatian pup--and Waddlesworth, a parrot who thinks he's a rottweiler (and is voiced by Monty Python's Eric Idle). There are just as many reasons to be disappointed: like most sequels, the story line is virtually a rewrite of t he first; the secondary casting isn't as interesting; the dialogue merely serves to move the plot along; and the third act substitutes mean-spiritedness for comedy. After a period of rehabilitation, Cruella has returned to her old tricks. Once again, she simply must have a spotted coat and will go to any lengths to get hold of the 102 Dalmatians needed to make one with a hood. She sets her sights on the pups owned by her probation officer, Chloe (Alice Evans), and the owner of a local animal shelter, Kevin (Ioan Gruffudd). Her servant Alonso (Tim McInnerny) and flamboyant furrier Monsieur Le Pelt (Gerard Depardieu, in one ridiculous outfit after another) are drafted to aid in her quest. It should come as no surprise that Chloe and Kevin fall in love, Oddball helps to save the day and Cruella is defeated. Children should enjoy the animal high jinks, but adults are less likely to be enamoured by this perfectly competent, but relatively charmless affair. --Kathleen C Fennessy, Amazon.com.
Maurice Pialat's Police delivers on the raw promise of its title insofar as much of its action qualifies as an insistently 'procedural' descent into the Paris drugs underworld. But the hyper real route that the film takes to arrive there before veering into a zone of dangerous emotional play contributes to a disorienting adventurous and ultimately tremendously exciting experience unlike any 'police-thriller' ever before conceived. The iconic G''rard Depardieu (who also collaborated with Pialat on Loulou Sous le soleil de Satan and Le Gar''u) plays Mangin a cop whose brutal method of investigation finds its obsessive outlet in an attempt to crack a Tunisian narcotics ring. It is when Mangin enters into close acquaintance with the defiant Noria (expertly played by Sophie Marceau in one of her first screen roles) that the film proceeds to chart an unexpected emotionally ambiguous course - and the lines between 'right' and 'wrong' and 'power' and 'freedom' terminally blur. Written with Catherine Breillat (director of The Last Mistress Anatomy of Hell Fat Girl) but relying in equal measure upon Pialat's improvisatory control (directing among others his star-actress from A nos amours Sandrine Bonnaire) Police is a genre-defying excursion rivaled only by John Cassavetes' The Killing of a Chinese Bookie in the pantheon of cinema's most idiosyncratic thrillers.
A Jean-Pierre Jeunet double-bill featuring Amelie and his latest effort A Very Long Engagement. A Very Long Engagement (2004): Never let go... From the director of 'Amelie' comes this very different love story. Set in France near the end of World War I it tells the story of a young woman's relentless moving and sometimes comic search for her fiance who has disappeared. Featuring another fantastic performance from Audrey Tautou this film has an amazing cast full o
François Truffaut conducts another beautifully observed examination of the complexities of love in the critically acclaimed masterpiece The Woman Next Door. Bernard is living happily with his wife and son when one day some new neighbours arrive next door. To his surprise, one member of the recently arrived couple is a former lover of his from many years ago called Mathilde. Their relationship is revived and thus their lives hurled into crisis in this unflinching look at human emotions, desire and life.
Vin Diesel stars as a mercenary hired to deliver a package from the ravages of post-apocalyptic Eastern Europe to a destination in the teeming megalopolis of New York City. The "package" is a mysterious young woman with a secret.
Michele a 20 year old model meets Francois a jewish veterinarian. She decides to convert into Judaism because she has to believe in something if not in someone.
Prof. Henri Laborit (played by himself) uses the stories of the lives of three people to discuss behaviorist theories of survival combat rewards and punishment and anxiety. Rene (Gerard Depardieu) is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine (Nicole Garcia) is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean (Roger-Pierre) is a controversial career-climbing writer/politician at a crossroads in life.
In what many have described as the French equivalent of Heat two of France's acting heavyweights Gerard Depardieu and Daniel Auteuil star as two detectives once close friends now bitter rivals they strive to claim the coveted position of Chief of Police by whatever means necessary... A gang of armed robbers have committed seven bloody robberies in Paris within the space of a year. Klein (Depardieu) and Vrinks (Auteuil) are heading up different departments of the Police force and are told that whoever stops the gang will be awarded the title of Chief of Police. The competition between them becomes increasingly ruthless blurring the lines of morality until there is no difference between the police and the criminals they chase.
François Truffaut again tackles the elusive nature of creativity and creation in his thoughtful, sumptuous 1980 film The Last Metro. Nominated for the Best Foreign Language film Oscar, and a winner of various Césars, The Last Metro is set in occupied France during World War II. Marion Steiner (Catherine Deneuve) manages the Theatre Montmarte in the stead of her Jewish husband, director Lucas Steiner (Heinz Bennent). He has purportedly fled France but is really hiding in the basement of the theatre. The one hope to save the Montmarte is a new play starring the dashing Bernard Granger (Gérard Depardieu). The attraction between Marion and Bernard is palpable, and as usual Truffaut creates tension and drama from even the most casual of occurrences. The theme of the director locked away while his lover and his creation are appropriated by others makes for interesting Truffaut study, but first and foremost this is a well-spun romance.--Keith Simanton, Amazon.com
Pretty Woman (Dir. Garry Marshall 1990): Academy Award-nominee Julia Roberts and charismatic leading man Richard Gere light up the screen in one of Hollywoods biggest blockbusters. Roberts stars as a street-wise down-on-her-luck working girl whose chance encounter with a handsome corporate mogul leads to an improbable love affair... and a modern-day Cinderella fantasy that has captured the hearts of movie-goers all over the world. Featuring a chart-topping soundtrack this is an irresistible and timeless romantic comedy. Muriel's Wedding (Dir. P.J. Hogan 1994): You're invited to one of the most celebrated and audaciously funny hit comedies of the year - Muriel's Wedding! Follow frumpy misguided Muriel Heslop on her lifelong quest for a glitzy fairy-tale wedding. With visions of nuptials dancing in her head this ABBA-obsessed misfit ditches her pathetic life and plastic friends in a small Australian suburb for big-city dreams in Sydney. But the road to the altar takes surprising twists and turns - and Muriel is about to learn the lesson of a lifetime. Wry witty and hailed by critics everywhere Muriel's Wedding is one affair you don't want to miss. Green Card (Dir. Peter Weir 1990): Thinking they will never see each other again Bronte a demure New Yorker and George a newly immigrated Frenchman agree to a marriage of convenience. Everything goes off without a hitch until immigration officials investigate their marriage and suspect it's a fake. To prove they're husband and wife these two opposites move in together for an hilarious and memorable weekend of love and laughter...
A young woman has been found murdered and Onoff a famous writer is found wandering aimlessly in the rain with no identification or memory. Called in for questioning he is soon the prime suspect. By dawn the identity of the woman is revealed and now Onoff is faced with even more frightening consequences.
Mich''le (Amelie's Audrey Tautou) is a 20-year-old tornado. With a bouncing perfectly round Afro and a job posing for fashion photography she boldly describes herself as a top model though her miniature physical size and girlish grin reveals her subdued searching interior. Overloaded with passion and personality she seeks a way to channel her spirituality into an identity. Buddhism works. So does Judaism when she falls for Fran''ois (Edouard Baer) a Jewish veterinarian. Her insistence that Fran''ois prove his religious faith to her by observing Shabbat and obeying other rules causes him a lot of grief. But he adoringly complies. God Is Great And I'm Not follows Mich''le over a three-year period via the impulsive and always poetic exclamations she writes in her diary. The film shows how her aggressive attitude towards her family Fran''ois and all those she holds dear sometimes alienates her. She demands a lot of other people--mainly that they live life with all the zest with which she has chosen to live her own and sometimes those demands backfire on her. An intense and beautiful film fuelled by a powerful performance by Tautou and an inspired script from director Pascale Bailly.
Camille a naive schoolgirl encounters the intriguing Joelle a girl slightly older but vastly more experienced in the ways of the world. Joelle leads Camille into a new a rather uncomfortable world through the discovery of sex and the darker side of life. Later in life as Camille discovers the paralysing fear of Aids she recalls her earlier encounters with Joelle and the fact she may have contracted the disease...
Romance about Simon Donnadieu and his decision to leave his ever-loving wife Rachel.
Gerard Depardieu stars as Jesuit priest Dr. Joachim Ferrer harboring a secret from his violent past and having found solace in the church he soon finds himself caught in a web of intrigue when a young Carmelite nun Sarah is rushed to the hospital. Suffering from inexplicable pain and delusions Joachim recognizes in Sarah the familiar symptoms of repression and denial. What no one knows is the terrifying secret she carries inside her a secret her twin sister Gaelle three thousand
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