Take a wee bit of ancient folklore mix in some spectacular special effects and a magical cast (including Sean Connery) -- and you've got one of the most enchanting fantasies of all time! A frisky old storyteller named Darby O'Gill is desperately seeking the proverbial pot of gold. There's just one tiny thing standing in his way: a 21-inch leprechaun named King Brian. In order to get the gold Darby must match his wits against the shrewd little trickster -- which proves no small task
'Civilisation' is probably one of the most famous documentary series ever made. Unreleased for many years it has been restored as is now available on DVD for the first time. Presented by distinguished art historian Sir Kenneth Clarke 'Civilisation' became the definitive history of art in the western world and has never been equalled let-alone bettered in the intervening 35 years.
It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
A clash between King Solomon and his brother is further complicated when the Queen of Sheba seduces Solomon in an attempt to bring about Israel's downfall... In this glorious biblical epic director King Vidor cinematically explores the evils of the flesh and pagan worship.
When a Great Dane puppy is raised with a litter of Dachshunds, it naturally thinks it's a Dachshund too--even when it grows to 10 times the size. Dean Jones and Suzanne Pleshette star as the hapless couple who took in the galumphing dog, which wreaks havoc on their house and home. The Ugly Dachshund is mostly a series of spectacular disasters (the doggy demolition of Jones's art studio will delight kids and reduce adults to nervous wrecks), but it's held together by the convincing domestic banter of Jones and Pleshette (who was quite a dish in 1965); the pair went on to star in a couple of other Disney live-action flicks, Bluebeard's Ghost and The Shaggy D.A.. Despite some racial and gender stereotypes, it's a good-natured and amusing movie in the Disney mold. Also featuring classic character actor Charlie Ruggles (Bringing Up Baby, The Parent Trap). --Bret Fetzer
Pierce Brosnan stars in this true-life Irish drama as a father whose children are taken from him by the state when his wife abandons her family.
Filmed in Detroit on Halloween Night 1986 this film captures Alice Cooper and his band in a memorable show featuring eighteen of their best songs and all the theatrics to go with them. Includes 'Welcome To My Nightmare' 'No More Mister Nice Guy' 'Billion Dollar Babies' and 'Go To Hell'.
Though the Charlie Chan film franchise has earned brickbats for its casting of Caucasian actors as the Asian sleuth, the movies have retained popularity among aficionados of '40s-era B-crime pictures, and the six-disc Charlie Chan Chanthology, all featuring Sidney Toler as Chan, should please that crowd. The Missouri-born Toler starred in 11 Chan pictures for Fox before purchasing the rights to the character from creator Earl Derr Biggers's widow and bringing it to budget studio Monogram, where he starred in 11 more Chans before his death in 1947 (Roland Winters replaced him in six more features until 1949). At Monogram, Chan became a Secret Service Agent (a move calculated to cut down on exotic locations and sets), and comedy was integrated into the plots via Mantan Moreland's chauffeur Birmingham Brown; Benson Fong also joined the cast as Number Three Son Tommy, with occasional appearances by daughter Frances (Frances Chan) and son Eddie (Edwin Luke, brother of Keye Luke, who played Number One Son Lee in the Fox Chans). Other than that, the six films collected here (the first six Chans for Monogram, and all but five directed by Phil Rosen) are largely indistinguishable from one another save for the murder victims and their demises. In The Secret Service, Chan investigates the death of a wartime inventor; a San Francisco socialite expires in The Chinese Cat; daughter Frances is involved in the murder of a psychic in Meeting at Midnight (a.k.a. Black Magic); another government scientist is killed in The Jade Mask, and death by remote control is the focus of The Scarlet Clue. Director Phil Karlson (Kansas City Confidential) adds some noirish atmosphere to The Shanghai Cobra, which has bank employees dying from apparent snakebites. Dated and controversial as they may be, the Chan films are engaging diversions for vintage mystery fans. No extras are featured in the set. --Paul Gaita
In Europe's most secure prison 400 young men must make a choice between life or justice. Time is runing out. Seamus Scullion is the man chosen to select the names of his fellow prisoners in the H3 prison block who are ultimately prepared to die for what they believe in. Based on the true events of the 1981 Hunger Strike at the Maze Prison Northern Ireland.
Directed by Reg Traviss, ANTI-SOCIAL is inspired by the real life events of London's Smash & Grab Gangs and the crime-wave which has exploded across the capital with some of the UK's most iconic ever Jewellery heists carried out by the new-generation of young, organised criminals! Two brothers, Central London; Dee is an anarchic street-artist who, along with his best mate, embarks on a spray-paint campaign across the City having a wild time whilst sticking two fingers up at the establishment. Marcus is a Smash-and-Grab Robber who, along with his gang, launches a crime-wave across the West End raiding jewellery stores on motorbikes armed with sledge-hammers. For both Dee and Marcus, being Anti-Social is a way of life! DVD also contains a FREE download of the banging soundtrack (code included in packaging)
1970s Belfast: young protestant Victor Kelly's loathing for Catholics boils over and he embarks on a systematic killing spree. In the hope of covering himself in glory an ambitious reporter attempts to single-handedly solve the mystery of the murderer's identity...
Orphans is the poignant and often hilarious story of the night before four sibling bury their mother. Gathering at the family home they prepare for her funeral. Thomas the eldest son decides to spend the night in the chapel of rest Michael becomes involved in a pub brawl Sheila is left stranded in her wheelchair after leaving Thomas and John plans a revenge attack after hearing about Michael... Peter Mullan won a range of international film awards for his direction of a fil
Tracklist 1. Opening Credits (Hansel And Gretel) 2. Prelude 3. Suzy, Little Suzy, Now Listen With Care 4. All Right! And Now If You'll Stop Complaining 5. Hansel, Come And Dance With Me 6. Hansel! - Dread! It's Mother! 7. Oh, Why Do They Always Make Me Angry? 8. Tra La La La! Mother, Now At Last I'm Here 9. But Wait! I Don't See The Children10. There's A Witch Who Lives In The Wood Alone11. The Witch's Ride12. Now Once Upon A Time In The Wood Alone13. Gretel, I Think We're Really Lost14. When Night Comes Softly Creeping15. Now I Lay Me Down To Sleep16. Pantomime17. Prelude18. I'm Wide Awake Each Morning19. Where Am I? Dreaming?20. Stay There! Don't Move!21. Nibble Nibble Mousey22. Scat! You Gobbling Mousey23. Brrr! Hocus Pocus, Witches Curse!24. Now Gretel, You Must Stay Here Like That25. My Old Broomstick, You Must Be Quick26. Come, Wake Up, My Little Dunce27. Hurray! We're Free, We Broke The Charm28. We Are Safe! We Are Free!29. Tra La La La! I Can't Believe They'd Come This Far!30. Closing Credits (Hansel And Gretel)31. Hansel And Gretel At The MET / Picture Gallery
A tale of a disillusioned teacher's struggle against the brutal regime of an Irish Reformatory School in 1939.
Katherine awakes in an underground cell with three other women - all have complete amnesia. The women soon discover they are part of a gruesome experiment with no obvious purpose. That night Jane witnesses the first visit to their cell by the terrifying figure of the blood splattered Surgeon. One by one the Surgeon cuts a four digit number into each woman's skin - the exact time he will return to kill them. Is there any way to escape? What is the purpose of the experiment? And who or what is screaming every time the lights go out?
A one-act production performed at The Royal Opera House Covent Garden with Maria Ewing in the lead role ably supported by Michael Devlin and Kenneth Riegel. The Orchestra of The Royal Opera House is conducted by Edward Downes. Directed by Derek Bailey. English subtitles.
Meyerbeer - L'Africaine (Arena Orch/Chorus/Ballet SFO)
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