Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film", Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realised characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. --Jeff Shannon
The King of Comedy, which flopped at the box office, is actually a gem waiting to be rediscovered. Like A Face in the Crowd (a not-so-distant cousin to this film), Network, and The Truman Show, its target is show business--specifically the burning desire to become famous or be near the famous, no matter what. Robert De Niro plays the emotionally unstable, horrendously untalented Rupert Pupkin, a wannabe Vegas-style comedian. His fantasies are egged-on by Marsha, a talk-show groupie (brilliantly played by Sandra Bernhard) who hatches a devious, sure-to-backfire plan. Jerry Lewis is terrific in the straight role as the Johnny Carson-like talk-show host Jerry Langford. De Niro's performance as the obsessive Pupkin is among his finest (which is saying a lot) and he never tries to make the character likable in any way. Because there's no hero and no-one to root for, and because at times the film insists we get a little too close and personal with Pupkin, some will be put off. Yet it's one of Scorsese's most original and fascinating films, giving viewers much to consider on the subject of celebrity. Its inevitable climax is clever and quietly horrific. --Christopher J Jarmick
The day WWII ends Jimmy (De Niro) a selfish and smooth-talking musician meets Francine (Minelli) a lounge singer. From that moment on their relationship grows into love as they struggle with their careers and aim for the top...
A struggling comedian gambles his uncertain future on a hare-brained scheme to ransom his way onto television by kidnapping a popular talk-show host.
Taxi Driver' provoked fierce controversy when it was released running into censorship problems in America as some of the scenes of violence were described to be 'as gory as Clockwork Orange and Straw Dogs' (Evening News '76). In addition there was outcry at a 13-year-old schoolgirl actress (Jodie Foster) co-starring as a prostitute. It won Best Picture at the 1976 Cannes Film Festival and received Academy Award nominations for Best Film Best Actor (Robert De Niro) and Best Supporting Actress (Jodie Foster). Considered to be one of the most powerful films in motion picture history 'Taxi Driver' is a film which is '...a savage piece of work - and hellishly brilliant' (Evening News '76).
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