"Actor: Diana Montague"

• Turn Of The Screw - Britten | DVD | (21/01/2005) from £21.19   |  Saving you £3.80 (17.93%)   |  RRP £24.99

  Benjamin Britten's haunting and sinister opera composed in 1954 is based on the famous novella written by Henry James in 1898. Katie Mitchell's atmospheric and innovative film of the opera returns to the late 19th century setting of the original tale to a world where it is hard to tell ghosts from mere reflections in the glass. There have been many discussions about what happened to the children in both the novella and Britten's opera. This production with an inspired cast led by excellent performances from Lisa Milne and Mark Padmore remains true to both sources. The rich dark imagery entices the viewer exposing the deepest layers of the tantalising unnamed and hidden past relationships between the two servants and the children in one of the greatest operas of the 20th century.

• The Best Pair of Legs in the Business | DVD | (15/07/2013) from £8.55   |  Saving you £1.44 (16.84%)   |  RRP £9.99

  Capitalising on his remarkable success in On the Buses, Reg Varney took on the contrasting role of a third-rate holiday camp entertainer dreaming of stardom in this mid-seventies comedy feature. Also starring fellow sitcom favourite Diana Coupland and Lee Montague, The Best Pair of Legs in the Business was adapted from an individual ITV Playhouse drama and scripted by Emmerdale Farm creator Kevin Laffan - presented here in a brand-new transfer from the original film elements, in its correct a...

• Verdi - Falstaff / Graham Vick, Bernard Haitink, Royal Opera House | DVD | (10/10/2001) from £24.99   |  Saving you £N/A (N/A%)   |  RRP £24.99

  The Graham Vicks production of Falstaff opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes, especially Falstaff's unusually hideous get-ups, go several steps beyond the Breughelian effect Vicks intended. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections. --Roz Kaveney On the DVD: The Dolby Digital 5.1 sound is powerful and filled with detail, capturing the excitement of the performance and the atmosphere of the Royal Opera House superbly. The anamorphically enhanced 1.77:1 widesceen image is very clear, and while given the source inevitably not up to the highest feature film standards, is among the best live classical titles yet released on DVD. The bold colours are particularly well realised, though the red lighting of the Garter Inn scenes causes the image to falter a little. There are optional subtitles in English, French and German. These are presented directly over the picture and would be easier to read had they been a little larger, or outlined in some way. The special features consist of a brief synopsis by James Naughtie, taken directly from the original television broadcast, a minute-long "comment" by conductor Bernard Haitink and short but interesting interviews with Bryn Terfel and director Graham Vick. Finally there is a nine-minute episode from the series of short BBC films, Covent Garden Tales on the 1999 modernisation of the Royal Opera House. --Gary S Dalkin

• Mozart: La Clemenza di Tito -- Glyndebourne | DVD | (29/04/2002) from £11.74   |  Saving you £14.51 (138.45%)   |  RRP £24.99

  Mozart's Clemenza di Tito ("The Clemency of Titus") makes for riveting viewing in this Glyndebourne performance directed by Nicholas Hytner and conducted by Andrew Davis staged in the composer's bicentenary in 1991. Mozart's last opera, Clemenza was for some time considered below par by his own exalted standards. He composed it in a rush, the recitatives are by a pupil and it had to be on an appropriate theme to please the new Hapsburg monarch, for whose enthronement it was designed. There's little character development and the musical style harks back to operatic conventions Mozart had done so much to overthrow. Watching this production one would scarcely credit that such reservations once held sway. Hytner and his team have put a contemporary angle on a story set in Rome AD 78 in which sets, props and the stage itself are constructed to different dimensions offering alternate perspectives on a static tale. A slanting pillar and a sloping corridor allude to the unhinged mind of the scheming Vitellia, the central character, who puts her confidant Sesto on an emotional roller coaster ride as she ensnares him to plot the downfall of Titus. The principals use their eyes to communicate to one another as well as the audience and in the imaginatively staged entrances and exits of the ensembles one senses Hytner's choreographic instincts coming to the fore. The superb cast sing magnificently and look stunning. Philip Langridge is an eloquent Titus, Diana Monatgue a sincere Sesto and Ashley Putnam brings a touch of Alexis Colby to her portrayal of Vitellia. The London Philharmonic are all fired up under conductor Andrew Davis' fervent direction. The performance (the "Overture" accompanied by a visual montage of artefacts of Ancient Rome) is played on modern instruments yet articulated and reproduced with the clarity and definition associated with period ones. On the DVD: La Clemenza di Tito has no special features save for the obligatory subtitles. The picture quality is outstanding with the imaginative and colourful production design caught, like the music, with exceptional fidelity. The high drama at the conclusion of Act 1 justifies running on without a break into Act 2. This is a must for all lovers of opera. --Adrian Edwards

• Ermione - Glyndebourne Festival Opera | DVD | (30/01/2006) from £68.99   |  Saving you £-51.00 (-283.50%)   |  RRP £17.99

  Rossini's rarely performed 'opera series' Ermione was a surprise hit when it was first performed at the Glyndebourne Festival Opera in 1995. Set in Troy after the fall of the city to the Greeks this tragedy of great histrionic force concentrates on the bitter struggle for the love of Pyrrhus between Hector's widow Andromache and the jealous Ermione sister of Helen of Troy. Graham Vick sets this highly effective production in the classically-inspired auditorium of an

• Le Comte Ory - Glyndebourne Festival Opera | DVD | (27/06/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Set in rural France at the time of the crusades Rossini's last comic opera is the saucy tale of Le Comte Ory and his pursuit of the crusaders' wives who chastely await the return of their menfolk. This acclaimed production was recorded at Glyndebourne during the 1997 season with the delectable French soprano Annick Masis as Adele the Belgian tenor Marc Laho as the lecherous Comte Ory and Diana Montague as the amorous page Isolier. Jerome Savary's sparkling production includes a sensuous bathing scene and a riotous banquet with the male singer disguised as nuns. Andrew Davis conducts the London Philharmonic.