Three young children live on a remote farm in the North of England; their mother is dead and their father is too busy to look after them. Kathy (Hayley Mills) is the eldest Nan (Diane Holgate) is the quiet child of the family while six year old Charles (Alan Barnes) is the most outspoken. The children wage constant guerrilla warfare against farmhand Eddie and the traps he sets for wild animals. They rescue three kittens that Eddie believes he has drowned. Charles tries to give
It was an evil house form the beginning , a house that was born bad. The place is the 90-year-old mansion called Hill House. No one lives in there. Or so it seems. But come in. Because even if you don't believe in ghosts, there's no denying the terror of The Haunting. Robert Wise, returned to psychological horror for this much admired, first screen adaptation of Shirley Jackson's The Haunting of Hill House. Four people (Julie Harris, Claire Bloom, Richard Johnson and Russ Tamblyn) come to the house to study its supernatural phenomena. Or has the house drawn at least one of them to it? The answer will unnerve you in this elegantly sinister scare movie. It's good fun (Pauline Kael, 5001 Nights at the Movies).
Certain to remain one of the greatest haunted-house movies ever made, Robert Wise's The Haunting (1963) is antithetical to all the gory horror films of subsequent decades, because its considerable frights remain implicitly rooted in the viewer's sensitivity to abject fear. A classic spook-fest based on Shirley Jackson's novel The Haunting of Hill House (which also inspired the 1999 remake directed by Jan de Bont), the film begins with a prologue that concisely establishes the dark history of Hill House, a massive New England mansion (actually filmed in England) that will play host to four daring guests determined to investigate--and hopefully debunk--the legacy of death and ghostly possession that has given the mansion its terrifying reputation. Consumed by guilt and grief over her mother's recent death and driven to adventure by her belief in the supernatural, Eleanor Vance (Julie Harris) is the most unstable--and therefore the most vulnerable--visitor to Hill House. She's invited there by anthropologist Dr. Markway (Richard Johnson), along with the bohemian lesbian Theodora (Claire Bloom), who has acute extra-sensory abilities, and glib playboy Luke Sanderson (Russ Tamblyn, from Wise's West Side Story), who will gladly inherit Hill House if it proves to be hospitable. Of course, the shadowy mansion is anything but welcoming to its unwanted intruders. Strange noises, from muffled wails to deafening pounding, set the stage for even scarier occurrences, including a door that appears to breathe (with a slowly turning doorknob that's almost unbearably suspenseful), unexplained writing on walls, and a delicate spiral staircase that seems to have a life of its own. The genius of The Haunting lies in the restraint of Wise and screenwriter Nelson Gidding, who elicit almost all of the film's mounting terror from the psychology of its characters--particularly Eleanor, whose grip on sanity grows increasingly tenuous. The presence of lurking spirits relies heavily on the power of suggestion (likewise the cautious handling of Theodora's attraction to Eleanor) and the film's use of sound is more terrifying than anything Wise could have shown with his camera. Like Jack Clayton's 1961 chiller, The Innocents, The Haunting knows the value of planting the seeds of terror in the mind, as opposed to letting them blossom graphically on the screen. What you don't see is infinitely more frightening than what you do, and with nary a severed head or bloody corpse in sight, The Haunting is guaranteed to chill you to the bone. --Jeff Shannon
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named Katy and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom? Features: NEW Steve Chibnall on J. Lee Thompson NEW Interview with Melanie Williams Senior Lecturer in Film Studies, University of East Anglia Interview with Sylvia Syms John Mills Home Video Footage Original Trailer Behind The Scenes Stills Gallery Extended Clip from A Very British War Movie Documentary
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named Katy and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom? Features: NEW Steve Chibnall on J. Lee Thompson NEW Interview with Melanie Williams Senior Lecturer in Film Studies, University of East Anglia Interview with Sylvia Syms John Mills Home Video Footage Original Trailer Behind The Scenes Stills Gallery Extended Clip from A Very British War Movie Documentary
A tense engrossing adventure set in the 1942 Libyan war zone in the hot Western Desert. A British ambulance officer (John Mills) escapes the siege in Tobruk and tries desperately to get his passengers to safety in Alexandria where he dreams he will have the luxury of an 'ice cold' glass of beer. His passengers include a stranded hospital nurse a Sergeant-Major and a stray South African Officer trying to return to his unit. Despite saving the group from the Germans something is not quite right about the last passenger. As he begins to undermine the group's stamina using psychological tactics the British officer begins to suspect he might be a German spy...
The Cuckoo Waltz: Series 2
A small town in Cornwall is over run with Zombies controlled by a master of black magic. Can a professor stop the undead onslaught?
The title Ice Cold in Alex refers to the beer the heroes of this 1958 British World War Two classic plan to drink in Alexandria, once they have escaped from the Germans, negotiated minefields and survived both mechanical failure and the killing heat of the North African sands. The setting is Libya in 1942, at the height of the campaigns featured in The Desert Fox (1951) and The Desert Rats (1953), and a disparate group in a military ambulance--which include a Nazi agent to add tension of one kind and a beautiful nurse to add tension of another--must make an epic journey to safety. Staring John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews the terror and poignancy comes from our certainty that not everyone will survive, such that the suspense sometimes reaches near unbearable levels. Director J Lee-Thomson was clearly inspired by the then recent French masterpiece, The Wages of Fear (1952) and handles both the character drama and set-pieces with great skill. He would go on to make another great war adventure, The Guns of Navarone (1961), also starring Anthony Quayle, who then returned to the desert for the ultimate British war classic, Lawrence of Arabia (1962). --Gary S. Dalkin
Local news reporter Chris Hawthorne (David Roper) and his wife, Fliss (Diane Keen), live a simple but contented life with their twin babies and few material possessions, punctuated by occasional visits from Fliss's mum, Connie, and their eccentric neighbour, Austen Tweedale. All that changes, however, when they take in lodger Gavin Rumsey (Lewis Collins): newly single Gavin has soon filled the house with expensive furniture, flashy gadgets and a succession of decorative young 'temps' - and Chris and Fliss are left feeling distinctly squeezed out... All four series of this classic comedy are available here in one set, for the first time.
Fliss and Chris are a young happily-married couple whose whizz-kid friend Gavin moves in after splitting with his wife.
A strange disease of epidemic proportions is invading the English town where Peter Thompson practices. In desperation he seeks the help of his mentor to make sense of the horrible plague. Amidst walking corpses voodoo dolls and empty graves the two embark on an investigation that uncovers a ghastly secret and leads them to the shocking truth.
A strange disease of epidemic proportions is invading the English town where Peter Thompson practices. In desperation he seeks the help of his mentor to make sense of the horrible plague. Amidst walking corpses voodoo dolls and empty graves the two embark on an investigation that uncovers a ghastly secret and leads them to the shocking truth.
Anna Kalman (Ingrid Bergman) is a wealthy actress whose love affairs never last for long. When she meets businessman Philip Adams (Cary Grant) at a NATO dinner she is attracted to him. He reveals that he is married but this does not prevent them embarking on a love affair. However just as Philip prepares to depart for a job in New York Anna discovers that he has been less than honest with her...
David Roper and Diane Keen return in this hit Granada sitcom which follows the fortunes of local news reporter Chris Hawthorne and his wife Fliss. The young couple have always enjoyed life's more modest pleasures but face an uphill struggle to make ends meet on Chris's meagre salary especially now the twins have reached school age and lodger Gavin Rumsey has left. Enter suave new lodger Adrian Lockett; Fliss and Chris have just lost a life-long friend and gained a total stranger!
3 Classic Mills FilmsTIGER BAYPolish actor Korchinsky (Horst Buchholz - The Magnificent Seven) is furious to discover his lover has left him for another man and shoots her. The crime is witnessed by 10-year-old Gillie (BAFTA-nominated Mills) who steals the gun. Investigating officer Graham (John Mills) is in pursuit when Korchinsky abducts Gillie.WHISTLE DOWN THE WINDHayley Mills (Bell's daughter and a recipient of one of the film's four BAFTA nominations) Diane Holgate and Alan Barnes live on their widowed father's farm in the north of England.Their lives are disrupted when they discover a wanted man (Alan Bates) hiding out in their father's barn. After a confrontation and misunderstanding they come to the conclusion he is Jesus Christ.SIR JOHN MILLS' LOVING MEMORIESDiscovered years later in an attic clear out and seen here for the first time this extraordinary footage which spans 25 years has a cast list which reads like a who's who of British cinema. Never before has there been such an intimate behind the scenes look at the life of an actor who without doubt is considered to be a legend in his own lifetime.
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