Peter Kosminsky's 1992 adaptation of Emily Bronte's Wuthering Heights goes to the extreme of casting Sinead O'Connor in a brief bit as Bronte herself, but the film still doesn't approach the accomplishment of William Wyler's classic 1939 production (with Laurence Olivier and Merle Oberon) or subsequent versions by Luis Bunuel and Robert Fuest. That doesn't make it unwatchable, however: it still offers The English Patient costars Ralph Fiennes and Juliette Binoche as doomed lovers Heathcliff and Cathy. Binoche is a bit washed-out, but Fiennes makes a strong impression as the rejected labourer who makes his fortune and exacts a vengeance. Unlike Wyler's film, this one covers all the chapters of Bronte's book, but it is sodden with misery and lacks all grace. --Tom Keogh
Lots of laughs and great songs have made this alltime favourite based on the hit Broadway show one of the most memorable musicals of all time. When rock star and teenage heartthrob Conrad Birdie gets drafted, the nation's teenagers go haywire and Conrad's songwriter, Albert (Dick Van Dyke), faces unemployment. So Albert and his girlfriend (Janet Leigh) organize a nationwide contest in which one lucky girl wins a farewell kiss from Conrad on the Ed Sullivan Show. Kim McAfee (AnnMargret) turns out to be the lucky teenager and Conrad's whole entourage moves into her quiet, Midwestern home much to the chagrin of her everirritable father (Paul Lynde) and her jealous boyfriend (Bobby Rydell). The result is chaos and a series of hilarious romantic complications.
A daring expedition happens across a giant ape in this classic 1933 creature feature.
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
A spine-tingling double feature. A Bucket of Blood (Dir. Roger Corman 1959 66 mins) Coffee bar waiter Walter Paisley (Dick Miller) is hailed as an artist for his amazing lifelike sculptures. Unbeknown to his customers his art is achieved by murdering his models and covering them in clay. Said by many to be cult actor Dick Miller's finest hour A Bucket of Blood is a superb semi-spoof of the dead-bodies-in-the-wax-museum genre. Produced and directed by Roger Corman it is a fine example of macabre humour perfectly capturing the spirit of the beatnik. The Giant Gilla Monster (Dir. Ray Kellog 1959 74 mins) When a Texas town is threatened by a gigantic lizard a singing and swinging teenager kick starts his friends into gear to stop the crazed beast. An enjoyable romp through 1950s science fiction drive-in cheese the sleepy lizard wreaking havoc on miniature sets is no less terrifying than the musical numbers.
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