A lonely architect living in San Francisco falls in love with the ghostly spirit of a comatose woman.
When a workaholic visits a haunted house with his family, he meets a whole host of ghosts that teach him a lesson about the importance of the family that he has neglected.
Pecker a sandwich shop clerk takes photos of his rather odd family and friends and nobody thinks anything of them until one day a New York art dealer discovers his work and makes him famous. Is this what Pecker really wants? Another quirky entry from cult director John Waters.
This horrible misfire from the usually reliable writer-director Andrew Bergman (The Freshman) has nothing funny, provocative, timely or interesting to say (despite being based on a novel by Carl Hiaasen) once Demi Moore gets her clothes off. Moore plays a single, unemployed mum caught up in a custody battle who elects to make some money by stripping at a club. The character's troubles don't end there, however: her ex-husband is posing a threat, and a perverted congressman (Burt Reynolds) is looking for more than a lap dance. Bergman's great wit is nowhere in sight, and the film primarily becomes another opportunity for Moore to function like a special effect. --Tom Keogh, Amazon.com
Melissa and Liz are best friends until Chris comes into Melissa's life and Liz isn't impressed. Haunted by his past Chris isn't all he seems...
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