"Actor: Dodd"

• Hellboy II: Die Goldene Armee (4K Ultra HD) (+ Blu-ray 2D) | Blu Ray | (23/05/2019) from £30.96   |  Saving you £N/A (N/A%)   |  RRP £N/A

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• Hellboy II: The Golden Army | Blu Ray | (25/06/2013) from £26.98   |  Saving you £-14.68 (-119.30%)   |  RRP £12.30

  The fate of mankind hangs in the balance when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It’s up to Hellboy and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil!

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Ice Grill | DVD | (11/04/2005) from £4.99   |  Saving you £11.00 (220.44%)   |  RRP £15.99

  This fast-paced urban crime drama tells the story of Psyco Si and Bronco (the Ice Grill Bandits) 2 diamond thieves intent on living out their personal credo of ""Money Guns and Women."" Their everlasting quest for bling-bling gets them wrapped up in what is sold to them by crime patron Twain Bogard as the ""heist of the century."" Though Bogard wants half of the booty the Ice Grill Bandits have hatched a surreptitious and dangerous plan to keep it all for themselves - a plan that cou

• Fimbles - Glitter, Stars And Sparkly Things | DVD | (10/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

  The Fimbles have a talent of being able to find things that are just waiting to be found...

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Alice in Wonderland | DVD | (19/05/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £7.99

  Alice In Wonderland

• Tweenies - It's Christmas | DVD | (14/11/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  This fab-a-rooney DVD features five episodes about the Tweenies putting on their very own Christmas pantomime plus another five episodes about their magical visits to the enchanted toyshop and what happens when they wake up on Christmas morning! Episodes include: 1. Invitations - The Tweenies put on their own panto. 2. Cold Wilson - Milo makes a little snowman called Cold Wilson. 3. Wishes - Fizz wishes all her friends were different. 4. Getting Ready - The Tweenies get rea