On one level, True Blue is a distillation of the brutal physicality and unique focus demanded of participants in the annual University Boat Race between Oxford and Cambridge. Based on legendary oarsman and Oxford coach Dan Topolksi's book about the 1987 race, it is also a tale of revenge; dominant Oxford had been defeated the year before and wanted the title back. More than that, though, it is a story of sporting obsession and the Machiavellian resources required to last the course in an event shrouded in ritual. When a clutch of lantern-jawed American international rowers muscle in on the Oxford team and threaten, quite literally, to rock the boat with their disregard for any of the tradition surrounding the race or Topolski's coaching methods, the fragile concept of team spirit is splintered. Ferdinand Fairfax's film, full of fine performances, builds the tension through a series of confrontations and a constantly shifting balance of power over the year leading up to the race. The intuitive relationship between the besieged Topolski (the excellent Johan Leysen) and the President of the College Captains, Donald McDonald (the quietly impassioned Dominic West) is particularly well drawn. With more than a hint of Chariots of Fire, not least in the Vangelis-like soundtrack, this is a moving and beautifully observed film about sporting passion.On the DVD: True Blue is presented in widescreen with a 16:9 anamorphic video aspect ratio that makes excellent use of the sweeping vistas of the Thames for the racing and training scenes which dominate the film. Stanislas Syrewicz's brooding score underpins the action at every stage and, thanks to the quality of the Dolby Surround soundtrack, helps to bring an appropriately epic, theatrical feel to your home viewing. --Piers Ford
Contains all 22 episodes from Season Three
A much-needed boost in the form of a new factory is promised to the reisdents of the tiny fishing village St. Marie-La-Mauderne provided they can lure a doctor to take up full-time residency on the island. Inspired the villagers devise a scheme to make Dr. Christopher Lewis a local....
A man and his brother on a mission of revenge become trapped in a harrowing occult experiment dating back to the Third Reich.
A documentary about one of Britain's most dangerous crime families that introduces us to its magnetic, larger-than-life leader, Dominic Noonan.
Described by series cocreator Brannon Braga as "a single episode that lasts 24 hours," the third season of Star Trek: Enterprise is arguably the best in the show's four-season run. With the epic "Xindi saga" as the season's primary story arc, the series found its tonal focus in the unpredictable space of the Delphic Expanse, where alien encounters and matter-warping spatial anomalies forced Capt. Archer (Scott Bakula) to make extreme decisions that tested his ethical boundaries. Realizing the need for a fresh viewpoint, Braga and cocreator Rick Berman hired Manny Coto, a TV veteran who conceived or wrote several of the season's finest episodes (not forgetting Mike Sussman and other members of the series' first-rate writing staff). Coto's involvement was instrumental in shaping the Xindi saga, which began (with season 2's cliffhanger) when Earth was attacked by a Xindi probe--a massive weapon which Archer must now destroy. This vital mission dominates season 3, deriving its potent drama from an impressive variety of characters and subplots focused on the five-species Xindi council, which finds its voice of reason in Primate member Degra (season regular Randy Oglesby) and rancor in the Reptilian Commander (Scott MacDonald), pivotal characters whose fates will be tragically intertwined. Despite lower ratings and budgetary cutbacks (as evident in several ship-bound episodes with minimal casting), season 3 was equally strong as a showcase for the Enterprise regulars, with plenty of fan speculation rising from the sexy and soothing Vulcan "neuro-pressure" sessions between the insomniac Tucker (Connor Trinneer, better than ever) and T'Pol, whose hidden addiction to a toxic compound allows Jolene Blalock to mine the volatile depths of her character (who now sports a more appealing hairstyle and wardrobe). Meanwhile, security chief Reed (Dominick Keating) engages in heated competition with Major Hayes (reliable guest Steven Culp, from the first season of Desperate Housewives), the leader of NX-01's Military Assault Command Operation (or MACO), which Reed views with territorial suspicion. And while Enterprise still fumbled to develop the characters of Hoshi (Linda Park) and Travis (Anthony Montgomery), John Billingsley continued to bring clutch-player excellence to his role as Dr. Phlox in several highlight episodes including "Doctor's Orders" and "Similitude," the latter featuring equally strong work by Trinneer in an ethically complex (and fan-favorite) examination of the cloning--a typical example of Star Trek at its best. The alternate timeline of "Twilight" also honours the classic Trek tradition, while "Harbinger" reveals the existence of the trans-dimensional Sphere Builders, whose moon-sized creations affect Enterprise throughout its season-long mission. Finally, the crucial appearances of blue-skinned Andorian Shran (Jeffrey Combs) bring both suspense and comic relief to the season's grim proceedings, adding depth and tentative alliance to Enterprise's pre-Federation politics--a crucial element that assumes greater importance with the jaw-dropping cliffhanger of "Zero Hour" and the surprises in store for season 4, which will bring Enterprise ever closer to the original Star Trek timeline.
An estranged couple's vacation to save their troubled relationship goes awry when they find themselves under attack from the walking dead.
Mystery buffs will find Hetty Wainthropp to be delightful and uniquely entertaining company. Hetty has just turned 60, but she is not about to "ride serene into the evening tide," as her doting husband so poetically puts it. "I'm not 60 and I never will be," Hetty proclaims. "I'm not a senior citizen." Hetty wants to matter, so she gets a job at her local Lancashire post office. But that wouldn't make for much of a miniseries. Before you can say "cheeky monkey," she has involved herself in a deadly case of pension-fund fraud, and made a splash on the front pages as a "Super Gran Sleuth." The redoubtable Patricia Routledge, best known as Hyacinth Bucket on the beloved Keeping Up Appearances), does lovely work as Hetty, who first appeared in David Cook's 1986 novel, Missing Persons (Cook co-wrote the six first-season episodes contained here). Hetty is not as quaint as Miss Marple, nor her cases as seamy as Jane Tennison's Prime Suspect mysteries. She is a formidable character in her own right, opening her own private detective agency, and recruiting a 17-year-old shoplifter (Dominic Monaghan from the Lord of the Rings trilogy) to be her "devoted sidekick." A rogue cop, a roving arsonist, and other unsavory characters are no match for the woman who won't rest until things add up. As one police inspector grudgingly admits, "She's an extraordinary woman. She's no Miss Marple, but..." But, indeed. --Donald Liebenson
A Bold New Beginning. Now, for the first time on Blu-ray, follow Starfleet's earliest forays into deep space in breathtaking 1080p high definition picture and 5.1 sound. Captain Jonathan Archer (Scott Bakula) commands the Enterprise NX-01, the first Earth-built vessel capable of breaking the Warp 5 barrier. With his trusted Chief Engineer, Charles 'Trip' Tucker III (Connor Trinneer), Science Officer T'Pol (Jolene Blalock), and security expert Lt. Malcolm Reed (Dominic Keating), Capt. Archer...
Abraham Lincoln: Vampire Hunter explores the secret life of one of the greatest US presidents, and the untold story that shaped a nation.
Friends since childhood Jess and Milly can't remember a time they didn't share everything secrets, clothes, even boyfriends. Their differences are the glue that binds them together. That is until Milly is hit with the life changing news that she has breast cancer and needs Jess's support more than ever. As Jess tries to balance her own life as well as being there for Milly it is only a matter of time before the pressure on their bond takes its toll.
Set in the 22nd century a hundred years before James T. Kirk helmed the famous starship of the same name Enterprise takes place in an era when interstellar travel is still in its infancy. Captain Jonathan Archer (Scott Bakula) has assembled a crew of brave explorers to chart the galaxy on a revolutionary spacecraft: Enterprise NX-01. As the first human beings to venture into deep space these pioneers will experience the wonder and mystery of the final frontier as they seek out new life and new civilizations.
Abraham Lincoln: Vampire Hunter explores the secret life of one of the greatest US presidents, and the untold story that shaped a nation.
Many 2012 genre movies have developed a worrisome postmodern tic, often rushing to point out their own ridiculousness before the audience even gets a chance to get swept up and taken in. The historical monster mash Abraham Lincoln Vampire Hunter is profoundly silly--even sillier, possibly, than the title suggests--but it conducts itself with an admirably straight face. Seth Grahame-Smith's script (based on his own novel) finds the Young Mr. Lincoln (Benjamin Walker) set on a path of righteous vengeance after watching his mother get fatally fanged. As he studies the law and woos the ravishing Mary Todd (Mary Elizabeth Winstead) by day, the nights find him throwing down with an unending army of the undead. When he discovers the plot of a master vampire (the excellently dry Rufus Sewell) to conquer the United States, he makes the fateful decision to throw his hat (and silver-bladed axe) into the ring of national politics. Director Timur Bekmambetov (Wanted, the Night Watch series) brings a wide-eyed fervour to the material, offering tantalising hints of a larger mythology while also glorying in the wonky kineticism of the plentiful action sequences. (He's aided in his mission by legendary cinematographer Caleb Deschanel, who gives the images an old-timey View-Master texture.) Scholars of the historical record may well develop the vapours, but for susceptible viewers, the film's wink-free approach and exceedingly game performers make it frightfully easy to sit back, switch off, and bask in its poker-faced outrageousness. Many movies have had somebody thrown by a horse; this movie has a bad guy pick up a horse and throw it at the hero. Brothers and sisters, there is a difference. --Andrew Wright
American contract killer Hazen Kaine wants out but accepts one last job from the mob: the murder of the three children of royal and wealthy lineage. But upon capturing the children a necklace worn by one of them sends him back in time to medieval days... and Hazen finds himself struggling for his life against a medieval army... and a fire-breathing dragon. Kaine must now learn to be a real man and an honourable warrior helping these strangers to reclaim their stolen kingdom.
Following a mission in Iran which goes spectacularly wrong, Special Boat Service agent Stratton (Dominic Cooper) is summoned by the head of MI6 (Connie Nielson) to undertake another deadly operation. Having been presumed dead, former Soviet operative Barovski (Thomas Kretschmann) has gone rogue and intends to use deadly chemical weapons stolen from his former paymasters to take revenge. Stratton and his team are dispatched to track down Barovski in a nailbiting race against time to the unimaginable happening. Features: Cast & Crew Interviews Making StrattonĀ featurette
Al Pacino plays a Maryland lawyer who takes on a judicial system rife with deal making in And Justice for All, an awkward blend of satire and sentimentality. Topical director Norman Jewison can't seem to help Pacino get comfortable with the mismatched material, which pushes the film into outrageousness at some turns and mawkishness at others. The script by Barry Levinson and Valerie Curtin is more an accumulation of random ideas and moments than a congruent story. However, it's interesting to see the large cast of good actors, most of whom were unknowns at the time including Christine Lahti who made her film debut here. --Tom Keogh, Amazon.com
The Human Centipede: First SequenceFilm Director Tom Six's Award winning vision begins with The Human Centipede (First Sequence). Here we are introduced to retired surgeon Dr Heiter, a man who harbours a sick lifetime fantasy of being the first person to create a Siamese triplet. He just requires the necessary pieces. Two pretty American girls walk unwittingly up to his door in search of help when their car breaks down and find themselves on his operating table, alongside another hapless Japanese tourist Heiter has acquired for his project. In 100% medically accurate detail Dr Heiter first describes to his ensnared patients the operation which will take place in order to conjoin them via their gastric systems, then commences his twisted surgery to create The Human Centipede. The Human Centipede 2: Full SequenceLike a Centipede's segments The Human Centipede (First Sequence) is inextricably joined to The Human Centipede 2 (Full Sequence) where we find mentally disturbed car park attendant Martin obsessed with watching Tom Six's film. Pushed to the brink by his belligerent mother and haunted by the teasing voices of his abusive and imprisoned father, Martin plans to emulate Heiter's Centipede by creating his own version. In brutal juxtaposition Martin has no surgical skills, nor access to surgical implements. Anaesthesia is replaced by crowbar, stitches and sutures replaced by staple guns and duct tape, scalpels replaced by various household tools. What follows is one of the most harrowing and terrifying films ever conceived. First Sequence Special Features: Full Length Commentary with Director Tom Six Q and A with Director Tom Six and Actor Dieter Laser Two Interviews with Director Tom Six Original Theatrical Trailer Behind the Scenes Foley Session Casting Session Deleted Scene Full Sequence Special Features: DTS-HD MA 5.1 Surround Sound Interview with Director Tom Six Behind the Scenes Foley Session Deleted Scene
Set at the end of the eighteenth century, The Duchess is the story of the beautiful and glamorous Georgiana Spencer (Keira Knightley), the most fascinating woman of the age.
Watch this movie and you won't sleep for a week! Banned in 31 countries. Banned since 1982 in the UK as a ""nasty""! The Most Violent Film Ever Made! Gloria Davies is writing a thesis and she believes unlike most people that cannibalism is merely a myth which has been invented by whites. In order to test her theories she sets out for the jungle of the Amazon River with her brother Rudy and friend Pat. They go as far as Panaguaya in a Range Rover and then proceed on foot. What t
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