Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
Third feature from anarchic comedy trio Dominique Abel, Fiona Gordon and Bruno Romy, The Fairy is a colourful burlesque comedy that succeeds in being both charming and hilarious. Social misfit Dom works the night shift in a small hotel near the industrial sea port of Le Havre. One night, a woman called Fiona arrives with no luggage and no shoes and tells Dom she is a fairy, granting him three wishes. It is love at first sight. After making two of his wishes come true, Fiona mysteriously disappears. After searching for her high and low, heart broken Dom eventually finds her in the psychiatric hospital where she has been committed. The opening night film of Director's Fortnight in Cannes this year, The Fairy casts a distinctive spell that continues to enchant audiences.
Paying homage to Buster Keaton and Jacques Tati, this highly original and surreal comedy set in a colourful world, magically blends theatre, dance, mime and dialogue and will appeal to all film fans seeking out something different this summer.
Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
Though performed in the original Peter Sellars' production of Don Giovanni relocates Mozart's dramatic morality-tale to the dark streets of Harlem deep within the turbulent world of late-twentieth-century America.
Trauma was director Dario Argento's big crossover attempt at combining the Italian giallo genre with the American stalk 'n' slash. His fans may debate whether the result was a complete success, but the film certainly put his name in front of a wider international audience. Essentially the story is a psycho-murderer-mystery, with the audience made to piece together clues towards the identity-revealing denouement. The movie comes alive as a result of suitably intense performances, even while the characters die. Piper Laurie and Brad Dourif supply atypically explosive cameos. The leads are contrastingly subdued for the most part, no doubt because of their characters' involvement with drugs. Asia Argento (the director's daughter) is an anorexic who witnesses her parents' decapitations among a series of similar murders by the notorious "Headhunter". Christopher Rydell plays the ex-junkie who takes her in and helps track down the killer. Backing them up are some even greater performances from Tom Savini's eye-boggling special FX. With the aid of a motorised garrotte, the beheadings are gruesomely real, especially the one that leaves a head still able to talk. On the DVD: Trauma comes to disc in full 2.35:1 widescreen, though this isn't the clearest of transfers (plenty of artefacts present). The sound is in an unspecified Dolby mix. An interesting selection of extras almost makes up for the lack of a commentary. There are filmographies of Dario and Asia, a gallery of behind-the-scenes stills, and trailers for the movie Phantom of the Opera and several more in this series of releases. More interesting are the text features: interviews with Asia on her memories of the shoot and with renegade horror director Richard Stanley surreally recalling his long-term fandom of everything Argento. Most fascinating, there's a mini-essay on what was cut and why by the BBFC for the original UK video release. --Paul Tonks
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