Jules Dassin's 1954 film 'Rififi' was an instant success. Based on the novel of the same title 'Du Rififi Chez Les Hommes' by Auguste le Breton the film's use of hard-boiled slang and the gangster garb of trench coats top hats and a cigarette dangling from one corner of the mouth went on to become the emblems of Humphrey Bogart-style noir classics. Jean Servais is Tony le Stephanois a master thief with a battered face and a tubercular cough souvenirs of a recent stint in the pe
Delicatessen presents a post-apocalyptic scenario set entirely in a dank and gloomy building where the landlord operates a delicatessen on the ground floor. But this is an altogether meatless world, so the butcher-landlord keeps his customers happy by chopping unsuspecting victims into cutlets, and he's sharpening his knife for the new tenant (French comic actor Dominque Pinon) who's got the hots for the butcher's near-sighted daughter. Delicatessen is a feast (if you will) of hilarious vignettes, slapstick gags, and sweetly eccentric characters, including a man in a swampy room full of frogs, a woman doggedly determined to commit suicide (she never gets it right) and a pair of brothers who make toy sound boxes that "moo" like cows. It doesn't amount to much as a story, but that hardly matters; this is the kind of comedy that leaps from a unique wellspring of imagination and inspiration, and it's handled with such visual virtuosity that you can't help but be mesmerised. French co-directors of Jean-Pierre Jeunet and Marc Caro have wildly inventive imaginations that gravitate to the darker absurdities of human behaviour, and their visual extravagance is matched by impressive technical skill. There's some priceless comedy here, some of which is so inventive that you may feel the urge to stand up and cheer. --Jeff Shannon, Amazon.com On the DVD: the special features are pretty standard, with a trailer, "making of" featurette and footage of the rehearsal process. The audio commentary is supplied by Jeunet, which, although interesting, is in French and thus necessitates the use of subtitles which then obliterate the movie's own subtitles. Once the commentary is on it is virtually impossible to turn this option off without reloading the disc. However, the Dolby stereo works wonders for this film, which is rich in sound, and surprisingly the 1.85:1 letterbox ratio is perfect for a film that is grainy by design. --Nikki Disney
In Jacques Rivette's surreal and fascinating masterpiece eccentric magician Celine (Juliet Berto) meets curious librarian Julie (Dominique Labourier). Their friendship soon sends them down a fantastical rabbit hole and into an apparently haunted house. With the aid of magical candy, they return time and again to the mansion to spy on and eventually play parts in a gothic murder mystery. A playful investigation of the boundary between life and art, and illusion and reality. Celine and Julie Go Boating was co-written by Eduardo de Gregorio and the film's actresses (including Bulle Ogier and Marie-France Pisier). It was influenced by Lewis Carrol, Henry James and Proust, and in turn influenced the likes of David Lynch and Susan Seidelman. It remains Rivette's most enduring, self-reflective and popular film. Extras: Presented in High Definition Jonathan Romney on Rivette (2006, 19 mins) Tout la mémoire du monde (Alain Resnais, 1956, 21 mins) The Haunted Curiosity Shop (R W Paul, 1901, 2 mins) Illustrated booklet featuring an essay by Susan Seidelman, and full film credits
In a distant apocalyptic future conventional society has reached a state of collapse. Grain is now used as currency and meat has become a rare commodity. Meanwhile an unemployed clown finds work as a maintenance man in a squalid apartment block situated above a butcher's shop. Having fallen in love with the owner's daughter he soon discovers the sinister truth behind the ominous landlord's unsavoury intentions. Between blossoming romance and disappearing tenants his only hope for survival could be the members of a subterranean militia of vegetarian freedom fighters. Or is it too late already? With its iconic surreal imagery gallows humour and its cast of warped characters Delicatessen marked the breakthrough collaboration between celebrated directors Marc Caro (Dante 01) and Jean-Pierre Jeunet (Amelie A Very Long Engagement Micmacs). Equal parts horror comedy and dystopian fantasia Delicatessen is still one of the most original and influential films of its time.
In a distant, apocalyptic future, conventional society has reached a state of collapse. Grain is now used as currency and meat has become a rare commodity. Meanwhile an unemployed clown finds work as a maintenance man in a squalid apartment block situated above a butcher's shop. Having fallen in love with the owner's daughter he soon discovers the sinister truth behind the ominous landlord's unsavoury intentions. Between blossoming romance and disappearing tenants his only hope for survival could be the members of a subterranean militia of vegetarian freedom fighters. Or is it too late already? With its iconic, surreal imagery, gallows humour and its cast of warped characters, Delicatessen marked the breakthrough collaboration between celebrated directors Jean-Pierre Jeunet (Amelie, A Very Long Engagement, Micmacs) and Marc Caro (Dante 01). Equal parts horror, comedy and dystopian fantasia, Delicatessen is still one of the most original and influential films of its time.
A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.
Monsieur Hulot continues his battle with the modern world. He also pours his affection on to his nephew of which fact his parents don't seem to appreciate.
Delicatessen presents a post-apocalyptic scenario set entirely in a dank and gloomy building where the landlord operates a delicatessen on the ground floor. But this is an altogether meatless world, so the butcher-landlord keeps his customers happy by chopping unsuspecting victims into cutlets, and he's sharpening his knife for the new tenant (French comic actor Dominque Pinon) who's got the hots for the butcher's near-sighted daughter. Delicatessen is a feast (if you will) of hilarious vignettes, slapstick gags, and sweetly eccentric characters, including a man in a swampy room full of frogs, a woman doggedly determined to commit suicide (she never gets it right) and a pair of brothers who make toy sound boxes that "moo" like cows. It doesn't amount to much as a story, but that hardly matters; this is the kind of comedy that leaps from a unique wellspring of imagination and inspiration, and it's handled with such visual virtuosity that you can't help but be mesmerised. French co-directors of Jean-Pierre Jeunet and Marc Caro have wildly inventive imaginations that gravitate to the darker absurdities of human behaviour, and their visual extravagance is matched by impressive technical skill. There's some priceless comedy here, some of which is so inventive that you may feel the urge to stand up and cheer. --Jeff Shannon, Amazon.com On the DVD: the special features are pretty standard, with a trailer, "making of" featurette and footage of the rehearsal process. The audio commentary is supplied by Jeunet, which, although interesting, is in French and thus necessitates the use of subtitles which then obliterate the movie's own subtitles. Once the commentary is on it is virtually impossible to turn this option off without reloading the disc. However, the Dolby stereo works wonders for this film, which is rich in sound, and surprisingly the 1.85:1 letterbox ratio is perfect for a film that is grainy by design. --Nikki Disney
In this French drama a group of mourners travel from Paris to Limoges to attend the funeral of a tyrannical painter they all knew.
This Box Set Contains The Following Films: Delicatessan follows a sweet-natured clown Louison who moves into a run down apartment building with a delicatessen on the ground floor and falls in love with the butcher's daughter Julie Clapet. When it turns out that Julie's father is actually butchering human beings and selling the meat to the carnivorous tenants of the building Julie must decide if she will remain loyal to her father's business or expose the truth in order to save Louison from being the next victim. Taking place entirely inside underneath and on the roof of the delicatessen the film uses an old pipe that runs throughout the building as a channel of communication for its characters. City Of Lost Children is the story of a prematurely aging mad scientist named Krank who kidnaps children so he can steal their dreams. However Krank runs into trouble when his henchmen grab Denree a little boy whose adopted brother One is a circus strongman. One desperately tries to find Denree and begs for help from Miette a 9-year-old girl who heads up a gang of orphans. Together One and Miette finally find Krank's castle meeting along the way the lost identical brother--the original--of the three clones who serve as Krank's assistants. Also included is one of Jeunet and Caro's earlier short films.
They were dying to meet her.... For Kim it was supposed to be the perfect reunion and weekend getaway. She and her best friends drive to a remote lakeside cabin to reminisce about their college days. When the group decides to play the goulish game 'Dead Mary' they mistakenly unleash a vengeful spirit that possesses them one by one. As the demon forces them to turn on one another each is faced with a choice : Would you hack your best friend to pieces to ensure you own survival?
The BFI’s acclaimed Jacques Tati remaster series continues with the world premiere High Definition release of Tati’s multi-award-winning third feature, Mon Oncle, in two different versions. This 1958 box-office hit confirmed his reputation as the foremost comic artist of his day and picked up a string of awards, including the 1959 Oscar for Best Foreign Film.Tati’s second outing as the accident-prone Monsieur Hulot takes him to Paris where the high-tech lifestyle of his relatives, the Arpels, is contrasted with his old-fashioned ways in a scruffy part of town. With an eye on the international market, and wishing to avoid subtitles (which he always disliked), Tati shot two versions of the film – Mon Oncle and My Uncle, the latter replacing French signs such as ‘Ecole’ and ‘Sortie’ with their English equivalents and dubbing much of the main dialogue into English. This specially remastered edition contains both versions.
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