Almost four decades before creating his Poppea Monteverdi wrote in the preface to his fifth book of madrigals The modern composer must create his works solely on the basis of the truth - a credo to which the music of his final opera is utterly faithful.Poppea is a potent work from opera's first true creator and pioneering genius. The fact that at the close of this highly charged 'dramma in musica' he allows evil to triumph over good (albeit temporarily) has frequently led to his being decried as amoral.Monteverdi's timeless masterpiece which creates a deep involvement in performers and audiences alike is brilliantly captured in this High Definition live recording of Pierre Audi's moving and beautifully style production from Het Muziektheater Amsterdam in 1994.
Monteverdi's L'Incoronazione di Poppea (1642) marks one of the very foundations of opera. Revolving around real historical characters, the Roman emperor Nero, his love for Poppea, the betrayal of the empress Octavia, and death of the philosopher Seneca, Monteverdi pits human love, ambition and intrigue against the fates. The set, a symbolic part-globe, and the costumes drawn from various ages suggest--very much in the way of the surreal film of Shakespeare's Titus (1999)--that the concerns of ancient Rome are timeless. With the emphasis on the text (the music alone does not hold the attention for 150 minutes) conductor Jacobs depends upon an excellent cast to bring the production alive. Patricia Schumann dominates the stage, her Poppea is warm, sensual and likeable, without being entirely trustworthy, an effective counterpart to Richard Croft's Nero. Darla Brooks brings just the right degree of vivacious gullibility to Drusilla, while Curtis Ryam offers eccentric comedy as Arnalta. As Ottone Jeffrey Gall is a man acutely tormented by love. Recorded at the 1993 Schwetzinger Festspiele, there is no sign of an audience, the many close-ups suggesting this performance was specially given for video. On the DVD: There are subtitle options for English, French and German, but no special features. The booklet is well documented but does not contain the libretto. The sound is good PCM stereo while the 4:3 image (not 16:9 as stated on the packaging) is better than video but otherwise unremarkable. --Gary S. Dalkin
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