The film that effectively launched the star careers of Robert Carlyle, Ewan McGregor and Jonny Lee Miller is a hard, barbed picaresque, culled from the bestseller by Irvine Welsh and thrown down against the heroin hinterlands of Edinburgh. Directed with abandon by Danny Boyle, Trainspotting conspires to be at once a hip youth flick and a grim cautionary fable. Released on an unsuspecting public in 1996, the picture struck a chord with audiences worldwide and became adopted as an instant symbol of a booming British rave culture (an irony, given the characters' main drug of choice is heroin not ecstasy).McGregor, Lee Miller and Ewen Bremner play a slouching trio of Scottish junkies; Carlyle their narcotic-eschewing but hard-drinking and generally psychotic mate Begbie. In Boyle's hands, their lives unfold in a rush of euphoric highs, blow-out overdoses and agonising withdrawals (all cued to a vogueish pop soundtrack). Throughout it all, John Hodge's screenplay strikes a delicate balance between acknowledging the inherent pleasures of drug use and spotlighting its eventual consequences. In Trainspotting's world view, it all comes down to a question of choices--between the dangerous Day-Glo highs of the addict and the grey, grinding consumerism of the everyday Joe. "Choose life", quips the film's narrator (McGregor) in a monologue that was to become a mantra. "Choose a job, choose a starter home... But why would anyone want to do a thing like that?" Ultimately, Trainspotting's wised-up, dead-beat inhabitants reject mainstream society in favour of a headlong rush to destruction. It makes for an exhilarating, energised and frequently terrifying trip that blazes with more energy and passion than a thousand more ostensibly life-embracing movies. --Xan Brooks
Warship is the hugely popular naval drama series produced by the BBC in close collaboration with the Royal Navy, examining the working lives of Royal Marines at sea. The HMS Hero is captained by Commander Nialls (Donald Burton) and features David Savile and James Cosmo amongst the crew. The series focuses on the professional and personal lives of all crew members, from Captain right down to the lower decks, as they travel the world on tours of duty and tackle dangerous seafaring missions. Lau.
The Victim is a thriller told through the eyes of the plaintiff and the accused. Set within Scotland's unique legal system, the show asks: who is really 'the victim'? Kelly MacDonald plays Anna Dean, whose son was murdered fifteen years ago. She is accused of revealing his killer's new identity online and conspiring to have him murdered. Has the anger of a grieving mother turned her into a criminal? What is she capable of doing in her son's name? Hard working family man Craig Myers is viciously attacked, after being identified online as a notorious child murderer. Should Craig keep his head down or try to prove his innocence? Is he a convicted murderer, or simply the tragic victim of mistaken identity? The Victim follows the progress of a trial in Edinburgh's High Court, while also covering the events leading up to the legal proceedings and the criminal investigation, led by D.I. Steven Grover, who has his own reasons for wanting to crack the case. Craig and Anna are pitted against each other, but our sympathies will be divided. New potential suspects will be revealed and long buried secrets unearthed as the story builds to a final, devastating climax. Starring: Kelly MacDonald (Puzzle, Boardwalk Empire, The Child in Time), John Hannah (Four Weddings and a Funeral, Agents of S.H.I.E.L.D.), James Harkness (Rogue One, Darkest Hour). Writer/Creator/Executive Producer: Rob Williams (The Man in the High Castle, Killing Eve, Chasing Shadows); Executive Producer: Sarah Brown (Oliver Twist, The Interceptor, Lark Rise to Candleford); Director: Niall MacCormick (The Long Walk to Finchley, Wallander, Complicit); Producer: Jenny Frayn (The A Word, Case Histories) Includes subtitles for the Hard Of Hearing
Pleasure has its price. Following the muder of Sir George Howard and Justice Cunliffe, turmoil plagues London's most infamous Madams - bitter enemies, Margaret Wells (Samantha Morton) and Lydia Quigley (Lesley Manville). Their War for control of the city's bawdy houses intensifies and when Margaret's daughter, Charlotte (Jessica Brown Findlay), places herself in the home of Lydia Quigley, their toxic and deep-seated rivalry is taken to a dangerous new level. The arrival of the alluring and wealthy socialite Lady Isabella Fitz William (Liv Tyler) on the scene may be Charlotte's lifeline, but her poise and position in society covers a dark, scandalous past. it's all pleasure and pain in Season 2 of Harlots.
Long-awaited long-overdue: The Professionals as you have never seen them before. Bodie and Doyle need little by way of introduction but if the series had at all escaped you since its debut in 1977 their boss George Cowley head of CI5 couldn't put it more succinctly than his opening gambit: anarchy acts of terror crimes against the public. To combat it I've got special men – experts from the army the police from every service. These are The Professionals. Featuring the perfect ensemble cast of Martin Shaw Gordon Jackson (completely against type here) and the much-missed Lewis Collins the series ran for 57 action-packed episodes and made an immediate impact on British and then international audiences which has sustained 35 years. But the series has never looked this good. Painstakingly restored from the camera-original negatives the series could have been made yesterday. No matter how many times you have seen The Professionals this is a new experience like seeing it for the first time. Features: Brand-new High Definition restorations of all 13 episodes in series three from the camera-original negatives. Brand-new 5.1 tracks from original sound elements. Remastered original as-broadcast mono tracks. Remastered music-only tracks featuring Laurie Johnson's original scores. HD photo galleries featuring hundreds of rare and previously unseen images. Exclusive book of programme notes authored by TV historian Andrew Pixley which documents the complete production history for the 13 episodes in series three. All episodes are presented in their original production order. PDF material featuring scripts and memorabilia. English HOH subtitles
Jason Statham stars as ex-Government agent Luke Wright who over the course of one harrowing night tears a swath through NY city's corrupt underworld in order to save a young girls life and redeem his own.
An early entry in the 1950s cycle of creature-feature pictures, Them! is the one about hordes of ants mutated to a giant size by the first A-bomb test. An exciting, persuasive exercise in paranoid science fiction, it exhibits an interesting tension between cautious warning about irresponsible tampering with the atom and a Cold War vision of the authorities taking on extraordinary powers to combat a threat to the country. It begins as an eerie desert mystery, with New Mexico cop James Whitmore investigating disappearances and deaths: a mobile-home and a general store are crushed as if tanks have rolled over them, a shopkeeper is found dead of a huge injection of formic acid, quantities of sugar have been stolen (the film's sole straight-faced joke) and a catatonic little girl is shocked into shrieking "them, them!". FBI agent James Arness takes charge and a plaster-cast of a strange imprint summons a father and daughter investigative team from the Department of Agriculture, cherubic Edmond Gwenn and smart-suited Joan Taylor. Law-enforcement, military and scientific experts deduce the nature of the problem and take swift, decisive action to counteract the danger. Director Gordon Douglas stages several great monster-suspense scenes: a first encounter in a sandstorm, a venture into a poisoned nest, a glimpse of horror at sea, and a finale in the Los Angeles storm drains. On the DVD: Them! has the wonderful scarlet-lettered, shrieking title on an otherwise sharp-looking black and white print. An amusing newspaper-style menu uses original artwork from the lurid poster to showcase some interesting snippets of test or outtake footage of the big puppet ants in action, and there's a wonderfully overblown terror-trailer.--Kim Newman
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
When the world's media descend on the remote Scottish island where a Hollywood actress is attempting to get married, a local girl is hired as a decoy bride to put the paparazzi off the scent.
There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission... Surrender yourself to the mysterious world of 'The Outer Limits' as one of the creepiest and most provocative series in television history comes to DVD. This fantastic box set comprises every episode from the first season and a glut of eery extras. Featuring 32 original episodes on 8 discs! Episodes comprise: 1. Galaxy Being 2. Hundred Days of
Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.
Long-awaited, long-overdue: The Professionals as you have never seen them before. Bodie and Doyle need little by way of introduction, but if the series had at all escaped you since its debut in 1977 their boss George Cowley, head of CI5, couldn't put it more succinctly than his opening gambit: anarchy, acts of terror, crimes against the public. To combat it I've got special men experts from the army, the police, from every service. These are The Professionals . Featuring the perfect ensemble cast of Martin Shaw, Gordon Jackson (completely against type here) and the much-missed Lewis Collins, the series ran for 57 action-packed episodes and made an immediate impact on British and then international audiences which has sustained 35 years. But the series has never looked this good. Painstakingly restored from the camera-original negatives the series could have been made yesterday. No matter how many times you have seen The Professionals, this is a new experience, like seeing it for the first time.
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
This unprecedented collaboration between the BBC and the Royal Navy gripped the nation with a fascinating insight into the lives of seamen on tour across the globe. From hot shot new Commander Glenn (Bryan Marshall) right down to the lower decks, the series follows the personal and professional lives of all the crewmembers as they sail across the world tackling dangerous sea-faring missions. Real Royal Marine Commandos mix with a cast that includes James Cosmo (Game of Thrones, Braveheart) and Andrew Burt (Emmerdale) as the series, shot on location aboard the HMS Phoebe, blurs the lines between drama and documentary. Scottish Naval Officer and screenwriter Ian Mackintosh MBE teamed up with producer Anthony Coburn who wanted to create a series ‘that would do for the Navy what Z-Cars had done for the police.’ In this series the HMS Hero’s new captain is tested when he must navigate an Arctic ice field, Commander Glenn must choose between doing his duty or repaying a debt, Commander Nialls returns to the Hero and a court martial seems imminent when a cruiser suffers friendly fire from a naval jet.
The complete twelfth season of the popular US drama following detectives including Andy Sipowicz (Dennis Franz) and Bobby Simone (Jimmy Smits) as they police the streets of the Big Apple.
The Bachelor got critically slammed when it played in cinemas, probably because reviewers couldn't help comparing it with the movie on which it's based, the brilliant Buster Keaton comedy Seven Chances. But on its own terms, The Bachelor is a modest and enjoyable picture about Jimmie (Chris O'Donnell), a happily single young man who suddenly gets an ultimatum from his grandfather's will: marry by his 30th birthday or lose an inheritance of 100 million US dollars. This is revealed the day before that very birthday. Unfortunately, Jimmie had already proposed to his girlfriend Anne (Renee Zellweger) and been turned down; she can see in his eyes that he isn't ready to get married and refuses to accept him until he is. So Jimmie needs to find a bride--fast. Though the commitment-shy man is a hoary clichè, The Bachelor successfully exaggerates Jimmie's fears to comic proportions. O'Donnell is his usual affable self, but it's Zellweger who seizes every scene she's in and makes something really enjoyable out it. The movie's greatest weakness is that she's such a small part of the second half. Still, there's good supporting performances from Hal Holbrook, Ed Asner, James Cromwell and Marley Shelton (as Zellweger's sister), and Peter Ustinov and Brooke Shields both have very funny scenes. The Bachelor skirts some dangerously chauvinistic territory at times, but by and large it's a pleasant comedy with some genuine good humour. --Bret Fetzer, Amazon.com
Sci Fi's greatest TV series blasts onto Blu-Ray with Battlestar Galactica Season 3 in Dolby 5.1 Surround Sound! The season opens with the stranded Colonials struggling to survive under the heavy handed Cylon rule on New Caprica. Follow Tigh Tyrol and Anders as they lead the Resistance with increasing and shocking violence towards the Cylons and Admiral Adama's personal struggles while leading Galactica to save the survivors and resume its quest to find Earth. Featuring a bonus disc with The Story So Far this Season will leave you clinging to the edge of your seat. Will Number Six formulate a truce between the Humans and the Cylons? Who are the Final Five and where will they place their loyalties? Who will find Earth first? Where will you stand?
Advertised in 1970 as "the first electric Western", Zachariah is an endearingly pretentious effort that prefigures such genre oddities as Jodorowsky's El Topo and Alex Cox's Straight to Hell. The story is the archetypal one about two friends who become gunslingers and must inevitably face off against each other in the finale, but it's treated here as if it Meant Something Deeper--which means that after enjoying 75 minutes of violence we can all agree that peace and love and harmony is on the whole better for children and other living things. Curly haired farmboy Zachariah (John Rubinstein) and eternally grinning apprentice blacksmith Matthew (Don Johnson) are the fast friends who run away from home to join up with a gang of outlaws known as the Crackers (played by hippie folk-rock collective Country Joe and the Fish). These apparent 19th-century Westerners tote electric guitars and are given to staging free festival freak-outs at one end of town to distract from the bank robbery at the other. The boys soon hook up with Job Cain (Elvin Jones), an all-in-black master gunfighter who is also an ace drummer (his solo is impressive), but then drift apart as Zachariah has a liaison with Old West madame Belle Starr (Pat Quinn) in a town that consists of fairground-style brightly painted wooden cut out buildings (a gag reused in Blazing Saddles), then gets rid of his outrageous all-white cowboy outfit to settle down on a homestead and grow his own dope and vegetables. Matthew, of course, goes for the black leather look after outdrawing Cain, and comes a gunning for the only man who might be faster than him, but the hippie-era message is once these kids have killed everyone else they can still make peace with each other and the desert or something, man. Aside from a Beatle-haired teenage Johnson making a fool of himself by over-emoting to contrast with Rubinstein's non-performance, the film offers a lot of beautiful "acid Western" scenery and excellent prog rock and bluegrass music from the James Gang, White Lightnin' and the New York Rock Ensemble. Comedy troupe the Firesign Theatre (huge on album in 1970) provided the script, which explains satirical touches like the horse-and-buggy salesman (Dick Van Patten) spieling like a used car dealer and the madame's claim to have had affairs with gunslingers from Billy the Kid to Marshal McLuhan. The DVD extras are skimpy, but the print quality is outstanding. --Kim Newman
This seminal film about the reunion of thirtysomething friends works even better than when first released in 1983. The fine performances of the ensemble cast and a rockin' soundtrack always made this eminently enjoyable. However, the characters' often pompous blather occasionally stalled the action. Baby Boomer introspection has become so common that such navel gazing seems less problematic than it did in the early 1980s. Seven former classmates from the University of Michigan gather for the funeral of Alex, their idealistic and suicidal friend. They use their time together to become reacquainted, all the while discussing lost dreams and current hopes. (This should appeal to anyone who enjoyed that other famous reunion flick of the 1980s, John Sayles' Return of the Secaucus Seven.) Director-cowriter Lawrence Kasdan culled finely textured performances from his cast and filled the screen with memorable details. He may manipulate us with his writing but the actors do an impressive job of pulling at our heartstrings while Aretha Franklin and Marvin Gaye play in the background. --Rochelle O'Gorman
In The Presidio the titular piece of real estate is the San Francisco military base that starts at the foot of the Golden Gate Bridge and sprawls back into the city itself, co-existing uneasily with Baghdad by the Bay. The two cultures clash when a murder at the Presidio is assigned to civilian police detective Mark Harmon. Harmon has an uncomfortable history with the base commander, Sean Connery--and this relationship doesn't get any less tense when he also becomes romantically entangled with Connery's daughter, Meg Ryan. Unfortunately, the script by Larry Ferguson is a stiff, which suits Harmon's acting style. Director Peter Hyams knows how to choreograph an action sequence, but he has to keep stopping so that Harmon can actually speak. Thankfully, Harmon has the always-interesting Connery and Ryan to interact with, but that's only a small saving grace. --Marshall Fine, Amazon.com
Please wait. Loading...
This site uses cookies.
More details in our privacy policy