A five-year-old boy Lorenzo Odone is diagnosed as having a brain disease known as ALD a condition so rare that no medical body has undertaken to research the ailment and develop a cure. Desperate Lorenzo's parents (Nolte and Sarandon) embark on a desperate search for a cure and must battle the medical establishment when they make astounding progress using humble olive oil...
To hear the opening beats of Jan Hammer's percussive, propulsive Miami Vice theme is to be instantly transported back to 1984. But this groundbreaking series, with its cinematic sensibility, cool clothes, and killer soundtrack is no mere blast from the past. It still rocks. This three-disc set would be worthless if it didn't. Music was an integral part of Miami Vice's hip vibe. The soundtrack propelled the stories and established the mood like no series before it. So the first thing you want to know is: Have the music rights been secured for this DVD release? In the pilot episode, does Phil Collins's "In the Air Tonight" still play ominously as vice undercover cops Crockett and Tubbs speed toward a bust? Does Eric Clapton's "Wonderful Tonight" serenade Sonny and Gina on his boat in the episode "One-Eyed Jack?" And what would the benchmark episode, "Smuggler's Blues" be without Glenn Frey's instant classic? From the Rolling Stones on a boombox to Elvis Presley singing "Rubberneckin'" on a TV, Vice's cutting-edge soundtrack has been preserved and honed in 5.1 surround sound glory. Miami Vice made stars out of Don Johnson, Philip Michael Thomas, and Edward James Olmos, who won an Emmy as the intense, taciturn Lt. Castillo (watching him bust some martial arts moves in "Golden Triangle" is like Yoda cutting lose in Attack of the Clones), but the first season also offers time-capsule glimpses of actors on the cusp of stardom, including a pre-L.A. Law Jimmy Smits in the pilot, a pre-Crime Story Dennis Farina in "One-Eyed Jack," and a pre-Moonlighting Bruce Willis in "No Exit." Miami Vice put a neon sheen on cop-show convention. Its fashion sense (pastel suits, no belt, no socks), and the brilliantly employed freeze frames are still arresting. Miami Vice was a TV watershed, and this DVD set does it full justice. --Donald Liebenson
Director David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favourite Crock-Pot juices of technology, physiology and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from the guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterisations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw, Amazon.com
It is the Cold War. The world stands on the brink of nuclear catastrophe as tensions simmer between the US and the Soviet Union. When a US bomber is accidentally ordered to drop a nuclear bomb on Moscow it looks as if the fateful decision for all-out war will be taken by both sides. Having past the point of no return Colonel Jack Grady (George Clooney) pilots his bomber into Soviet territory refusing to yield to verbal commands to turn back. The U.S. President (Richard Dreyfuss)
So many women... Not enough man. Abner Peacock's (Knotts) beloved bird-watcher's magazine 'The Peacock' is in a financial crisis. Desperate to stay afloat Abner takes on new partners who have an agenda of their own: ito publish a sexy gentlemen's magazine. Before he can stop them the first issue sells over 40 million copies and Abner becomes the unwilling spokesperson for First Amendment rights. Swept up in the adulation the unwitting playboy quickly begins settling int
Robert Downey Jr. returns as billionaire Tony Stark in this thrilling sequel to the worldwide blockbuster. Now that his Super Hero secret has been revealed, Tony's life is more intense than ever. Everyone wants in on the Iron Man technology, whether for power or profit...but for Ivan Vanko ( Whiplash ), it's revenge! Tony must once again suit up and face his most dangerous enemy yet, but not without a few new allies of his own. Co-starring Mickey Rourke, Gwyneth Paltrow, Don Cheadle and Scarlett Johansson, Iron Man 2 is Even better than the first...it's a complete blast! (Boxoffice.com) Bonus: S.H.I.E.L.D. Data Vault: An In-Depth look at the Marvel Cinematic Universe HD Commentary by Director Jon Favreau & more
A perkyt switchboard operator for the White House makes not one but three love connections and her attampts to keep each Romeo on the line leads to alot of crossed wires....
This is a terrible movie. Frank Marshall (Arachnophobia) demonstrates no control over story, actors, effects or general presentation in this adaptation of a Michael Crichton novel about an expedition into deep, dark Africa that runs into an unknown race of killer apes. The big monkeys attack and attack and attack and have to be fought off with machine guns and lasers--that's pretty much the story, except there's probably an even better one behind "fourth Ghostbuster" Ernie Hudson's bizarre decision to speak with a British accent. While Marshall wants us to root for the human characters, they're all so obnoxious and unbelievable you can't help but feel lousy for the poor apes when they get chopped to bits just for defending their homes against these twerps. If you're not feeling enough environmentalist ire these days, watch this and get angry. --Tom Keogh
In 1985 Cocoon was a significant trend-bucker amongst summer blockbusters. Whereas other genre efforts were devised to lure a teenage audience into FX extravaganzas, this looked like one for their grandparents. Except that it turned out to be a gentle, affecting tale for all ages. Adapted from David Saperstein's novel, director Ron Howard took great delight in focusing on family relationships and the encroachment of old age (themes that reappeared in nearly all his work from here on). The plot is rather surreal in summary: a group of Florida OAPs befriend aliens in next-door's swimming pool and are rejuvenated to youthful well-being. It's in the FX and characterisations that the story comes alive. Both were acknowledged with Academy Awards; with Don Ameche's supporting role deserving praise for more than just the moment when he does some bodypopping on the dance floor. Wilford Brimley is the real star, a bluff old codger wanting to do right by everyone. Steve Guttenberg provides comic support and allows for a little non-wrinkly nudity with foxy space gal Kitty (Tahnee Welch). ILM's visuals remain polished and inspired, but never allowing us to lose sight of the characters basking in their dazzle. --Paul Tonks
Featuring all the episodes from Series 1 to 4 including: 'Rooksby' 'Black Magic' 'Charisma' 'Night Out' 'All Our Yesterdays' 'The Prowler' 'Permissive Society' 'Food Glorious Food' 'A Body Like Mine' 'The Perfect Gentleman' 'The Last Of The Big Spenders' 'Things That Go Bump In The Night' and 'Moonlight And Roses'. Includes the unreleased episode 'Stand Up And Be Counted'.
Odd teaming of man-of-integrity A-list studio director Sidney Lumet (Twelve Angry Men, Serpico, The Verdict) with muckraking, lively independent screenwriter Larry Cohen (It's Alive, God Told Me To, Q: The Winged Serpent), the court-room drama Guilty As Sin relies rather heavily on the plot of Jagged Edge. Jack Warden reprises Robert Loggia's grumpy but decent private-eye role exactly, while ice-maiden lawyer Rebecca De Mornay is ensnared in a web of duplicity and violence by her client (Don Johnson), accused of murdering his wife. It hasn't got the gravitas of Lumet's best or the maniacal energy of top-rate Cohen film, but as a no-brain thriller it offers a couple of edgy, interesting star performances, with Johnson in particular cutting loose from his image with a display of razor-edged smiling charm as the killer gigolo. --Kim Newman
The Angel Doll' is a beautifully touching true story told through the eyes of ten-year-old boy Jerry. He tells of his carefree life in the 1950s with his friend Whitey. Whitey is devoted to his seriously ill four-year-old sister Sandy whose only comfort from her illness is her love for angels. Although Whitey has saved money from his paper round to buy her a special angel doll he cannot find one in the small town that they live in. Jerry and Whitey set out with single-minded determination to find a doll and along the way face fear prejudice and theft. They learn what is truly important as their lives and the lives of others are affected in a very unexpected way.
Without doubt, The Eagles are one of the all-time biggest acts in popular music since the dawn of the rock'n'roll era. The band's roots go back to their role as defining artists in the phenomenally popular Southern California rock scene of the 70s, a decade in which they delivered four consecutive No.1 albums. Their momentous 2004 farewell tour filled stadiums around the world, and this 2-DVD set captures one of the most stellar events from that now-historic global sweep. Track Listings: Disc 1: Long Run New Kid in Town Wasted Time Peaceful Easy Feeling I Can't Tell You Why One of These Nights One Day At A Time (New Track) Lyin' Eyes Boys of Summer In The City Already Gone Tequila Sunrise Love Will Keep Us Alive No More Cloudy Days (New Track) Hole In the World Take It To the Limit Disc 2: You Belong to the City Walk Away Sunset Grill Life's Been Good Dirty Laundry Funk #49 Heartache Tonight Life in the Fast Lane Hotel California Rocky Mountain Way All She Wants To Do Is Dance Take It Easy Desperado
Like its predecessor Ocean's Eleven, Ocean's Twelve is a piffle of a caper, a preposterous plot given juice and vitality by a combination of movie star glamour and the exuberant filmmaking skill of director Steven Soderbergh (Out of Sight, The Limey). The heist hijinks of the first film come to roost for a team of eleven thieves (including the glossy mugs of Brad Pitt, Matt Damon, Bernie Mac, and Don Cheadle), who find themselves pursued not only by the guy they robbed (silky Andy Garcia), but also by a top-notch detective (plush Catherine Zeta-Jones) and a jealous master thief (well-oiled Vincent Cassel) who wants to prove that team leader Danny Ocean (dapper George Clooney) isn't the best in the field. As if all that star power weren't enough--and the eternally coltish Julia Roberts also returns as Ocean's wife--one movie star cameo raises the movie's combined wattage to absurd proportions. But all these handsome faces are matched by Soderbergh's visual flash, cunning editing, and excellent use of Amsterdam, Paris, and Rome, among other highly decorative locations. The whole affair should collapse under the weight of its own silliness, but somehow it doesn't--the movie's raffish spirit and offhand wit soar along, providing lightweight but undeniable entertainment. --Bret Fetzer, Amazon.com
Trumpet players Danny (Fred Astaire) and Hank (Burgess Meredith) have been avoiding graduation for seven years so that they can continue playing with their college band. They hire pretty Ellen Miller (Paulette Goddard) as the band's agent and as she quickly increases their earning power the boys find themselves with flourishing musical careers. Ellen is one day hired as Artie Shaw's band manager and makes plans for Danny and Hank to audition for Shaw. Both however are keen rival
Zoya's journey begins in Russia at the turn of the 20th Century when her royal upbringing is brought to a tragic end as her parents are killed in the revolution. She escapes with her life and is forced to flee to Paris with her Grandmother. Penniless and alone Zoya finds life hard for many years until she meets a handsome American soldier. Against her grandmother's wishes she marries him and moves to New York...
A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.
Amid the gush of early '80s low-budget backwoods horror, only one lost classic brought together softcore sex, hardcore violence, Satanic sex cults and a limb-tearing, gut-slinging, dick-ripping beast for the best and bloodiest Bigfoot movie ever made. (Buried.com): When a group of Anthropology students heads deep into the forest to investigate a series of Sasquatch attacks, they'll discover an immortal brain-blast of crazy hermits, mutilated Girl Scouts, interspecies copulation and one of the goriest final scenes in the whole history of splatter flicks (A Slash Above). Producer/co-writer Jim L. Ball and director James C. Wasson deliver an anti-masterpiece that moves like a bullet, unlike anything you've ever seen (Mondo Digital) now scanned in 4K from the recently discovered 35mm answer print with over 5½ hours of Special Features on two discs. Extras: DISC 1 Exclusive Slip Case Just A Little Green Kid Outta Waco, Texas - Interview With Producer Jim L. Ball The Demon Made Me Do It - Interview With Director James C. Wasson Eye Of The Demon - Interview With Cinematographer John Quick FRATERNITY OF HORROR - Previously Unreleased 1964 Feature Produced By Jim L. Ball And hot By John Quick Trailer DISC 2 Cryptid Currency: Transgression Aggression In Bigfoot Cinema - Video Essay By David Coleman, Author Of The Bigfoot Filmography Tales From The Cryptid - Interview With Stephen R. Bissette, Co-Author Of Cryptid Cinema Deconstructing Patty - Interview With William Munns, Author Of When Roger Met Patty Mondo Bigfoot - Interview With Lyle Blackburn, Author Of Boggy Creek Casebook BAN THE SADIST VIDEOS! BAN THE SADIST VIDEOS! PART 2 My Nasty Memories - Interview With BAN THE SADIST VIDEOS! Director David Gregory
Bruce Willis's awful, 1991 vanity piece is an abuse of audience goodwill and a waste of a good cast and director (Michael Lehmann of Heathers). The story of Hudson Hawk, cowritten by Willis, concerns a cat burglar pressured into stealing precious art, including some from the Vatican. But the script is just a convenience upon which Willis piles his vaguely boorish brand of hip irony, assuming his audience will stay with him every step of the way. Certain, self-congratulatory scenes induce cringing--Willis and Danny Aiello, for instance, sing "Side by Side" (to brassy accompaniment on the soundtrack) every time they're working a job--but the overall effect is more irritating and baffling. Keep a good thought for Willis (an underrated actor better than the summer junk we usually see him in) by checking out his superior work in Pulp Fiction and his small but memorable role in Billy Bathgate. --Tom Keogh
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