Academy Award-nominee Don Cheadle ("Hotel Rwanda") and Guy Pearce ("Memento" "L.A.) star in "Traitor," a taut international thriller set against a jigsaw puzzle of covert counter-espionage operations.
Once again returning to the genre to which he was perhaps best-suited, director Lewis Milestone traces the fate of a Marine platoon during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson, an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance), Doc (Karl Malden), and Sgt. Zelenko (Neville Brand), as well as raw recruits Coffman (Robert Wagner) and Cpl. Stuart Conroy (Richard Hylton). Anderson is skilled at subtly motivating the varied group of characters, while suffering himself from crushing headaches. The platoon attacks the island, taking losses on the heavily defended beach. When they try to take a strategic ridge, they're pinned down by rocket fire whose source is impossible to locate. In desperation, Anderson is ordered to take a hand-picked patrol behind enemy lines to bring back prisoners. After some painful losses, they finally return with prisoners. Despite occasional war movie cliches, this is a solid, exceptionally well acted effort, which gives full weight to the terrible human cost of war. The film is also notable for great performances by Malden, Palance, Widmark, Webb, and the very young Wagner.
Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two 90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes football stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking and soul-changing Technicolour. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious colour. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloureds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart
More adventures with the Transformers as the Autobots continue their ceaseless battle against the evil Decepticons. Episode titles: Comrades Soldier Jungle Carnival.
Flintstone's Christmas Carol
A charming drifter returns to his ""home "" where he makes a desperate and very dangerous deal in order to reclaim his ex-girlfriend. When passion ignites into obsession a treacherous game of ""who can you trust?"" spins a deadly web of intrigue and murder - from which no one escapes unscathed.
When the commander of the crew of a B-17 Flying Fortress bomber is killed in action in a raid over Sicily in 1943, his replacement, a young, naive pilot struggles to be accepted by the plane's already tight-knit Irish American crew.Ordered into a suicide mission, their only chance for survival is to band together as brothers in battle. With unparalleled aerial action, Fortress pays homage to the sacrifices of an entire generation during the most important war in history.
The stage-to-screen film of Talawa Theatre Company/Royal Exchange Theatre's highly acclaimed production of KING LEAR, starring Don Warrington, filmed in the round during its run at the Royal Exchange Theatre, Manchester. Directed by Talawa's Artistic Director Michael Buffong, the stage production played to sell-out crowds, winning 4 and 5 star reviews across the board. Starring Don Warrington (Death In Paradise, Rising Damp) & Alfred Enoch (How To Get Away With Murder, Harry Potter) 'Don Warrington's King Lear is a heartbreaking tour de force' 4* - The Telegraph 'King Lear review at the Royal Exchange Theatre, Manchester outstanding' - The Stage 'King Lear review as close to definitive as can be' 4* - The Guardian
Weekend at Bernie's starts when two lowly clerks at an insurance agency uncover a $2 million fraud and report it to their boss, Bernie (Terry Kiser). Unfortunately for them, Bernie is the one behind the fraud and he invites them to his island beach house for the weekend, where he intends to have them killed by his mob contacts. Unfortunately for Bernie, the mob decides to rub him out instead--that's when the clerks, Richard (Jonathan Silverman) and Larry (Andrew McCarthy), arrive and discover Bernie's body. At first they panic and start to call the police but when a party of islanders sweeps in, Richard and Larry also discover that the local residents are so self-absorbed they don't notice that Bernie is dead. So if our heroes can just convince everyone that Bernie is still alive for the weekend, they can have a splendid time. Unfortunately, they also convince the mob hitman, who keeps trying to take Bernie out. Weekend at Bernie's was made at the height of 1980s fashion and features many amusing outfits and hairstyles--often the styles are funnier than the dialogue and the characters are tissue-paper thin. Still, there's no denying that the movie chugs along from bit to bit and never takes itself more seriously than it should, which is a cheerful, disposable piece of fluff. --Bret Fetzer
As long as there is a need for adolescent male sexual fantasy, there will be an audience for Heavy Metal. Released in 1981 and based on stories from the graphic magazine of the same name, this silly and senseless the movie is an aimless, juvenile amalgam of disjointed stories and clashing visual styles. Hundreds of animators from around the world were employed, resulting in a near-total absence of creative cohesion in the finished product. It remains, for better and worse, a midnight-movie favourite for the stoner crowd--a movie best enjoyed by randy adolescents or near-adults in an altered state of consciousness. With a framing story about a glowing green orb claiming to be the embodiment of all evil, the film shuttles through eight episodic tales of sci-fi adventure, each fuelled by some of the most wretched rock music to emerge from the late 1970s-early 80s period. The most consistent trademark is an abundance of blood-splattering violence and wet-dream sex, the latter involving a succession of huge-breasted babes who shed their clothes at the drop of a G-string. It's rampantly brainless desire to fuel the young male libido becomes rather fun, and for all its incoherence Heavy Metal impresses for the ambitious artistry of its individual segments. Produced by Ivan Reitman (who went on to direct Ghostbusters), the voice talents include several Canadian veterans of the Second City improvisation comedy troupe--including John Candy, Harold Ramis, Eugene Levy and Joe Flaherty--many of whom went on to greater fame on the US TV series Saturday Night Live. --Jeff Shannon DVD Special Features Feature-length Rough Cut with Optional Commentary by Carl MacEk, Production notes Theatrical trailer Documentary: Imagining Heavy Metal Art Galleries Deleted Scenes, Carl MacEk reading his book "Heavy Metal: The Movie" 1:85:1 widescreen anamorphic Dolby Digital 5.1
The Future Is Riding On One Woman No emotion. No fear. No pain. They were the perfect soldiers to protect civilization - until the drone police became the perfect enemy. With little hope left for mankind Tallis (Don Wilson; Stealing Harvard Batman Forever) an electronically enhanced soldier rescues a rebel beauty (Katee Sackhoff TV's Battlestar Galactica) from a failed resistance mission. A force to be reckoned with she will learn to fight and think like a machine for the final battle to save the human race.
The daughter of a British official is kidnapped by the IRA. As a hostage she falls in love but is in constant danger. A forceful performance from Cagney in one of his last roles.
Inspector Gadget is the first fully gadgetised bionic inspector to work for Interpol. Originally just an ordinary local police officer stationed in a small provincial town Inspector Gadget rose to his current position only after undergoing a highly sophisticated operation. Of course his bionic 'gifts' are not without their problems! Episodes comprise: All That Glitters Movie Set and Amusement Park.
Run aground during a fierce storm a group of passengers are forced to abandon ship. As the survivors (among them prisoners a prison guard and a criminal psychologist) struggle ashore they find themselves at an apparently deserted lighthouse. It's not long until they discover the headless corpses of the lighthouse keepers and they realise that the ship was also carrying a prisoner more dangerous than any of them - murderer Leo Rook (Christopher Adamson). Hunting them down one by
""By the power of Greyskull! I have the power!!!"" Enjoy 6 episodes of the classic cult cartoon as the prince of Eternia Adam hides his secret identity well for He-Man is the only person capable of standing up to the nefarious plans of the evil Skeletor...
Set in the Wild West era the worms are back in this hilarious roller-coaster of a prequel! When workers in the remote mining town of Rejection Nevada fall victim to an unseen predator the mine's owner Hiram Gummer (Michael Gross) hires a mercenary to destroy the carnivorous creatures before they swallow up his profits. What follows is an all-out assault that takes the battleground from deep in the earth to a suspense-filled showdown on the streets of Rejection! 'Tremors 4: Th
A group of violent prisoners find themselves being hunted by an unknown man and a pack of killer dogs.
James Bond is back in an adventure which is bigger better and more explosive than ever before. It's packed with incredible stunts glamorous locations beautiful women and fast cars! Bond has a dangerous new enemy to face in his deadly mission. Aided by the Russian underworld his treacherous foe has stolen a top-secret helicopter and the lethal Soviet space weapon ""GoldenEye"" with which he plans to obliterate the Western world. This uncut '15' certificate version of Goldeneye is available on DVD for the very first time!
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