This BAFTA-nominated film starring the great Dirk Bogarde in one of his career-best performances also includes excellent support from Sylvia Syms and Denis Price. The police are after Jack Barrett (Peter McEnery). He has stolen 2 300 from the building construction firm that employs him as a wages clerk. Despite being an ordinary young man of twenty-three years of age he is scared out of his wits by the crisis that is mounting - and they are circumstances beyond his control - Barret
Ray Galton and Johnny Speight, two of Britain's most successful comedy writers, teamed up to create this Top 20-rated, wryly comic look at daily life in a suburban police station where corruption is rife and unenlightened attitudes abound. Lasting three series and paying homage to the immortal Will Hay, Spooner's Patch stars Ronald Fraser (in series one only) and Donald Churchill as the eponymous police inspector, alongside sitcom stalwarts Norman Rossington, Peter Cleall and Patricia Hayes...
Of all the Sherlock Holmes tales written by Sir Arthur Conan Doyle, The Hound of the Baskervilles (one of the four novels) remains the best-known. Adding a dash of the supernatural to the Great Detective's adventures, it is certainly one of the most dramatic and an obvious target for screen interpretation. Prior to Jeremy Brett indelibly making the role his own to modern TV audiences, Ian Richardson made for a suitably incisive and enthusiastic Holmes in this enjoyable 1983 adaptation. The much-filmed tale finds Holmes and Watson drawn in to the mysterious curse afflicting the well-heeled Baskerville dynasty. Is a monster stalking the heir to the Baskerville fortune, or is the culprit a far from demonic force? As Holmes, Ian Richardson is blessed with the avian features that, like Basil Rathbone or Peter Cushing, effectively capture Sidney Paget's original likeness. Though Holmes' more anti-social facets are dispensed with, Richardson is engaging in such a well-explored role, recalling the razor-sharp wit and intelligence of Rathbone. Attracting a distinguished British cast (Brian Blessed, Denholm Elliot, Martin Shaw) and decent production values (though with a few Hammer Horror moments), this will not disappoint fans of Victorian literature's finest detective, nor those in search of a classic, chilling thriller. --Danny Graydon
A remake of one of Conan Doyle's most famous and popular Sherlock Holmes stories. Is Sir Charles Baskerville's strange death the result of demonic forces and a family curse? Sherlock Holmes searches for a more earthly explanation when Sir Henry Baskerville receives a death threat upon his arrival from America. In this eerie mystery hounds are howling on the moors... a killer is on the loose... and Holmes is on the case.
This lively romantic comedy stars Golden Globe winner Nancy Kwan as a girl who s determined to establish a notorious past with which to face a respectable future! Made in 1963 and featuring an array of British comedy talent including Terry-Thomas Victor Spinetti and music-hall veterans Bud Flanagan and Gladys Morgan The Wild Affair is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. As her wedding day approaches secretary Marjorie begins to panic. Afraid that she will sink into the obscurity of marriage without ever having proved herself as a free-spirited woman she sees the office party as her last chance to flirt with intent. She sets off to work wearing a frilly plunging dress and as the day wears on garners a number of interesting offers and propositions both from her lecherous boss Godfrey and a tall dark handsome stranger... SPECIAL FEATURES: [] Image Gallery
Of all the Sherlock Holmes tales written by Sir Arthur Conan Doyle, The Hound of the Baskervilles (one of the four novels) remains the best-known. Adding a dash of the supernatural to the Great Detective's adventures, it is certainly one of the most dramatic and an obvious target for screen interpretation. Prior to Jeremy Brett indelibly making the role his own to modern TV audiences, Ian Richardson made for a suitably incisive and enthusiastic Holmes in this enjoyable 1983 adaptation. The much-filmed tale finds Holmes and Watson drawn in to the mysterious curse afflicting the well-heeled Baskerville dynasty. Is a monster stalking the heir to the Baskerville fortune, or is the culprit a far from demonic force? As Holmes, Ian Richardson is blessed with the avian features that, like Basil Rathbone or Peter Cushing, effectively capture Sidney Paget's original likeness. Though Holmes' more anti-social facets are dispensed with, Richardson is engaging in such a well-explored role, recalling the razor-sharp wit and intelligence of Rathbone. Attracting a distinguished British cast (Brian Blessed, Denholm Elliot, Martin Shaw) and decent production values (though with a few Hammer Horror moments), this will not disappoint fans of Victorian literature's finest detective, nor those in search of a classic, chilling thriller. --Danny Graydon
Stepping into the role of Leslie Charteris' "modern-day Robin Hood" Simon Templar (formerly played in films by smoothies like George Sanders), Roger Moore swiftly struck the right poses, adding a raised eyebrow to the character's established trademarks--a stick figure with halo, a whistled theme (co-composed by Charteris himself) and a quixotic commitment to adventure rather than decency. More clean-cut than the vigilante of the novels, Moore's Templar is a reformed thief (with an accent on reformed) whose adventures invariably involve a beautiful girl in trouble, an exotic locale established by stock shots and pantomime-level barroom sets with revolving fans on the ceiling, and "foreign" villains, played by familiar British character actors in false moustaches. The Saint ran from 1962 to 1969. Connoisseurs reckon the earlier, black and white shows are superior to the later colour seasons. From 1979 to 1980, there was a follow-up, The Return of the Saint, in which sufficiently ironic Ian Ogilvy donned Templar's polo neck, but the format seemed outmoded in comparison with The Sweeney and The Professionals. Volume One contains: "The Talented Husband" in which a playwright is found dead in suspicious circumstances, with guest star Shirley (Goldfinger) Eaton; and "The Latin Touch" which concerns a kidnapping in Rome, with Suzan Farmer and Warren (Alf Garnett) Mitchell. --Kim Newman
Victim is quite simply a watershed moment in cinema history. The first mainstream film to portray sympathetically and realistically homosexual society, it did so at a time when homosexuality was still a crime in Britain. Janet Green and John McCormick's screenplay makes Dirk Bogarde's Melville Farr a deeply conflicted man; married and in love with his wife, he also has relationships with men; while as a lawyer he is bound to uphold the law, even as he is compelled to break it. When Jack Barrett (a young Peter McEnery) commits suicide to avoid the consequences of blackmail, Farr sees this as murder, and decides to end the extortion even if it costs him his career. Rather more skilfully plotted than it initially appears, Victim generates considerable tension, and boasts fine performances from an ensemble cast including Sylvia Syms as Farr's wife, Norman Bird, Donald Churchill and John Barrie. Basil Dearden, who memorably featured Bogarde in an early role in The Blue Lamp (1950), directs with professional assurance. Not just a historical document--though the location footage of central London circa 1961 is fascinating in its own right--Victim was instrumental in changing attitudes, which led to the decriminalisation of homosexuality. A turning point for Bogarde too, the film marked a move from matinee idol to the more serious fare of The Servant (1963) and Darling (1965). On the DVD: Victim is presented in an anamorphically enhanced 16:9 transfer, which beautifully captures the noir-ish black-and-white cinematography of Otto Heller. There is occasional print damage, but it is minimal and doesn't distract from the film. The mono sound is very good. The disc also includes the original trailer, an annotated gallery of production photographs and a 28-minute television interview with Dirk Bogarde. This excellent feature was filmed in the actor's house just prior to the release of Victim and finds him discussing his career with particular reference to Hunted (1952), the Doctor comedies, Song Without End (1960) and his latest, "bitterly controversial" picture, which he says couldn't have been made even two years earlier. --Gary S Dalkin
Two selected episodes from the smash series The Saint. The episodes are: The Contract The Queen's Ransom
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