Richard Attenborough gives a compelling performance in this gripping psychological drama as a hysteric approaching the limits of his sanity! Also featuring Donald Houston, Kenneth Griffith, Bernard Lee and Alfred Burke, The Man Upstairs is featured here as a brand-new High Definition remaster from original film elements in its as-exhibited aspect ratio. Insomniac Peter Watson lives in a state of perpetual crisis lodging in a run-down boarding house he becomes ever more manic and unpredictable. When he hits out at another tenant the police get involved and Watson finds himself trapped in an escalating drama in which the actions of those around him may help him... or harm him. SPECIAL FEATURE: Image gallery
Carry On Jack was the 1963 offering from a team which had, by then, become a repertory company with special guests dropping in for a dose of innuendo. "What's all this jigging in the rigging?" demands Kenneth Williams, this time playing a ship's captain, and the scene is set for 90 minutes of ribaldry involving cross-dressing, press-ganging and plank walking. The plot scarcely matters. It's set after the Battle of Trafalgar and the sea is awash with Spanish galleons and pirates as the British navy sets about defending its shores with as much incompetence as possible. Sally, a barmaid at the Dirty Duck (Juliet Mills in feisty principal boy mode), knocks Bernard Cribbins on the head and steals his uniform so that she can go in search of her childhood sweetheart. He is promptly press-ganged and they end up on the same ship. Williams, on the brink of his ascendancy as a star turn, just about keeps the mannerisms under control enough to build the character of the naïve and neurotic captain. Familiar Carry On faces on top form include Charles Hawtrey and Jim Dale, while Peter Gilmore--in his pre-Onedin Line days--appears as a pirate. Peter Rodgers' script is not quite vintage Carry On but the jokes keep coming and it's all good, clean fun. On the DVD: This was one of the first Carry On films to be made in colour. The print is in reasonable condition. The picture quality, apart from a couple of scratchy scenes of sailing ships that were probably drafted in from stock footage, is fair, as is the sound. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
Tenth entry in the Carry On series. Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills Charles Hawtrey and Donald Houston. The film was originally to be entitled Up the Armada but the British Board of Film Censors objected to such a rude title.
See Men Roasted Alive In The Cage Of Hell! Bladed Chariots Of Death! Barbarism Of The Mad Emperor! Following her father's death Salina assumes his reign over ancient Britain to carry through his wishes of peaceful existence under Roman domination. She is strongly attracted to Justinian the humane Roman Governor General who treats the subject Britons with tolerance despite the urgings of harsher measures by his second-in-command Octavian. When Justinian is distracted by a di
From 'Doctor Who' producer Barry Letts and writer Terrance Dicks comes Moonbase 3 originally aired in 1973. The series had two directors Ken Hannam who also directed the 1981 TV version of The Day of the Triffids and Christopher Barry who had directing duties on Doctor Who and The Tripods. Among the stars were British acting stalwart Donald Houston and Ralph Bates star of many Hammer horror films. Moonbase 3 was another groundbreaking piece of science-fiction from the BBC employing James Burke as scientific advisor it was unique in its technical authenticity. Deaprture And Arrival: Dr. Helen Smith becomes concerned over the mental state of one of the pilots Harry Sanders. She expresses her concerns to the base's second in command Michael Lebrun and tries to convince him to get Commander Ransom to remove the pilot from duty. Ransom refuses and assigns Sanders to pilot the Commander's shuttle for a trip to Earth. After an malfunction Sanders cuts the communications link and goes outside the shuttle to make repairs and is thrown into space. When Ransom attempts to pilot the shuttle it explodes. The European agency sends a Welch scientist to take over the station and to investigate the shuttle accident. Behemoth: After a number of mysterious deaths paranoia sets in as the crew begins to believe the deaths are being committed by a 'Moon Monster' living on the surface of the Moon. Achilles Heel: The station's crew suffers from an unusual number of accidents and mistakes. Director Caulder must deal with the problems while trying to operate within his Earth-bound superiors' budgetary limitations. Outsiders: An auditor is sent to Moonbase 3 from the European Headquarters in Brussels to investigate whether or not the cost of operating the base is justified. Director Caulder demands results for the base scientists as Dr. Helen Smith becomes concerned over the stress on the staff especially Steven Partness... Castor And Pollux: An accident leaves Tom Hill stranded in a shuttle between Earth and the Moon. The only person who can save him is Colonel Gararov a Russian cosmonaut. However to rescue Hill Gararov would have to disobey the orders of his superior General Trenkin Commander of the Russian moon base. Viw Of A Dead Planet: The Artic Sun Project proposes to use a nuclear explosion over the Artic thereby melting the ice and creating a Garden of Eden. The project's designer Sir Benjamin Dyce comes to Moonbase 3 in an attempt to stop the program for fear that the explosion can not be contained and it will lead to the extinction of mankind...
Following the nationalisation of transport in 1948 the British Transport Commission set up its own in-house film production unit which became one of the largest industrial film units in Britain. This 18-disc box set features all 9 volumes of the BFI's celebrated British Transport Films Collection and illustrates the wide range of subjects the BTF covered. Included here are travel classics such as Terminus Blue Pullman and John Betjemen Goes By Train. Each film has been remastered from the finest quality materials available.
The Doctor is based on Richard Gordon's best selling novels. This hilarious collection of seven classic British comedies stars a wealth of talent and screen legends. Set in St. Swithin's Hospital it follows the antics adventures and mishaps of a group of medical students and their quest to become doctors. Box Set Includes: Doctor in the House (1954) Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longe
Crow Hollow: Ann, a newlywed, moves into her husband's gloomy ancestral home, shared with his three eccentric aunts. When a maid mysteriously dies, Ann realizes her own life may be in danger. Castle Sinister: During the War, a British agent travels to the remote Glennye Castle in the wilds of Scotland to investigate a mysterious murder by a masked phantom. Who or what is the phantom? And how are the Germans involved?
This brilliant British drama with potent social commentary and a superb cast portrays the story of a young man from a small mill town who claws his way to the top - any way he can! Laurence Harvey is the 'angry young man' who sacrifices his true love for the steamy Simone Signoret and marries the daughter of the factory boss just so he can get ahead. Signoret was imported from France to add the sex appeal and won herself an Academy Award for Best Actress for her efforts. Harvey was also nominated for his performance as the ruthlessly ambitious Joe Lampton his most famous role but lost out to Charlton Heston's Ben Hur. Neil Paterson also received an Oscar for Best Screenplay. A powerful adaption of the novel by John Braine with skillful direction from newcomer Jack Clayton.
Carry On Jack was the 1963 offering from a team which had, by then, become a repertory company with special guests dropping in for a dose of innuendo. "What's all this jigging in the rigging?" demands Kenneth Williams, this time playing a ship's captain, and the scene is set for 90 minutes of ribaldry involving cross-dressing, press-ganging and plank walking. The plot scarcely matters. It's set after the Battle of Trafalgar and the sea is awash with Spanish galleons and pirates as the British navy sets about defending its shores with as much incompetence as possible. Sally, a barmaid at the Dirty Duck (Juliet Mills in feisty principal boy mode), knocks Bernard Cribbins on the head and steals his uniform so that she can go in search of her childhood sweetheart. He is promptly press-ganged and they end up on the same ship. Williams, on the brink of his ascendancy as a star turn, just about keeps the mannerisms under control enough to build the character of the naïve and neurotic captain. Familiar Carry On faces on top form include Charles Hawtrey and Jim Dale, while Peter Gilmore--in his pre-Onedin Line days--appears as a pirate. Peter Rodgers' script is not quite vintage Carry On but the jokes keep coming and it's all good, clean fun. On the DVD: This was one of the first Carry On films to be made in colour. The print is in reasonable condition. The picture quality, apart from a couple of scratchy scenes of sailing ships that were probably drafted in from stock footage, is fair, as is the sound. But apart from the scene index there are no extras on the disc. Given the cult status of the Carry On films, and the wealth of documentary material which has been made about them and their stars, you'd think something extra could have been offered with the DVD releases to make them a more worthwhile alternative to the video. --Piers Ford
Sherlock Holmes meets Jack the Ripper! Here comes the original caped crusader! It is the late 1800s and Jack The Ripper is terrorising London's foggy East End murdering prostitutes. The only man capable of solving the insidious crimes is Sherlock Holmes (John Neville) aided by Dr Watson (Donald Houston) and his brother Mycroft (Robert Morley). The only clues Holmes has to work on is the location of the murders and a mysterious box sent to 221B Baker Street. The box contains a
George Keefe's policeman brother was murdered four years ago and the killer is still on the loose. Flicking through the Evening Echo, a photography contest catches George's eye. One of the entries features enough detail to suggest it was taken on the day his brother died. George studies the photo; there's a girl waving at someone in a car and he can just make out the number plate. RYY80. George is stunned. It is the stolen car found wrecked at the scene of his brother's murder. Jon Deering, ...
The FlawDirected by Terence Fisher of Hammer fame this 1955 British production stars John Bentley Donald Houston and Rona Anderson. In this crime drama a sneaky race-car driver Paul Oliveri (John Bentley) plans to murder his wife for the insurance money. Her attorney who is in love with her discovers the plan - a brutal fight culminates in tragedy for one of the two combatants. Great old motor racing sequences and filmed in Shoreham East Sussex. Witness in the DarkThis second feature stars Patrica Dainton as a blind girl who witnesses the thief turned murderer of her upstairs friend and neighbour. Also stars Conrad Phillips and Nigel Green. Directed by Wolf Rilla just before he directed Village of the Damned.
Based on Richard Gordon's best selling novels this hilarious collection of seven classic British comedies stars a wealth of talent and screen legends. Set in St. Swithins hospital it follows the antics and mishaps of a group of medical students and their quest to become doctors.
A mismatched couple (he effeminate and petulant she sensual and enigmatic) share a bizarre sexual relationship living in a remote castle. Their very isolation from the world prevents their eccentric partnership from foundering. Only an outsider can disrupt their make-believe lifestyle. That disruption arrives in the belligerent form of Richard and Albert two oddball gangsters straight out of a 1940's film noir wounded desperate and on the run. They demand shelter and as Rich
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