This vivid film of Wagner's romantic opera succeeds in conveying what has famously been called the wind that blows out at you whenever you open the score, including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead.
Fun with Donald Duck! Featuring Donald Duck in: The Inferior Decorator Out Of Scale Mr Duck Steps Out.
Of all the Sherlock Holmes tales written by Sir Arthur Conan Doyle, The Hound of the Baskervilles (one of the four novels) remains the best-known. Adding a dash of the supernatural to the Great Detective's adventures, it is certainly one of the most dramatic and an obvious target for screen interpretation. Prior to Jeremy Brett indelibly making the role his own to modern TV audiences, Ian Richardson made for a suitably incisive and enthusiastic Holmes in this enjoyable 1983 adaptation. The much-filmed tale finds Holmes and Watson drawn in to the mysterious curse afflicting the well-heeled Baskerville dynasty. Is a monster stalking the heir to the Baskerville fortune, or is the culprit a far from demonic force? As Holmes, Ian Richardson is blessed with the avian features that, like Basil Rathbone or Peter Cushing, effectively capture Sidney Paget's original likeness. Though Holmes' more anti-social facets are dispensed with, Richardson is engaging in such a well-explored role, recalling the razor-sharp wit and intelligence of Rathbone. Attracting a distinguished British cast (Brian Blessed, Denholm Elliot, Martin Shaw) and decent production values (though with a few Hammer Horror moments), this will not disappoint fans of Victorian literature's finest detective, nor those in search of a classic, chilling thriller. --Danny Graydon
Gemma Jones stars as Louisa Trotter a cook for the upperclass at a fancy hotel. Very similar in style to 'Upstairs Downstairs' this classic British TV series first aired in 1976.
TREVOR HOWARD and RICHARD ATTENBOROUGH star in this famous story of a Royal Navy destroyer and her officers and crew during the early years of the Second World War. H.M.S. Ballantrae is an ex-U.S. Navy destroyer - one of fifty lent by the Americans in 1940 to a desperate Royal Navy fighting to keep the Atlantic sea lanes open. The ship is old and desperately in need of a major refit, but is almost immediately pressed into service on escort duty. Her new captain, Lt. Commander Fraser (Trevor Howard), struggles to keep her operational, while dealing with problems arising from his own chequered past. The Crew are mostly new recruits, raw, inexperienced and unused to navy discipline. Somehow, Fraser must shape them into a formidable fighting unit as they run the lethal gauntlet of U-Boats and German bombers. Just as H.M.S. Ballantrae seems to have overcome her problems, she is selected to play a vital role in one of the most daring raids of the entire war - a mission from which the ship is intended never to return... With a fine supporting cast including Bernard Lee, Dora Bryan, Sid James, Sonny Tufts, Joan Rice and James Donald. GIFT HORSE offers an authentic and moving portrayal of life on board a Royal Navy ship during World War Two. It was made with the full cooperation of both the Admiralty and the St. Nazaire Society, and is broadly based on dramatic, real life events.
Donald Wolfit heads a strong cast as an endearing Edwardian idler whose family's attempt to keep him respectably occupied unwittingly sets loose a passion for pedal power! Based on Brock Williams' novel Uncle Willie's Bicycle Shop, Isn't Life Wonderful is featured here in a brand-new transfer from original film elements, in its as-exhibited theatrical aspect ratio. Uncle Willie, who is on more than nodding terms with the Demon Drink, has for years been the black sheep of his wife Kate's stuffy family. So when his brother-in-law becomes engaged to the daughter of a rich American banker, it is decided that Something Must Be Done about Uncle Willie. The family reluctantly agrees to buy him a bicycle shop in the hope that it may exert a steadying influence; in fact, it simply leads to more trouble... SPECIAL FEATURES: Original theatrical trailer Image gallery Promotional material PDF
From on the hugely succesful computer games comes this CGI spectacular. By 2065 earth has been overrun by alien invaders, and a female scientist makes a last stand on with the help of a ragtag team of soldiers.
The all time classic tale of a massive escape from a World War Two German Prisoner of War camp released as a two disc DVD set with a host of extra features.
Ulli Lommel co-writes and directs this '80s horror starring Suzanna Love and Donald Pleasence. 300 years after three local women, who were accused of witchcraft and brutally murdered by the local townsfolk, cursed the New England town of Devonsville their modern-day counterparts arrive in the colonial town. The arrival of three socially liberated women causes panic in the town's male-dominated hierarchy, who fear the presence of the women heralds the fulfilment of the curse. One of the women, schoolteacher Jenny Scanlon (Love), seeks help from psychiatrist Dr. Warley (Pleasence) when she begins experiencing horrific dreams, the precursor of events about to unfold that are rooted in her past life.
Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more instalments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton
The year is 2065. A meteor has crashed onto Earth unleashing millions of alien creatures who roam the earth, decimating field and city alike, threatening to extinguish life itself. Prepare to be spellbound by an amazing woman, the brave individuals and her side and an astounding mission to save the Earth. Special Features Two Feature-Length Documentaries Joke Outtakes Matte Art Explorations Original Opening The Gray Project Interactive Documentary: The Making of Final Fantasy® Feature presented in 4K with HDR10 All-new Dolby Atmos audio + original theatrical 5.1
"You can't kill the bogeyman", the children insist to a terrorised Laurie Strode (Jamie Lee Curtis) in the original Halloween. How right they are. Laurie is gone, but guess who's back in Halloween 4: The Return of Michael Myers? Acting as if the third entry never existed, this instalment picks up 10 years after the original, with mad maniac Myers in a coma and moved to a new facility. But wouldn't you know it that as soon as a loose-lipped orderly lets slip that Myers has a surviving niece he springs back into action, leaving a bloody trail of corpses on the road to Haddonfield. Donald Pleasance returns as Dr Loomis, scarred and crippled from his last encounter with Myers and seething with a fanatical zeal to stop the freak from repeating his previous rampage. Pleasance is the best thing about the film as an ageing hero seemingly on the verge of madness who drags a bum leg in his manic rush to save little orphan Jamie (Danielle Harris), the 10-year-old waif terrorised by her homicidal uncle. Director Dwight Little has managed a generic if professional slasher picture, rife with improbabilities and dominated by a killer whose superhuman powers reach near-mystical dimensions, but he delivers the goods: shocks, stabs and cold, cruel killings. --Sean Axmaker, Amazon.com
A powerful portrayal of England's most infamous king. On his deathbed King Henry VIII (Keith Michell) looks back over his eventful life and his six marriages.
Based on the true story of the building of a bridge on the Burma railway by British prisoners-of-war held under a savage Japanese regime in World War II, The Bridge on the River Kwai (1957) is one of the greatest war films ever made. The film received seven Oscars, including Best Picture, Director, Performance (Alex Guinness), for Sir Malcolm Arnold's superb music, and for the screenplay from the novel by Pierre Boulle (who also wrote Monkey Planet, the inspiration for Planet of the Apes). The story does take considerable liberties with history, including the addition of an American saboteur played by William Holden, and an entirely fictitious but superbly constructed and thrilling finale. Made on a vast scale, the film reinvented the war movie as something truly epic, establishing the cinematic beachhead for The Longest Day (1962), Patton (1970) and A Bridge Too Far (1977). It also proved a turning-point in director David Lean's career. Before he made such classic but conventionally scaled films as In Which We Serve (1942) and Hobson's Choice (1953). Afterwards there would only be four more films, but their names are Lawrence of Arabia (1962), Dr Zhivago (1965), Ryan's Daughter (1970) and A Passage to India (1984). On the DVD: Too often the best extras come attached to films that don't really warrant them. Not so here, where a truly great film has been given the attention it deserves. The first disc presents the film in the original extra-wide CinemaScope ratio of 2.55:1, in an anamorphically enhanced transfer which does maximum justice to the film's superb cinematography. The sound has been transferred from the original six-track magnetic elements into 5.1 Dolby Digital and far surpasses what many would expect from a 1950s' feature. The main bonus on the first disc is an isolated presentation of Malcolm Arnold's great Oscar-winning music score, in addition to which there is a trivia game, and maps and historical information linked to appropriate clips. The second disc contains a new, specially produced 53-minute "making of" documentary featuring many of those involved in the production of the movie. This gives a rich insight into the physical problems of making such a complex epic on location in Ceylon. Also included are the original trailer and two short promotional films from the time of release, one of which is narrated by star William Holden. Finally there is an "appreciation" by director John Milius, an extensive archive of movie posters and artwork, and a booklet that reproduces the text of the film's original 1957 brochure. --Gary S Dalkin
It was a cold Halloween night in 1963 when six year old Michael Myers brutally murdered his 17-year-old sister. Fifteen years later he escapes from prison and returns home...
This musical is loosely based upon the career of the British "Forces' Sweetheart" Vera Lynn, a popular BBC radio singer who spent much time entertaining the troops in London. It all begins when she falls in love with a Scottish soldier who breaks her heart when he jilts her in favor of her best friend. Following the break up, she decides to leave London and spend her time entertaining troops all over Europe.
John Carpenter's malevolent monster Michael Myers escapes from years of comatose incarnation while being transported from a maximum security institution. Myers carves his way to Haddonfield for Halloween - the original setting of Michael's massacre leaving a bloody trail of carnage and corpses. Only one man knows the true horrors of this mad man - Dr Loomis (Donald Pleasence) who also returns to Haddonfield to do battle once again with the devil incarnate. But Dr Loomis knows only too well it will be almost impossible to outwit the skill and cunning of Michael Myers.
Pioneering pop/jazz band Steely Dan formed by Donald Fagen and Walter Becker in the early 70's had already secured five US Top 40 albums before the release of AJA in 1977. However was to prove to be the biggest selling album of Steely Dan's illustrious career reached Number 3 in the US Billboard chart spending a year in the Top 40 there and also reaching number 5 in the UK. AJA was the first British Top 10 hit for Steely Dan and also the first album by Becker and Fagen as duo. Becker and Fagen renowned for their relentless perfectionism in the recording studios recall the history of an album that was a year in the making but rewarded by a prestigious Grammy Award and three major hit singles Peg Deacon Blues and Josie. Michael McDonald later of the Doobie Brothers who did guest backing vocals on AJA British rock performer and songwriter Ian Dury record producer Gary Katz and the legendary session musicians who worked on AJA also contribute to this fascinating documentary. Steely Dan's AJA has proved to be one of the most outstanding jazz-rock albums in the history of popular music. This is a vivid portrait of a 70's record that is still as fresh and as memorable more than two decades after its release a true Classic Album.
Adapted from the controversial stage play by Jules Feiffer (Carnal Knowledge), this savage, nihilistic black comedy was the startling directorial debut of actor Alan Arkin. When a severely depressed fashion photographer (Elliott Gould M*A*S*H, The Long Goodbye, California Split) meets an optimistic young woman (Marcia Rodd Citizens Band, Last Embrace), she is determined to save him amidst the series of random muggings, sniper shootings, garbage strikes and total blackouts that are ravaging the city of New York. Special Features High Definition remaster Original mono audio Audio commentary with actor Elliott Gould and writer Jules Feiffer Audio commentary with journalist Samm Deighan Introductions to the film by Alan Arkin and Jules Feiffer (2018) A Certain Amount of Black (2018, 18 mins): new interview with acclaimed actor-producer Elliott Gould Beginner's Luck (2018, 19 mins): new interview with celebrated actor-director Alan Arkin Acts of Random Violence (2018, 32 mins): new interview with award-winning writer and satirist Jules Feiffer, author of the original stage play and screenplay adaptation of Little Murders Speaking of Films: 'Little Murders' (1972, 30 mins): original promotional recording of Jules Feiffer in discussion with academics and critics Susan Rice, Robert Geller, Leonard Maltin and Sean Driscoll Radio interviews (1971, 32 mins): promotional recordings of Elliott Gould, Donald Sutherland and Alan Arkin, specially prepared for radio station syndication Original theatrical trailer Trailer commentary with Larry Karaszewski (2013, 4 mins): a short critical appreciation Original TV spots Original radio spots Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
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