Gary Oldman took a break from acting to write and direct this unflinching family drama out of the kitchen-sink British school. Oldman doesn't appear in the film, instead handing the heavy lifting to the remarkable Ray Winstone (Sexy Beast, Cold Mountain) and Kathy Burke, who won a prize at the Cannes Film Festival for her work. The scummy drug trade of lower-class London is Oldman's turf, but he puts special focus on the miserable cycles of violence that fuel a family's struggle within this world. The results are not always easy to watch, but they are devastating (and the final sequence is chilling). Oldman may be guilty of indulging his actors a bit, but it's forgivable, given the big, roaring performances. --Robert Horton
Barry Allen (series star Grant Gustin) lived a normal life as a perpetually tardy C.S.I. in the Central City Police Department. Barry's life changed forever when the S.T.A.R. Labs Particle Accelerator exploded, creating a dark-matter lightning storm that struck Barry, bestowing him with super-speed and making him the fastest man alive The Flash.After a thrilling cliffhanger last season which saw the new Mirror Master (series regular Efrat Dor) victorious and still-at-large in Central City, The Flash must regroup in order to stop her and find a way to make contact with his missing wife, Iris West-Allen (series star Candice Patton). With help from the rest of Team Flash, which includes superheroes Caitlin Snow (series star Danielle Panabaker), Cisco Ramon (series star Carlos Valdes), and Nash Wells (series star Tom Cavanagh), as well as the Flash's adoptive father Joe West (series star Jesse L. Martin), Meta-Attorney Cecile Horton (series star Danielle Nicolet), tough cub reporter Allegra Garcia (new series regular Kayla Compton) and brilliant tech-nerd Chester P. Runk (new series regular Brandon McKnight), Flash will ultimately defeat Mirror Master. But in doing so, he'll also unleash an even more powerful and devastating threat on Central City: one that threatens to tear his team and his marriage apart.
Starring everyone's favourite classic horror star Christopher Lee, The Torture Chamber of Dr. Sadism AKA Blood Demon presents us with a grisly tale of death and horror in a bizarrely original take on the vampire myth. After being executed for the murder of twelve women, Count Regula (Lee) returns from the grave to wreak his terrible revenge on society in this full-on, late-60s West German shocker. Inspired by Edgar Allen Poe's The Pit and the Pendulum it combines torture, sensationalism, and green-blooded man-servants in a weirdly affecting grand guignol-style presentation, dripping with vibrant colour and gothic atmosphere. The Torture Chamber of Dr. Sadism will appeal to fans of Hammer horror and Roger Corman's Poe cycle and is a must for cult film collectors everywhere. Product Features High Definition (1080p) Blu-ray⢠presentation in 1.57:1 Aspect Ratio 4K Restoration from Original 35mm Internegative 2.0 English Mono Optional English SDH 2.0 German Mono with English Subtitles Audio Commentary with Film Critics Kim Newman and Barry Forshaw Film Locations 1967 vs 2020 Featurette Die Schlangengrub-Die Burg de Grauens German Super 8 Digest Version Die Schlangengrub de Grafen Dracula German Super 8 Digest Version Original German Trailer Modern Trailer
Just awful enough to qualify as someone's guilty pleasure, this convoluted thriller was supposed to cash in on the supposedly sexy teaming of Sylvester Stallone and Sharon Stone (then hot from her ample exposure in Basic Instinct), but their naked groping in a shower provides one of the film's unintentionally funny highlights. Ray Quick (Stallone) is a former CIA bomb expert whose former colleague (James Woods) is now in cahoots with a Miami drug cartel led by kingpin Joe Leon (Rod Steiger), who chews the scenery while his son Tomas (Eric Roberts) proceeds with a greedy hidden agenda. May Munro (Stone) hires Quick to kill off Roberts. The Specialist, featuring lots of explosions and redeemed by a dandy role for James Woods, is best suited for ardent Stallone and Stone fans. --Jeff Shannon
The first in a cycle of five films reviving Sax Rohmer's Chinese super-villain, Fu Manchu, produced and written by British maverick Harry Alan Towers (The Bloody Judge). After faking his own execution, Fu Manchu (Christopher Lee, The Terror of the Tongs) returns to the criminal underworld to realise his latest dastardly scheme for world domination: harnessing the power of a rare Tibetan flower, the Blackhill poppy, to mass-produce a deadly poison gas. Detective Nayland Smith (Nigel Green, Sword of Sherwood Forest, Play Dirty) and his stalwart sidekick Dr Petrie (Howard Marion-Crawford, Gideon's Day) must race against the clock to stop the evil genius from unleashing his weapon of mass destruction on London. A sterling start to the series, The Face of Fu Manchu is a thrilling pulp-adventure which benefits from assured direction from Don Sharp (Psychomania) and exuberant performances from its lead players. Product Features Restoration from a 4K scan of the original negative Original mono audio Audio commentary with genre-film experts, critics and authors Stephen Jones and Kim Newman (2020) The BEHP Interview with Don Sharp Part One: From Hobart to Hammer (1993, 96 mins): archival audio recording, made as part of the British Entertainment History Project, featuring Sharp in conversation with Teddy Darvas and Alan Lawson The BEHP Interview with Ernest Steward Part One: The BIP Years (1990, 96 mins): archival audio recording of an interview with the respected cinematographer, made as part of the British Entertainment History Project Archival interview with Christopher Lee (1965, 4 mins): extract from the Irish television programme Newsbeat, filmed during location shooting in Dublin Vic Pratt Introduces The Face of Fu Manchu' (2020, 7 mins): appreciation by the BFI curator Underneath the Skin (2020, 49 mins): broadcaster, educationalist and author of The Yellow Peril: Dr Fu Manchu & The Rise of Chinaphobia, Christopher Frayling, examines the origin, history and reputation of Sax Rohmer's works Alternative titles and credits Super 8 versions: cut-down home cinema presentations with original vinyl soundtracks Original UK, German and French theatrical trailers Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Barry Allen (series star Grant Gustin) lived a normal life as a perpetually tardy C.S.I. in the Central City Police Department. Barry's life changed forever when the S.T.A.R. Labs Particle Accelerator exploded, creating a dark-matter lightning storm that struck Barry, bestowing him with super-speed and making him the fastest man alive The Flash. After a thrilling cliffhanger last season which saw the new Mirror Master (series regular Efrat Dor) victorious and still-at-large in Central City, The Flash must regroup in order to stop her and find a way to make contact with his missing wife, Iris West-Allen (series star Candice Patton). With help from the rest of Team Flash, which includes superheroes Caitlin Snow (series star Danielle Panabaker), Cisco Ramon (series star Carlos Valdes), and Nash Wells (series star Tom Cavanagh), as well as the Flash's adoptive father Joe West (series star Jesse L. Martin), Meta-Attorney Cecile Horton (series star Danielle Nicolet), tough cub reporter Allegra Garcia (new series regular Kayla Compton) and brilliant tech-nerd Chester P. Runk (new series regular Brandon McKnight), Flash will ultimately defeat Mirror Master. But in doing so, he'll also unleash an even more powerful and devastating threat on Central City: one that threatens to tear his team and his marriage apart.
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organisation SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilised Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh, Amazon.comOn the DVD: This was another troubled production according to the insightful "making of" documentary: director and producers luckily avoided boarding a plane out of Tokyo that crashed and killed everyone on board; the Japanese actresses couldn't speak English and one threatened suicide if she was dropped from the part; and the aerial cameraman filming the helicopter fight had his leg sliced off by a rotor blade. Maurice Binder's evocative main title designs are the subject of the second documentary, "Silhouettes", in which his colleagues voiceboth their admiration of his art and frustration at his chaotic working practices. The commentary is another edited selection of interviews with principal cast and crew. An animated storyboard sequence, trailers, radio spots and a handsome booklet add up to another winning entry in this series. --Mark Walker
In this adaptation of Victor Hugo's evergreen classic, Liam Neeson is Jean Valjean, imprisoned for stealing bread then paroled after nearly two decades of hard labour. A gift of silver candlesticks from a kindly priest helps him begin anew. Forging a decent and profitable existence, he finds success as a businessman and as the mayor of a small town. He even takes in a pregnant young woman (Uma Thurman) and raises her daughter as his own. But when a former prison guard (Geoffrey Rush) recognises Valjean, his past catches up to him. Director Bille August culls mesmerising performances from his cast, but loses us with an ending that panders to teen audiences. The focus shifts dramatically, and uncomfortably, from the haunted Neeson and his hawk-like pursuer, to his daughter (Claire Danes) and her romance with a handsome revolutionary. After this narrative shift, the script leaves behind Hugo themes of revenge and redemption to focus improbably on teen angst--hardly what the author had on his mind. --Rochelle O'Gorman
You only live twiceOnce when you are bornand once When you look death in the face. The fifth film in the Bond series 'You Only Live Twice' unveils the sinister visage of Ernst Stavro Blofeld for the very first time! The film is also memorable for its incredible ''400 000 set of Blofeld's Volcano operational base complete with the rocket laucher helicopter landing pad monorail and massive shutter. Q's invention 'Little Nellie' - a one man miniature helicopter - also makes a big impact. An American space mission is interrupted when one of their capsules is literally swallowed up by what they suspect is a Russian spaceship. The Americans threaten to retaliate but the British think otherwise. Everything depends on Bond as he goes undercover in Japan and discovers that Blofeld is the creator of these interceptor rockets...
A disaster in space pushes humankind toward World War III, and only James Bond can prevent it in this magnificent, pull-out-all-the-stops movie spectacular. Sean Connery returns as Agent 007, who travels to Japan to stop the evil SPECTRE organisation and its diabolical leader, Ernst Stavro Blofeld (Donald Pleasence), from instigating global warfare from his massive headquarters in an inactive volcano.
Harry (Academy Award® nominee James Caan, The Godfather), a lapsed Jew and former cardiologist from New York, suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel. It is a move which deeply shocks his family and puts him at odds with the local community there, especially Rabbi Moshe (Tom Hollander, Bohemian Rhapsody). Back in New York, his ex-wife Monica (Rosanna Arquette, Pulp Fiction) is trying to manage the lives of their actual children Annabelle (Efrat Dor) and David (Jonathan Rhys Meyers), as well as her own, after finding out she has a brain tumour. Filmed in the iconic landscapes of Israel, HOLY LANDS is a universal story about love, family, loss and tolerance, told with incredible humour and heart in career-best performances by the stellar ensemble cast.
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller Topaz seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh
Greed, revenge, world dominance, high-tech terrorism - it's all in a day's work for James Bond, who races to defuse an international power struggle with the world's oil supply hanging in the balance
You only live twiceOnce when you are bornand once when you look death in the face. The fifth film in the Bond series You Only Live Twice unveils the sinister visage of Ernst Stavro Blofeld for the very first time! The film is also memorable for its incredible 400 000 set of Blofeld's Volcano operational base complete with the rocket laucher helicopter landing pad monorail and massive shutter. Q's invention 'Little Nellie' - a one man miniature helicopter - also makes a big impact. An American space mission is interrupted when one of their capsules is literally swallowed up by what they suspect is a Russian spaceship. The Americans threaten to retaliate but the British think otherwise. Everything depends on Bond as he goes undercover in Japan and discovers that Blofeld is the creator of these interceptor rockets...
A 2002 Mike Leigh drama, All or Nothing is at times almost unbearably bleak and poignant, yet funny, truthful and richly rewarding. The film's revolves around Timothy Spall's mini-cab driver, his family and the various characters and acquaintances on the South-east London estate where he lives. It's perhaps even better than Secrets and Lies, in which Spall also starred, which was marred a little by some of the tearful excesses of Brenda Blethyn's bravura performance. It's evidence that Leigh has matured and improved with age, rather than mellowed and softened. He's developed into a highly distinctive but rounded and humane filmmaker. Spall's cabbie is too gentle and thoughtful to be described as a slob, but his lack of even the most basic ambition and stoic non-resistance to life has created an unspoken rift between him and wife Penny (Lesley Manville). Working on a supermarket checkout, she must cook dinner and fend off insults from her fat, frustrated, obnoxious 18-year-old son Rory. She receives only passive sympathy from her older daughter Rachel. Only when Rory is taken ill is Phil snapped out of his torpor as the family pull together. A host of minor characters also feature; fatuous cabbie Ron (Paul Jesson) his alcoholic wife and sluttish daughter, as well as the wonderfully good-humoured and resilient Maureen, Penny's best friend, concerned at her daughter's relationship with a violent boyfriend. Once accused of caricaturing his "lower class" characters, here Leigh (with the collaborative assistance of his actors) exhibits them in all their authentic complexity, neither idealising nor sentimentalising them. On the DVD: All or Nothing's extras include the original trailer, as well as interviews with several members of the cast. Timothy Spall is interesting on the unnerving process of collaboration favoured by Leigh, whereby characters are "built from zero" by the actors. The smart and rather posh Lesley Manville strikes quite a contrast in real life with her mousey, put-upon character. There's also a meticulous and absorbing commentary from Mike Leigh, who talks about filming in Greenwich and how he has moved away from some of the more dogmatic ideas about filmmaking of his earlier, avant-garde days. --David Stubbs
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller Topaz seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh
Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility that fiendish Fu Manchu may not after all be dead even though Smith witnessed his execution. A killer spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames.
When a group of best friends in Tel Aviv gather to watch Universong they are less than impressed by the official Israeli entry. Believing that they can do better they spontaneously create and record their own song on a mobile phone. Little do they know their performance is seen by the Universong judges and soon they are reluctantly thrown into the spotlight as Israel's next official entry. After initial reservations about their new found celebrity status they decide to just go for it and find themselves on the road to international stardom. They embark on a flamboyant journey that brings about hilarious end results as they go head to head with the Russian entry in the Universong final. From Eytan Fox the director of YOSSI comes this extravagant and unashamedly entertaining Eurovision parody featuring a feel-good soundtrack provided by Babydaddy from the Scissor Sisters. With bright Almodóvar-esque styling irresistibly catchy tunes and a gloriously uplifting storyline this laugh-out-loud comedy is a refreshing ode to music friendship and romance.
Jungle Street: The voluptuous Jill Ireland stars as Sue a striptease artist in this tough British crime drama that sees her playing opposite to her real-life husband of the time David McCallum. Jungle Street has McCallum playing Terry Collins a small time thug constantly at war with his family employers and the world. Whilst his friend Johnny (Kenneth Cope) is in prison taking the rap for a robbery they both committed Terry tries to muscle in on his girlfriend Sue. But when Johnny is released and comes looking for Terry and the money from the robbery the two men are on a collision course that can only end in murder... A Matter of Choice: Five people are soon to find their lives inextricably entwined for the worse. Two youths (Malcolm Gerard and Michael Davis) have been searching for girls and end up in a fight with a policeman. The policeman falls and is hit by a car driven by Lisa (Jeanne Moody) and her secret lover John (Anthony Steel). When Lisa's husband Charles finds the police waiting to interview his wife the tangle of lies and deceit that the night started with begins to slowly unravel.
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