It appeared, at the end of the epochal 1931 horror movie Frankenstein, that the monster had perished in a burning windmill. But that was before the runaway success of the movie dictated a sequel. In Bride of Frankenstein, we see that the monster (once again played by Boris Karloff) survived the conflagration, as did his half-mad creator (Colin Clive). This remarkable sequel, universally considered superior to the original, reunites other key players from the first film: director James Whale (whose life would later be chronicled in Gods and Monsters) and, of course, the inimitable Dwight Frye, as Frankenstein's bent-over assistant. Whale brought campy humour to the project, yet Bride is also somehow haunting, due in part to Karloff's nuanced performance. The monster, on the loose in the European countryside, learns to talk and his encounter with a blind hermit is both comic and touching. (The episode was later spoofed in Mel Brooks's Young Frankenstein.) A prologue depicts the author of Frankenstein, Mary Shelley, being urged to produce a sequel by her husband Percy and Lord Byron. She's played by Elsa Lanchester, who reappears in the climactic scene as the man-made bride of the monster. Her lightning-bolt hair and reptilian movements put her into the horror-movie pantheon, despite being onscreen for only a few moments. But in many ways the film is stolen by Ernest Thesiger, as the fey Dr. Pretorious, who toasts the darker possibilities of science: "To a new world of gods and monsters!" --Robert Horton
Creature From The Haunted Sea: A mobster hits on a plan while smuggling a deposed general and a fortune in gold out of Cuba on his yacht. He and his crew will scare the general and kill his guards by faking the attacks of a sea monster and thus keep the gold for themselves. Unfortunately a sea monster actually is attacking them leading to all sorts of complications. The Devil Bat: Driven by the thrill of vengeance a crazy scientist devises a particularly diabolical m
Thousands of monstrous bats fill the night sky of a terrified village while residents are murdered in their beds drained of all their blood. As the killings increase rumors of a vampire in their midst sends the townspeople into a frenzy of panic as even the most respected scientist of the community seems convinced by the evidence. Only one investigator refuses to believe the superstitious tales and argues that a maniac must be at the root of the killings. A mob gathers to hunt down the suspected vampire and drive a stake through his heart yet the exorcism fails to end the horrific slayings. Shot on borrowed sets used in Universal's seminal horror films and starring some of the genre's greatest supporting players The Vampire Bat stands with White Zombie as a low budget terror classic.
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