Ghosts is a multi-character sitcom created by the lead cast of writer-performers from the award winning Horrible Histories, Yonderland and the feature film Bill. The crumbling country pile of Button House is home to numerous restless spirits who have died there over the centuries each ghost very much a product of their time, resigned to squabble with each other for eternity over the most inane of daily gripes. But their lives or, rather, afterlives are thrown into turmoil when a young urban couple Alison and Mike surprisingly inherit the peaceful derelict house and make plans to turn it into a bustling family hotel. As the ghosts attempt to oust the newcomers from their home, and Mike and Alison discover the true scale of the project they've taken on, fate conspires to trap both sides in an impossible house share, where every day is, literally, a matter of life and death.
Nativity Rocks! returns to St Bernadette's Primary School as the staff and students work together to win the coveted prize of Christmas Town of the Year' by performing a spectacular rock music-themed nativity. Celia Imrie reprises her role as headmistress Mrs Keen, starring alongside a host of British talent including Simon Lipkin, Daniel Boys, Helen George, Hugh Dennis, Anna Chancellor, Ruth Jones, Meera Syal, Bradley Walsh and Craig Revel Horwood.
This film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut and short-sleeved white shirt, gets stuck in traffic one day near downtown LA and proceeds to just walk away from his car--and then lose it emotionally. Everyone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across LA (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine, Amazon.com --This text refers to the VHS edition of this video
Action comedy tale of two legendary bank robbers who are released on parole after their thirty year imprisonment. Together they face the 1980's as they plan a daring train heist eagerly pursued by a stubborn old cop and a myopic hitman...
The multi character hugely successful supernatural sitcom returns for another series. The doors of crumbling country mansion Button House creak open once more, and the haphazard house share between its living inhabitants and its restless dead is settling into a strange kind of daily routine. But cash strapped Alison and Mike's plan to transform their unexpected inheritance into a bustling luxury hotel is still a distant dream.
She's a girl from the big city. He's a reckless soldier of fortune. For a fabulous treasure they share an adventure no one could imagine. Or survive! When her sister is kidnapped by thugs searching for a priceless jewel in the Colombian jungle a romance novelist (Turner) soon finds her own life filled with cliffhangers and danger. All alone she sets out to rescue her sister and meets up with a handsome fortune seeker (Douglas) much like the charismatic hero of her books w
What sounds like a high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching and quite funny. Granted, it's wish fulfilment all the way (when was the last time you saw a president who was truly presidential?) but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, TheAmerican President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the 90s. --Mark Englehart
In 1984 Romancing the Stone was a huge hit for director Robert Zemeckis (who later went on to make Forrest Gump, Contact and Castaway among others) thanks in no small part to the winning team of Michael Douglas, Kathleen Turner, and Danny DeVito. The chemistry between all three stars is infectious, but Turner steals the show from the guys, playing a pushy romance novelist who gets stuck among some dangerous figures in Colombia and has only a rumpled guide (Michael Douglas) as an ally. Zemeckis--whose specialty at the time was creating set pieces of raucous action (as in his Back to the Future trilogy)--keeps things hopping with lots of kinetic material. --Tom Keogh, Amazon.com The Jewel of the Nile is a moderately entertaining sequel that pales by comparison to its predecessor. Romance novelist Kathleen Turner and retired soldier-of-fortune Michael Douglas return as a now-complacent couple. Bored with life on a yacht, they find excitement thrust upon them when she accepts a speaking engagement in the Middle East. Once there, she is abducted and finds herself involved with the "jewel" everyone is chasing. Douglas teams up once more with Danny DeVito to rescue his love. Less charming and more predictable than the original, this suffers for one simple reason: the characters have nowhere to go. In the original story we watched Turner blossom from timid storyteller to lusty adventuress. In this flick she is too much like all the other action adventure babes we've seen before. The same trio of stars reunited to better effect in DeVito's dark comedy The War of the Roses. --Rochelle O'Gorman, Amazon.com
Fatal Attraction was the most controversial hit of 1987, a film nominated for six Oscars that launched a whole up-market psycho sub-genre. In an elaboration of Play Misty for Me (1971), Michael Douglas plays a married middle-class everyman who has an opportunistic weekend affair with New York publishing executive, Glenn Close. The twist is that Close's Alex is a borderline psychotic. She won't let go, and the film moves from a study of modern sexual mores to an increasingly tense thriller about neurotic obsession. The performances are exceptional and two set-pieces, one which gave us the term "Bunny Boiler" and another in a fairground, provide metaphorical and literal rollercoaster rides. Only a laughable sex scene--in a sink, anyone?--and a melodramatic finale shamelessly ripping-off the 1955 French classic Les Diaboliques and Psycho (1960) prevent a good thriller being a great one. Even so, Fatal Attraction is still a film worth seeing again, even if it's hard to wonder what all the fuss was about in 1987. On the DVD: Fatal Attraction on disc has a new 28-minute documentary featuring the principal players explaining how wonderful each other are. More substantial is a 19-minute feature on creating the visual look, with sections on cinematography, costume and make-up design. A worthwhile 10-minute piece examines the social impact of the movie and the controversy it generated. Seven minutes of the three stars in rehearsal is intriguing, but more interesting is the opportunity to see the original, low-key ending, rejected after test screenings. Much of the best documentary material focuses on how the finally released ending came about, while Lyne's commentary is thoughtful and illuminating. The original trailer is included and there are 16 sets of subtitles, including English for the hard of hearing, as well as an alternative German dub. The sound has been remixed from stereo into a subtly involving Dolby Digital 5.1, and the 1.78:1 anamorphic transfer looks fine, though there is some very minor print damage. --Gary S Dalkin
Ray rebuilds his life both personally and professionally in New York City. After being rescued from a plummet into the East River, his saviour, a cop named Mac, brings Ray into the Staten Island Police Department fraternity. While exploring this new world of brotherhood and corruption, Ray fi nds himself once again working for media mogul Samantha Winslow. Sam has teamed up with New York City mayoral candidate Anita Novak, a partnership that puts Ray at odds with his new friends out in Staten Island. Starring Golden Globe® and Emmy® nominee Liev Schreiber, Academy Award® winner and four-time nominee Susan Sarandon and Academy Award® and Golden Globe® winner Jon Voight. Special Features: Ray Donovan: Inside New York City Rise, Rebuild, Reclamation
In OUIJA, a group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board.
When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man's existence a secret to save others from the same deadly fate.
In OUIJA, a group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board.
Syd March (Landry Jones) is an employee at The Lucas Clinic - a company that sells injections of live viruses harvested from sick celebrities to fans who wish to fulfil their obsessive desire for real intimacy with their idols.
The hugely successful supernatural sitcom is back, following the comedy chaos of a houseshare between the living and the restless dead. Written and created by the stars of Horrible Histories and the creators, writers and stars of fantasy comedy Yonderland and feature film Bill, this latest series sees Alison and Mike working hard to bring their new guest house dreams to life. But when an unexpected visitor arrives at Button House with a shattering revelation, Alison questions everything she thought she knew. The resident ghosts react with varying degrees of fear, mistrust, and - in some cases - delight. Meanwhile, Mike is more intent than ever to put Button House on the map.
Santa Claus is actually a demon who lost a bet with an Angel so he becomes the giver of toys and happiness. But when the bet is off he returns to his evil ways.
No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears repeatedly to promise that "something wonderful" is about to happen. --Jeff Shannon, Amazon.com
A young man with amnesia joins forces with a hardened survivalist (Moss) during a zombie outbreak as they set out on a dangerous journey to find his missing girlfriend.
In the summer before they enter high school, teenager Julie and her friends decide to have a slumber party to end all slumber parties and wage war on their school rivals.
Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as "Night on Bald Mountain", "The Sorcerer's Apprentice" and "The Nutcracker Suite". The animation ranges from subtly delicate to fiercely bold. The screen bursts with colour and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology. --Rochelle O'GormanFantasia and Fantasia 2000 are also available together in the 3-disc DVD Fantasia Collection.
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