A portrait of America in the early part of the twentieth century based on a bestselling novel by E.L. Doctorow and directed by Oscar winning film maker Milos Forman.
The true heir to William Peter Blatty and William Friedkin's 1973 masterpiece, The Exorcist III is a hellish horror detective story that pairs thoughtful theological themes with scenes of sheer terror. The personal vision of Blatty (the acclaimed author of The Exorcist), The Exorcist III is set 15 years after the events of the first film and sees Lieutenant Kinderman (George C. Scott, The Changeling) investigate a series of horrific murders that follow the modus operandi of the notorious Gemini Killer... who died several years earlier in the electric chair. After his friend Father Dyer (Ed Flanders) is murdered in his hospital bed, Kinderman's investigations lead him to Patient X', a psychopath housed at the same hospital who claims to be the Gemini Killer, and who knows intimate crime scene details. Their encounter leads to a fiery climactic confrontation between the eternal forces of good and evil... The Exorcist III boasts some of modern horror's most unforgettable scares and exceptional supporting performances from Jason Miller (The Ninth Configuration) and Brad Dourif (Dune). Blatty's film is presented here in both its original theatrical cut and the recently assembled Legion' director's cut. TWO-DISC LIMITED EDITION CONTENTS: Two presentations of The Exorcist III: the theatrical cut and the Legion' director's cut Original 2.0 stereo audio and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Reversible sleeve featuring original and newly commissioned artwork by Richard Wells Limited edition booklet with new writing on the film by Lee Gambin, archival articles and reviews DISC ONE THE THEATRICAL CUT: 2K restoration of the theatrical cut of The Exorcist III, presented in High Definition New audio commentary by critics Alexandra Heller Nicholas and Josh Nelson Audio interview with writer/director William Peter Blatty Death, Be Not Proud: The Making of The Exorcist III, an in-depth 2016 documentary divided into five chapters: Chapter One: A Wonderful Time, an interview with producer Carter DeHaven and members of the supporting cast and production crew Chapter Two: Signs of the Gemini, an interview with actor Brad Dourif Chapter Three: The Devil in the Details, an interview with production designer Leslie Dilley and more Chapter Four: Music for a Padded Cell, an interview with composer Barry De Vorzon Chapter Five: All this Bleeding, interviews about the additional shoot and special effects The Exorcist III: Vintage Interviews, archival interviews with cast and crew members including William Peter Blatty, producer James Robinson, actors George C. Scott, Jason Miller, Grand L. Bush and Ed Flanders The Exorcist III: Vintage Featurette, making-of documentary with onset footage and interviews Deleted scenes, alternate takes and bloopers Image galleries Trailers and TV spots DISC TWO THE LEGION' DIRECTOR'S CUT: High Definition Blu-ray (1080p) presentation of the Legion' director's cut, assembled from the best available film and video elements
After a tragedy shatters their lives and leaves them with crippling phobias five people decide to seek treatment from Dr. Andover (Robert Englund) who works to cure patients by placing them inside his “Fear Chamber.” Once inside his invention patients are put into complete isolation and must face their worst fears in nightmarish hallucinations. However soon after treatment and outside the confines of the chamber they discover their fears are not only still there but are more real than ever....
The remarkable first season of Deadwood represents one of those periodic, wholesale reinventions of the Western that is as different from, say, Lonesome Dove as that miniseries is from Howard Hawks's Rio Bravo or the latter is from Anthony Mann's The Naked Spur. In many ways, Deadwood embraces the Western's unambiguous morality during the cinema's silent era through the 1930s while also blazing trails through a post-NYPD Blue, post-The West Wing television age exalting dense and customized dialogue. On top of that, Deadwood has managed an original look and texture for a familiar genre: gritty, chaotic, and surging with both dark and hopeful energy. Yet the show's creator, erstwhile NYPD Blue head writer David Milch, never ridicules or condescends to his more grasping, futile characters or overstates the virtues of his heroic ones. Set in an ungoverned stretch of South Dakota soon after the 1876 Custer massacre, Deadwood concerns a lawless, evolving town attracting fortune-seekers, drifters, tyrants, and burned-out adventurers searching for a card game and a place to die. Others, particularly women trapped in prostitution, sundry do-gooders, and hangers-on have nowhere else to go. Into this pool of aspiration and nightmare arrive former Montana lawman Seth Bullock (Timothy Olyphant) and his friend Sol Starr (John Hawkes), determined to open a lucrative hardware business. Over time, their paths cross with a weary but still formidable Wild Bill Hickok (Keith Carradine) and his doting companion, the coarse angel Calamity Jane (Robin Weigert); an aristocratic, drug-addicted widow (Molly Parker) trying to salvage a gold mining claim; and a despondent hooker (Paula Malcomson) who cares, briefly, for an orphaned girl. Casting a giant shadow over all is a blood-soaked king, Gem Saloon owner Al Swearengen (Ian McShane), possibly the best, most complex, and mesmerizing villain seen on TV in years. Over 12 episodes, each of these characters, and many others, will forge alliances and feuds, cope with disasters (such as smallpox), and move--almost invisibly but inexorably--toward some semblance of order and common cause. Making it all worthwhile is Milch's masterful dialogue--often profane, sometimes courtly and civilized, never perfunctory--and the brilliant acting of the aforementioned performers plus Brad Dourif, Leon Rippy, Powers Boothe, and Kim Dickens. --Tom Keogh, Amazon.com
Christian Slater and Kevin Bacon star in this inspiring true story about two men who formed an unlikely friendship and fought against all odds to break an inhumane and unjust system. Alcatraz - the most feared prison in the world where no man has ever escaped with his life. Henri Young is caught attempting this impossible task and is condemned to the ""hole"" - a six by nine foot dungeon with no light or heat for ""rehabilition"". For three long years he is left naked to rot in solitary
A Place Beyobd Your Dreams. A Movie Beyond Your Imagination. Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert's bestselling sci-fi epic Dune finally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch's regular collaborators. The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the centre of an intergalactic war and an ancient prophecy that could change the galaxy forever. Though its initial reception ensured that Lynch largely eschewed mainstream filmmaking for the rest of his career, Dune has since been rightly re-evaluated as one of the most startlingly original and visionary science fiction films of the 1980s. Its astonishing production design and visual effects can now be appreciated anew in this spellbinding 4K restoration, accompanied by hours of comprehensive bonus features. Special Features: Brand new 4K restoration from the original camera negative 60-page perfect-bound book featuring new writing on the film by Andrew Nette, Christian McCrea and Charlie Brigden, an American Cinematographer interview with sound designer Alan Splet from 1984, excerpts from an interview with the director from Chris Rodley's book Lynch on Lynch and a Dune Terminology glossary from the original release Large fold-out double-sided poster featuring original and newly commissioned artwork by Dániel Taylor Six double-sided, postcard-sized lobby card reproductions Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Dániel Taylor Disc 1 High Definition (1080p) Blu-ray⢠presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Brand new audio commentary by film historian Paul M. Sammon Brand new audio commentary by Mike White of The Projection Booth podcast Impressions of Dune, a 2003 documentary on the making of the film, featuring interviews with star Kyle MacLachlan, producer Raffaella de Laurentiis, cinematographer Freddie Francis, editor Antony Gibbs and many others Designing Dune, a 2005 featurette looking back at the work of production designer Anthony Masters Dune FX, a 2005 featurette exploring the special effects in the film Dune Models & Miniatures, a 2005 featurette focusing on the model effects in the film Dune Costumes, a 2005 featurette looking at the elaborate costume designs seen in the film Thirteen deleted scenes from the film, with a 2005 introduction by Raffaella de Laurentiis Destination Dune, a 1983 featurette originally produced to promote the film at conventions and publicity events Theatrical trailers and TV spots Extensive image galleries, including hundreds of still photos Disc 2 BONUS DISC The Sleeper Must Awaken: Making Dune, a brand new feature-length documentary by Ballyhoo Motion Pictures exploring the making of the film, featuring dozens of new and archive interviews with cast and crew Beyond Imagination: Merchandising Dune, a brand new featurette exploring the merchandise created to promote the film, featuring toy collector/producer Brian Sillman (The Toys That Made Us) Prophecy Fulfilled: Scoring Dune, a brand new featurette on the film's music score, featuring interviews with Toto guitarist Steve Lukather, Toto keyboardist Steve Porcaro, and film music historian Tim Greiving Brand new interview with make-up effects artist Giannetto de Rossi, filmed in 2020 Archive interview with production coordinator Golda Offenheim, filmed in 2003 Archive interview with star Paul Smith, filmed in 2008 Archive interview with make-up effects artist Christopher Tucker *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
New York psychologist Dr Bill Capa (Bruce Willis) is stunned when an old friend and colleague is brutally stabbed to death. Capa believes the vicious murderer to be one of the members of a therapy group. While all around him falls apart he finds Rose (Jane March) and they embark on a reckless and passionate affair of erotic sexual discovery. But is there more to Rose than meets the eye? He will only know if he survives long enough to find out...
The chills come thick and fast as voodoo and terror meet within an innocent-looking doll inhabited by the soul of a serial killer who isn't ready to die. From the director of Fright Night comes a clever, playful and stylish thriller with excellent special effects and heart-pounding suspense guaranteed to scare! After 6-year-old Andy Barclay's (Alex Vincent) babysitter is violently pushed out of a window to her death, nobody believes him when he says that Chucky, his new birthday doll, did it! Until things start going terribly wrong...dead wrong. And when an ensuing rampage of gruesome murders lead a detective (Chris Sarandon) back to the same toy, he discovers that the real terror has just begun...the deranged doll has plans to transfer his evil spirit into a living human being - young Andy!
A blossoming teenager uncovers the dark secret behind her traumatic childhood.
Possibly the most influential American film of the 1980's Lynch's bizarre erotic mystery spawned a whole raft of imitations with its portrayal of the dark underside of American small-town life. Critics and audiences responded to Lynch's original and startling images of sex and violence and made the film a box-office smash. Blue Velvet is renowned for creating in Dennis Hopper's Frank one of the greatest screen villains of all time.
It's that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business.
Nica (Fiona Dourif) is grieving over the gruesome suicide of her mother when her domineering older sister Barb (Danielle Bisutti) arrives with her young family in tow to help settle their mother's affairs. As the sisters butt heads over Nica's plans for the future Barb's young daughter comforts herself with a grinning red-haired talking doll named Chucky (Brad Dourif) that recently arrived mysteriously in the mail. But as a string of brutal murders begins to terrorize the household Nica suspects the doll may hold the key to the bloodshed. What she doesn't know is that Chucky has a personal score to settle. He's determined to finish a job he started more than 20 years earlier and this time he's going to see it through to the bloody and shocking end. Chucky's back and better than ever - Brad Miska Bloody-Disgusting.com. Special Features: Deleted Scenes Gag Reel Playing with Dolls: The Making of Curse of Chucky Feature Commentary with Director Don Mancini Puppeteer Tony Gardner and Star Fiona Dourif Living Doll: Bringing Chucky to Life Voodoo Doll: The Chucky Legacy Storyboard Comparisons
David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle-class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. Lynch strips his surreally mundane sets to a ghostly austerity, which composer Angelo Badalamenti encourages with the smooth, spooky strains of a lush score. Blue Velvet is a disturbing film that delves into the darkest reaches of psycho-sexual brutality and simply isn't for everyone. But for a viewer who wants to see the cinematic world rocked off its foundations, David Lynch delivers a nightmarish masterpiece. --Sean Axmaker
Clint, a young druggie amongst a bunch of drop-outs in London's Notting Hill area, resolves to go straight. He is offered a job as a waiter but must first go on a quest for proper shoes. Writer Hanif Kureishi's directorial debut.
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
2003: BattleTech Weapons Corporation the ruthless world leader in near-future weaponry has a new Chief Executive Hayden Cale (Ely Pouget) when her predecessor is horribly killed in suspicious circumstances. The board want to stop Cale firing their primary asset Jack Dante (Brad Dourif) but Cale indeed has a point: Dante is a child-like psychotic with a dark genius for exotic weapon design and he has created the ultimate security system. It protects. It destroys. It lives. Deep b
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