Bastian Balthazar Bux (Mark Rendall) is an average twelve year old boy whose life revolves around going to school watching TV and playing video games. That is until he discovers a magical book `The Neverending Story' in a fascinating curiosity shop owned by the mysterious Carl Coreander (John Dunn Hill). Bastian's imagination is inspired by the book's tale of an enchanted world called Fantasia; a world ruled by the Childlike Empress (Audrey Gardiner) and inhabited by an assortment o
Peggy Lee captured live in concert.
The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'.
A young girl and her grandfather are torn apart by her parents divorce. She finally makes a stand for herself which lays the groundwork for mending the fractured ties.
A collection of films from controversial Oscar-winning director Roman Polanski. The Pianist (2002): Roman Polanski's remarkable Oscar and Palme D'Or winning film 'The Pianist' tells the true story of Wladyslaw Szpilman (Adrien Brody). Managing to survive in the Krakow ghetto while the vast majority of the Jewish population have been transported to concentration camps Szpilman leads a lonely dangerous existence sheltering in abandoned houses... Directed by a film artist who
Join Stan Kyle Cartman and Kenny as these four animated tykes take on the supernatural the extraordinary and the insane. For them it’s all a part of growing up in South Park. Cartman Gets an Anal Probe: When aliens arrive in South Park flaming flatulence and cattle mutilations are just part of the chaos that ensues. Volcano: An active volcano and a mysterious creature named Scuzzlebutt threaten the boy’s hunting and fishing weekend with Uncle Jimbo and Ned. Weight Gain 4000: Cartman bulks up for a TV appearance with a famous talk-show hostess while Mr. Garrison and Mr. Hat plot revenge for a childhood humiliation. Big Gay Al’s Big Gay Boat Ride: When Stan learns that his dog Sparky is gay he loses the will to play in the big homecoming football game until Big Gay Al comes to the rescue.
It's a non-stop party for a group of beautiful teens living it up in a posh area of Los Angeles. And one very sexy lady M.J. has found a congenial way to capitalize on her friendships and advance her position. But when the music stops and the mad whirl starts to slow down M.J. must suddenly face up to a void in her life.
In the summer of 1974 The Greater Washington Educational Telecommunications Association began videotaping a number of live operatic and concert performances at the Filene Center in Wolf Trap Farm Park for the Performing Arts in Vienna Virginia for telecast in an innovative new series entitled 'In Performance at Wolf Trap'. The series met with overwhelming success and set the stage for the many live performance telecasts which have since followed.In 1975 'In Performance at Wold Trap' presented Beverly Sills in perhaps her most acclaimed portrayal that of Queen Elizabeth I in the Donizetti rarity Roberto Devereux. When Miss Sills first sang the role at the New York City Opera in 1970 Winthrop Sargeant wrote in the New Yorker She was Elizabeth from the extreme pallor of her makeup to the royal sweep of her train. It was a characterisation that I shall never forget. The combination of skills she brought to her role made this a historic moment. Daniel Webster wrote in the Philadelphia Inquirer Miss Sills sang the towering role with such authority and portrayed Queen Elizabeth with such fervour that the opera unstaged (in New York) for more than 125 years now is one of the theatrical events of the year.
Join Stan Kyle Cartman and Kenny as these four animated tykes take on the supernatural the extraordinary and the insane. For them it's all a part of growing up in South Park. Chickenpox: The kids' parents arrange for them to be exposed to the chickenpox virus and the boys plot revenge. Kyle's mother plans a fishing trip for her husband and Kenny's dad. Roger Ebert Should Lay Off the Fatty Foods: Is the planetarium the site of a diabloical plot to control the minds of South Park's citizens? Will Cartman appear on TV singing the Cheesy Poofs song? Clubhouses: The boys build rival clubhouses to impress the girls and Stan tries to come to terms with his parents' untimely divorce. Cow Days: The Wild West arrives in South Park as the 14th annual Cow Days celebration pulls into town. Stan Kyle Cartman and Kenny become obsessed with a carnival game in which the prizes include Terrance and Phillip dolls. Almost broke and still empty handed the boys are forced to come up with a plan to decide which one of them must enter the bull-riding contest to win the grand prize of five thousand dollars.
The insanity that is South Park is captured in these four outrageous episodes from Series 4 - where the extraordinary and the unbelievable are just part of everyday life. Cartman's Silly Hate Crime 2000: Cartman is sent to juvenile hall and it takes time to get used to life on the inside. Stan Kyle and Kenny miss Cartman's biggest asset his weight in a contest with the girls. The Tooth Fairy's Tats 2000: Cartman impersonates the Tooth Fairy and the boys build a thriving bus
50 First Dates (Dir. Peter Segal 2004): Henry Roth (Sandler) the local marina veterinarian only dates tourists because he's afraid of commitment - that is until he meets Lucy (Barrymore). Unfortunately Lucy lost her short-term memory months ago in a car accident and for her each day is October the 13th. She follows the same routine every day - breakfast at the same restaurant pineapple-picking with her dad and eventually bed time where sleep wipes away her short-term memory. Henry however refuses to be forgotten and as his puppy love matures he embarks on a quest to restore her memory or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Henry explores various approaches before making a video for Lucy to watch every morning reminding her of who she is and what she's doing... Spanglish (Dir. James L. Brooks 2004): A woman and her daughter emigrate from Mexico for a new life in America; they end up working for John Clasky (Sandler) who's trying to come to terms with sudden success as a celebrity chef an overly sensitive wife (Tea Leoni) emotional children and an increasing attraction to his new nanny... Mr. Deeds (Dir. Steven Brill 2002): Small town guy Longfellow Deeds (Adam Sandler) inherits a billion fortune from his deceased uncle. He promptly moves to the big city where he meets Babe Bennett (Winona Ryder) a tabloid reporter who poses as a small town girl to uncover an expos'' on Mr Deeds. Conniving opportunists attempt to get their hands on his money while Deeds' sincere naivet'' has Babe falling in love with him. Ultimately Deeds comes to find that money truly has the power to change things but it doesn't necessarily need to change him...
Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more instalments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! In Horror of the Blood Monsters vampires are overrunning Earth (cheaply), so John Carradine leads a space mission (rocket footage from another film) to the planet the bloodsuckers come from, and the astronauts vaguely interact with tinted black and white footage from a Filippino prehistoric epic. It makes no sense whatsoever. --Kim Newman
Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina (Hepburn) daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms!
Caught midway between 1970s soft-porn clunker The Story of O and Bunuel's sado-masochistic fantasy Belle de Jour, the 1968 erotic curio Girl on a Motorcycle is one of Marianne Faithfull's chief claims to notoriety. She stars as Rebecca, a leather-clad, former bookstore clerk in search of sexual fulfilment who flees her dependable schoolteacher husband for a dangerous liaison with Daniel (Alain Delon), a dashing Professor addicted to speed. The story is told entirely in flashbacks as Rebecca rockets along the road, having donned her leathers and walked out on her sleeping husband at the crack of dawn. It all must have seemed fairly daring and provocative in 1968, providing viewers with ample opportunities to view a naked Faithfull at the height of her allure. But today the existential musings of the lead character seem achingly pretentious, the erotic symbolism merely gawky and unintentionally amusing: the sight of Alain Delon with a phallic pipe dangling from his mouth is like something out of a Rene Magritte painting. The sex scenes between Delon and Faithfull are all swamped in a polarised visual effect that, while garish and psychedelic, is dated and distinctly unerotic. Director Jack Cardiff is better known as a cinematographer on classics such as The African Queen and Black Narcissus. Among Cardiff's other directorial credits is a worthy adaptation of DH Lawrence's Sons & Lovers, but Girl on a Motorcycle is a saucy road movie with no final destination. On the DVD: This DVD version is misleadingly presented as being the fully restored and uncut version of the film. Yet it was the US version not the European one that was heavily cut (and titillatingly re-titled "Naked Under Leather"). The restoration certainly does not refer to the print quality: although the colours are vivid and bright, the print used to master the DVD (in 16:9 anamorphic format) is extremely grainy and, at times, speckled with dirt and scratches. Included as one of the special features, a theatrical trailer loaded with innuendo shows just how much the film was marketed to a prurient audience. Director Jack Cardiff provides an audio commentary but has few revelatory things to say about his film beyond technical considerations, and even makes several clunking errors (recalling his casting decisions concerning a scene that takes place in a provincial German café, he raves about how he strove to find authentic French locals!). He does reveal that the film's use of a voice-over was inspired by the internal monologue that forms the basis of James Joyce's Ulysses. Given Cardiff's age and experience one feels that he must have more interesting anecdotes and insights, making this commentary feel like a wasted opportunity. --Chris Campion
Surviving Confederate veterans of the last battle of the Civil War set out to find hidden treasure; diamonds hidden in a cave. However the soldiers find out that the cave is guarded by a coven of hawks. They begin to suspect that the hawks might actually be agents of the Devil in disguise; darkness and claustrophobia enguld them as reality and nightmare begin to blend together and they find themselves bound for a horrifying climax...
On July 30th 1997 in Thredbo Australia 60 people were buried alive by an avalanche. One of those Stuart Diver wearing only his underwear managed to stay alive. With the rescuers working tirelessly to find survivors after a massive 65 hours in the freezing temperatures Diver was trying to let them know that he was alive buried under the rubble...
Since the beginning of time monstrous Demons and noble Guardians have battled for Earth - the everlasting gift of the one great Mother creator of all life. A deep hatred burns between Demon and Guardian; the Guardians prevented the Demons from destroying humanity and the world itself. Eons later Neo-Shinjuku City: few Demons or Guardians remain to continue their epic war. Humans rule the Earth with no real memory of either Demons or Guardians. Yet deep within the dark underworld
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