Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
One of the top five screwball comedies of the 1930s, this helped to cement a genre that waxed golden until the end of the Second World War. Director Leo McCarey won an Oscar for Best Director for this 1937 romantic comedy--one of the most successful films of his career. Irene Dunne and Cary Grant are a squabbling couple who separates because of supposed infidelities on both sides. They part, but cannot really keep away from each other. Grant finds himself hooked up with a socialite, Dunne becomes engaged to a millionaire hick played by the hapless Ralph Bellamy (as if he ever stood a chance as the "other" man!). When not dating others or baiting one another in a verbal war, Grant and Dunne wage a custody battle over their pathetic pooch. Gags, double entendre, witty remarks, snide comments, and fast-paced dialogue helped this to garner six Academy Award nominations. The Awful Truth was awfully good to Dunne and Grant, as both were breaking out of much more serious moulds and this secured their positions. --Rochelle O'Gorman
A country house situated in the London suburbs holds a collection of photography dating back through the last century. Plans have been raised to divide the collection and turn the house into a business school.... Three-part drama written and directed by Stephen Poliakoff about the battle to save a vast photographic library. A US property developer finds the library employees still ensconced in a London building he's come to renovate. After unsuccessfully trying to sell the pictures to an advertising agency Marilyn makes a personal plea to Anderson. Meanwhile Oswald begins an investigation into Anderson after seeing a picture of his mother in the library.
The Blues Brothers: John Belushi and Dan Aykroyd--as "legendary" Chicago brothers Jake and Elwood Blues--brought their "Saturday Night Live" act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway and James Brown that are guaranteed to knock you out. Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. The Blues Brothers 2000: It's hard to ignore the sad and conspicuous absence of the late John Belushi, but this long-delayed sequel still has Dan Aykroyd to keep the music alive. Once again, Elwood's trying to reunite the original Blues Brothers Band, and this time he's got a strip-joint bartender (John Goodman) and a 10-year-old orphan named Buster (J Evan Bonifant) joining him at centre stage. It's a shameless clone of the first film, and nobody--especially not Aykroyd or director John Landis--seems to care that the story's not nearly as fun as the music. Of course there's a seemingly endless parade of stunts, including a non-stop pileup of police cars that's hilariously absurd, but what really matters here--indeed, the movie's only saving grace--is the great line-up of legendary blues musicians. Aretha Franklin, James Brown, Junior Wells, Eric Clapton, BB King, Jonny Lang, Eddie Floyd and Blues Traveler are among the many special guests assembled for the film, and their stellar presence makes you wonder if the revived Blues Brothers shouldn't remain an obscure opening act. --Jeff Shannon, Amazon.com
One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. Now restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Product Features 4K restoration by Arrow Films from the original camera negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, a feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, an interview with John Landis in which he reflects on British cinema and his time working in Britain I Think He's a Jew: The Werewolf's Secret, a video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Hallow and The Nun, chats with writer Simon Ward about their formative experiences with Landis' film Wares of the Wolf, a featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews An American Werewolf in Bob's Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop showing the casting of David Naughton's hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
One of the most gripping horror films of all time is now available in a new 2 disc DVD Special Edition! When two American students touring the English countryside are attacked by a vicious wolf during a full moon their lives are suddenly transformed forever. Featuring ground-breaking Academy Award''-winning make-up by Rick Baker this cult favourite is directed by John Landis (National Lampoon's Animal House) and perfectly blends the macabre with a touch of humour. Digitally remastered and loaded with bonus features including an all-new feature-length retrospective documentary An American Werewolf in London Special Edition is a timeless story that has never looked better!
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
A doomed Macaulay Culkin becomes the object of affection for a little girl (Anna Chlumsky), estranged from her widowed father (Dan Aykroyd). This somewhat daring premise has various emotional buffers to keep young viewers from going into shock from Culkin's demise, but My Girl is also not shut off from real feelings. And while the story remains safely predictable, at the end of the day it is still a bittersweet experience. Culkin's performance is okay in that somewhat mannered way of his post-Home Alone career, but Anna Chlumsky is unusually sophisticated in her understanding of her character and situation. Aykroyd and Jamie Lee Curtis are perfectly stable as the kids' single parents. This is directed by Howard Zieff (Private Benjamin). --Tom Keogh
The Awful Truth (Dir. Leo McCarey 1937): Love is a comic battlefield especially when presided over by two superbly-matched sparring partners Cary Grant and Irene Dunne. A classic screwball Hollywood romp! Bringing Up Baby (Dir. Howard Hawks 1938): A dog belonging to an eccentric heiress (Hepburn) steals a dinosaur bone from David (Grant) an absent-minded Zoology professor. David follows the heiress to her home and all hell breaks loose when he loses his pet leopard
Sanctuary: Series 2 Box Set (4 Discs)
Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III: In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
Some things have to be believed to be seen. Suburbanites Steve (Nelson) and Diane (Williams) suddenly experience paranormal activity in their home. What begins as minor excitement quickly turns into nasty ghostly encounters. The disappearance of their daughter Carol Anne (O'Rourke) forces the Freelings to bring in parapsychologists and a professional exorcist to exorcise their home. Directed by Tobe Hooper and featuring Oscar Nominated Visual Effects by Richard Edlund Michael Wood and Bruce Nicholson Poltergeist is one of the most entertaining horror films of its time.
A hit in Europe but a flop in the US--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching). Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech). Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker, Amazon.com
A funny thing happened on the way to the bus station Four years unjustly jailed haven't dampened the spirits or determination of Nikki Finn (Madonna). The spunky parolee sets out to clear her name - and sets the Big Apple spinning in deliriously funny ways. The music/movie superstar displays kicky comic flair and sings four terrific soundtrack tunes (Causing a Commotion The Look of Love Can't Stop and the title song). Griffin Dunne co-stars as an uptight soon-to-wed attorne
Its about navigating the trials and traumas of middle-class motherhood, looking at the competitive side and unromantic take on parenting - not the cute and acceptable public face of motherhood.
Golden-age Hollywood's humanist master Leo Mccarey (Make Way for Tomorrow) brings his graceful touch and relaxed naturalism to this sublime romance, one of cinema's most intoxicating tear-wringers. Irene Dunne(The Awful Truth) and Charles Boyer (Gaslight) are chic strangers who meet and fall in love aboard an ocean liner bound for New York. Though they are both involved with other people, they make a pact to reconnect six months later at the top of the Empire State Buildinguntil the hand of fate throws their star-crossed affair tragically off course. Swooning passion and gentle comedy coexist in perfect harmony in the exquisitely tender Love Affair (nominated for six Oscars), a story so timeless that it has been remade by multiple filmmakers over the yearsincluding McCarey himself, who updated it as the equally beloved An Affair to Remember Special Features New 4K digital restoration by The Museum of Modern Art and Lobster Films, with uncompressed monaural soundtrack on the Blu-ray New interview with film critic Farran Smith Nehme about the movie's complicated production history New interview with Serge Bromberg, founder of Lobster Films, about the restoration Two radio adaptations, featuring Irene Dunne, William Powell, and Charles Boyer Two shorts directed by Leo McCarey, both starring silent comedian Charley Chase: Looking for Sally (1925) and Mighty Like a Moose (1926) English subtitles for the deaf and hard of hearing PLUS: An essay by author Megan McGurk
! A typical family in a quiet suburb of a normal California faces a frightening ordeal when its home is invaded by a Poltergeist. Late one night, 5-year-old Carol Anne Freeling (Heather O'Rourke) hears a voice coming from inside the television set ... At first, the spirits that invade the Freelings' home seem like playful children. But then they turn angry. And when Carol Anne is pulled from this world into another, Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) turn to an exorcist (Zelda Rubinstein) in this horror classic from director Tobe Hooper (Texas Chainsaw Massacre films) and producer and screenwriter Steven Spielberg. Bonus Features They Are Here: The Real World of Poltergeists documentary The Making of Poltergeist Theatrical Trailer
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