Step Brothers: In Step Brothers Ferrell plays Brennan Huff a sporadically employed thirty-nine-year-old who lives with his mother Nancy (Mary Steenburgen). Reilly plays Dale Doback a terminally unemployed forty-year-old who lives with his father Robert (Richard Jenkins). When Robert and Nancy marry and move in together Brennan and Dale are forced to live with each other as step brothers. As their narcissism and downright aggressive laziness threaten to tear the family apart these two middle-aged immature overgrown boys will orchestrate an insane elaborate plan to bring their parents back together. To pull it off they must form an unlikely bond that maybe just maybe will finally get them out of the house. Talladega Nights: A comedy film about a fictional NASCAR racing driver named Ricky Bobby. It has fun with stereotypes of the sort of people involved with NASCAR racing. Kicking & Screaming: Welcome to that cutthroat hyper-competitive do-or-die sport of...little-league soccer; a world where kids and their victory-crazed suburban parents find themselves on a high-stakes collision course-all in the name of good clean athletic fun. At the epicenter of this overzealous world is Phil Weston ((Will Ferrell) a gentle New-Agey vitamin salesman who by default ends up coaching his sweet 10-year-old son Sam's (Dylan McLaughlin) last-place team the Tigers. This would be tough enough for the super-supportive Phil who truly believes it's not whether you win or lose but if your soul gets nurtured. But when he's pitted against his gung-ho relentlessly competitive father Buck (Robert Duvall) who coaches his own young son Bucky's (Josh Hutcherson) top-ranked team the Gladiators a lifetime of putting up with Buck's overbearing ways finally takes its toll on Phil and well...the balls hit the field. Eventually as Phil and Buck go head-to-head for the soccer league championship the pair's past and constant rivalry spins wildly out of control forcing each to stop at nothing to ensure a winning season. This includes a now-maniacal Phil recruiting the world's best assistant coach the legendary Mike Ditka (played by none other than Mike Dikta) as well as two young Italian soccer prodigies who become the Tigers' secret weapons. Can father and son put their rocky past behind do what's best for their own children (and grandchild!) and realize that soccer is just a game? Not a chance! May the best coach win. Stranger Than Fiction: Stranger Than Fiction is an inventive comedy about a novelist (Emma Thompson) struggling to complete her latest and potentially finest book - she only has to find a way to kill off her main character Harold Crick and she'll be done. Little does she know that Harold Crick (Will Ferrell) is inexplicably alive and well in the real world and suddenly aware of her words. Fiction and reality collide when the bewildered and hilariously resistant Harold hears what she has in mind and realizes he must find a way to change her (and his) ending.
With a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? It's inevitable that Saffron Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. Space Cowboys is a slice of cornball Americana that's so much fun you'll be tempted to stand up and salute. Director and costar Clint Eastwood manages to turn what might have been ludicrous into a jubilant tribute to age and experience, and Space Cowboys succeeds as two movies in one--a comedy about retired pilots given one last shot at glory and an Apollo 13-like thriller with all the requisite heroics. Space Cowboys earns its wings, once again demonstrating Eastwood's comfort with any genre he chooses. From yet another derivative science fiction novel by Michael Crichton comes the equally derivative and flaccid movie Sphere, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere's look and feel is like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
All hope was lost in a land where sunlight disappeared and the world became dreary grey. Until Despereaux Tilling was born that is!
The first thing you need to know about Sleepers is that it's based on a novel by Lorenzo Carcaterra that was allegedly based on a true story. The movie repeats this bogus claim, which was attacked and determined by a wide majority to be misleading. Knowing this, Sleepers becomes problematic because it's too neat, too clean, too manipulative in terms of legal justice and dramatic impact to be truly convincing. And yet, with its stellar cast directed by Barry Levinson, it succeeds as gripping entertainment, and its tale of complex morality--despite a dubious emphasis on homophobic revenge--is sufficiently provocative. It's about four boys in New York's Hell's Kitchen district who are sent to reform school, where they must endure routine sexual assaults by the sadistic guards. Years after their release, the opportunity for revenge proves irresistible for two of the young men, who must then rely on the other pair of friends (Brad Pitt, Jason Patric), a loyal priest (Robert De Niro), and a shabby lawyer (Dustin Hoffman) to defend them in court. Despite the compelling ambiguities of the story, there's never any doubt about how we're supposed to feel, and the screenplay glosses over the story's most difficult moral dilemmas. At its best, Sleepers grabs your attention and pulls you into its intense story of friendship and the price of loyalty under extreme conditions. The movie's New York settings are vividly authentic, and Minnie Driver makes a strong impression as a long-time friend of the loyal group of guys. --Jeff Shannon, Amazon.com
A member of the jury for an explosive trial against a gun manufacturer joins forces with a beautiful woman to manipulate the panel.
Dustin Hoffman stars in this stage adaptation of the Maxwell Anderson play.
Carnal Knowledge: One of the most controversial movies of its time this thought-provoking (Leonard Maltin) comedy-drama from legendary director Mike Nichols is a funny yet poignant look at relationships as seen through the eyes of two friends over a 20-year period. Superbly crafted by playwright Jules Feiffer Carnal Knowledge is brimming with touching insights sexy banter and powerful performances by three-time Oscar winner Jack Nicholson Ann-Margaret Candice Bergen and pop music icon Arthur Garfunkel. Jonathan (Nicholson) and Sandy (Garfunkel) are college roommates who share an endless fascination - and obsession - with women. As time goes by their relentless pursuit for the joys of the flesh becomes more competitive. And more damaging. Soon Jonathan and Sandy's lives become a vicious circle of girls booze and unfulfillment and they realize only too late that in the war of the sexes they are their own worst enemy... The Graduate: In his first major film role Dustin Hoffman plays an ultra-na''ve college graduate who's seduced by a middle-aged woman played by the scintillating Anne Bancroft and then falls in love with her daughter. With the sharpest of scripts and a perfect soundtrack by Simon & Garfunkel this film was deservedly nominated for 6 Oscars and won Nichols an Academy Award for Best Director. The Elephant Man: David Lynch creator of Twin Peaks and acclaimed director of 'Eraserhead' 'Blue Velvet' and 'Wild At Heart' directs this bizarre but true story of courage and human dignity. John Hurt gives the performance of a lifetime as John Merrick the worst freak known to Victorian medical science a man whose body is hideously distorted into a grotesque parody of an elephant. Rescued from a travelling freak show by Sir Frederick Treves Merrick gradually reveals himself to be a strangely sweet and gentle man remarkably unembittered by the degradation and torment he suffered at the circus. Beautifully shot by Freddie Francis and with an excellent supporting cast including Sir John Gielgud Anne Bancroft and Dame Wendy Hiller 'The Elephant Man' is a compelling moving and enchanting story. The film was nominated for eight Oscars including Best Picture Best Director and Best Actor.
Titles Comprise:Meet The Parents: First comes love. Then comes the interrogation!Male nurse Greg Focker (Ben Stiller) is poised to propose to his girlfriend Pam (Teri Polo) during a weekend stay at her parents' home. But here's the catch... he needs to ask her father first. Alas, the fur flies as Jack Byrnes, Pam's cat-crazy, ex-CIA father (Robert De Niro), takes an immediate dislike to her less-than-truthful beau. Greg's quest for approval gets seriously sidetracked as Murphy's Law takes over and a hilarious string of mishaps turn him into a master of disaster and total pariah in the eyes of the entire family... all except for his shell-shocked girlfriend, who can't believe she still loves her one-man wreaking crew.'Meet The Parents', from the director of Austin Powers, is an uproarious blockbuster hit that bombards you with one laugh after another, as true love tries to conquer all, against all the odds!Meet The Fockers: And you thought your parents were embarrassing.Domestic disaster looms for male nurse 'Greg' Focker (Stiller) when his straight-laced, ex-CIA father-in-law (De Niro) asks to meet his wildly unconventional mom (Streisand) and dad (Hoffman). It's family bonding gone hysterically haywire in this must-see comedy!Little Fockers: Greg Focker (Ben Stiller) has finally begun to earn the respect of his ex-CIA father-in-law, Jack Byrnes (Robert DeNiro) but one important test still lies ahead: will Greg prove that he has what it takes to be the family's next Godfocker ... or will the circle of trust be broken for good?Returning co-stars Owen Wilson, Blythe Danner, Teri Polo, Dustin Hoffman and Barbra Streisand are joined by newcomers Jessica Alba, Laura Dern and Harvey Keitel in this hysterical family affair.
Ben Braddock (Dustin Hoffman) is inexperienced in the ways of the world. On graduating he resolves to redress this imbalance embarking on a rebellious quest that challenges the deals and morals of his parents' generation. In an iconic twist he is seduced by the dazzling Mrs. Robinson wife of his father's best friend. Their union is electrifying but the affair takes an unexpected turn when much to Mrs. Robinson's disgust Ben falls in love with her daughter. With its unforgettable Simon and Garfunkel soundtrack and witty script The Graduate paved the way for a golden age in American filmmaking winning a Best Director Oscar'' for Mike Nichols and launching the illustrious career of Dustin Hoffman.
David Summer (Dustin Hoffman) is a quiet American mathematician who has moved with his wife Amy (Susan George) back to a remote Cornish farmhouse near the village where she grew up. The couple have relocated to rural England in an attempt to flee the violence of America but their placid life is brutally interrupted when the savagery and violence they sought to escape engulfs them and threatens to destroy their lives.
According to critic Pauline Kael Straw Dogs was "the first American film that is a fascist work of art". Sam Peckinpah's only film shot in Britain is adapted from a novel by Gordon M Williams called The Siege of Trencher's Farm which Peckinpah described as a "lousy book with one good action-adventure sequence". The setting is Cornwall, where mild-mannered US academic David Sumner (Dustin Hoffman) has bought a house with his young English wife Amy (Susan George) in the village where she grew up. David is mocked by the locals (one of whom is Amy's ex-boyfriend) and treated with growing contempt by his frustrated wife, but when his house comes under violent siege he finds unexpected reserves of resourcefulness and aggression. The movie, Peckinpah noted, was much influenced by Robert Ardrey's macho-anthropological tract, The Territorial Imperative. Its take on Cornish village life is fairly bizarre--this is a Western in all but name--and many critics balked at the transposition of Peckinpah's trademark blood-and-guts to the supposed peace of the British countryside. A scene where Amy is raped caused particular outrage, not least since it's hinted she consents to it. Not for the first time in Peckinpah's movies there are disquieting elements of misogyny, and it doesn't help that the chemistry between Hoffman and George is non-existent. (Impossible to believe these two would ever have clicked, let alone married.) But taken as a vision of irrational violence irrupting into a civilised way of life Straw Dogs is powerful and unsettling, and the action sequences are executed with all Peckinpah's unfailing flair and venom. Oh, and that title? A quote from Chinese sage Lao-Tze, it seems, "The wise man is ruthless and treats the people as straw dogs." The film was long withheld from home viewing in Britain by nervous censors, but this release presents it complete and uncut. --Philip KempOn the DVD: Straw Dogs is as jam-packed a disc as is possible for a film made before the days of obligatory "making of" features. Both the sound and visuals have transferred well, and, like the script, have aged well. There's a bumbling original interview in the style of Harry Enfield's Mr. Cholmondley-Warner, along with stills and original trailers. The new material includes a feature on the history of the film's censorship and commentaries by Peckinpah's biographers musing over interesting fan-facts (though none of the speakers have any first-hand experience of the making of the film). However, Katy Haber's commentary, and interviews with Susan George and Dan Melnick, offer a much more in-depth and intimate portrayal of the man and the making of the film. --Nikki Disney
Finding Neverland: (Dir. Marc Forster) (2004): This is a tale of magic and fantasy inspired by the life of Peter Pan author James Barrie. Set in London 1904 the film is a fictional account of Barrie's creative struggle to bring Peter Pan to life from his first inspiration up until the play's premiere - a night that will change not only Barrie's own life but the lives of everyone close to him. The Hours: (Dir. Stephen Daldry) (2002): An adaptation of the novel by Michael Cunningham this is the story of three women living in different time periods of the Twentieth Century all linked by a work of literature. In 1923 Virginia Woolf starts to write her novel 'Mrs Dalloway' whilst struggling to cope with depression and mental illness. In 1951 Laura Brown a dissatisfied housewife contemplates her own life after reading 'Mrs Dalloway'. In 2000 editor Clarissa Vaughan struggles to look after her ex-lover Richard Brown who is losing his battle with Aids. Richard nicknames her 'Mrs Dalloway'.
Peter Pan - the hero who never grows old - has grown up! And he's even forgotten how to fly! Enter the magical mystical world of a hundred fun summers as the ageless avenger and faithful fairy Tinkerbell return to Never Never Land in search of Peter's forgotten childhood his lost children and a fearless confrontation with his evil pirate enemy - Captain Hook. Dustin Hoffman Robin Williams Juila Roberts and Bob Hoskins hook up for the fantasy flight for a lifetime as dream-maker Steven Spielberg brings this amazing tale of adventure to the screen. All children grow up...except one!
Into The Blue (2005): Treasure has its price in this gripping underwater thriller set off the tropical shores of the Bahamas. Four young divers discover a legendary shipwreck rumoured to contain millions in gold at the bottom of the sea. But nearby on the ocean floor a plane full of illegal cargo threatens their find and with their loyalties tested the treasure hunters soon find themselves as the hunted... All The Kings men (2006): Absolute power corrupts absolutely in writer-director Steven Zaillian's (Schindler's List) adaptation of Robert Penn Warren's classic novel All the King's Men featuring an all-star cast led by Sean Penn Jude Law Kate Winslet Patricia Clarkson James Gandolfini Mark Ruffalo Anthony Hopkins. All the King's Men charts the spectacular rise and fall of a charismatic Southern politician Boss Willie Stark (Penn). Law co-stars as Jack Burden the once idealistic now embittered ex-reporter who unwittingly fuels Stark's corrupt political ambitions. Stranger Than Fiction: Stranger Than Fiction is an inventive comedy about a novelist (Emma Thompson) struggling to complete her latest and potentially finest book - she only has to find a way to kill off her main character Harold Crick and she'll be done. Little does she know that Harold Crick (Will Ferrell) is inexplicably alive and well in the real world and suddenly aware of her words. Fiction and reality collide when the bewildered and hilariously resistant Harold hears what she has in mind and realizes he must find a way to change her (and his) ending. The Pursuit Of Happyness (2006): Chris Gardner is a bright and talented but marginally employed salesman. Struggling to make ends meet Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm he and his son endure many hardships including living in shelters in pursuit of his dream of a better life for the two of them. Reign Over Me (2007): Adam Sandler Don Cheadle Jada Pinkett Smith and Liv Tyler star in this heart-rending story about Charlie Fineman (Sandler) who has slipped away from reality after the sudden loss of his wife and children. But Charlie's life takes a turn for the better when he runs into his old college roommate Alan Johnson (Cheadle) whose life is torn between the demands of career and family. Their renewed friendship rekindles their long-forgotten bond and both men emerge enriched and enlightened.
Once the byword for expensive Hollywood failure, Ishtar is slowly and rightfully becoming recognised as one of the unsung greats of eighties' American cinema. In a nod to Bob Hope and Bing Crosby Road to movies, Warren Beatty (Mickey One) and Dustin Hoffman (Straw Dogs) star as brilliantly awful songwriters who find themselves mixed up in Cold War shenanigans whilst in Morocco. Another comedy gem from Elaine May's sadly small, but utterly perfect directorial career. Special Features 2K restoration Two presentations of the film: the 1987 Theatrical Cut (107 mins) and the 2013 Director's Cut (105 mins) Original mono soundtrack Optional 5.1 surround sound Audio commentary with ReFocus: The Films of Elaine May editors Dean Brandum and Alexandra Heller-Nicholas (2021) Elaine May and Mike Nichols in Conversation (2006): archival video recording of the two friends and collaborators discussing their careers following a retrospective screening of Ishtar at New York's Walter Reade Theater New interview with songwriter Paul Williams (2021) New appreciation with actor, comedian and filmmaker Richard Ayoade (2021) Waiting for Ishtar (2017): Jonathan Crombie and John Mitchell's charming documentary, featuring interviews with Williams, actors Charles Grodin and Carol Kane, journalists Peter Biskind and David Blum, film critic J Hoberman, and others Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Jessica Kiang, archival articles and interviews, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies More extras to be announced! Extras subject to change
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