There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission... Surrender yourself to the mysterious world of 'The Outer Limits' as one of the creepiest and most provocative series in television history comes to DVD. This fantastic box set comprises every episode from the first season and a glut of eery extras. Featuring 32 original episodes on 8 discs! Episodes comprise: 1. Galaxy Being 2. Hundred Days of
When you hire Tom Cruise to be in your Tom Cruise movie, there's never a question that you're going to get your money's worth. The movie may not be worth the expense, but as a professional who delivers 100 percent 100 percent of the time, Cruise will give the proceedings his undivided attention. In Jack Reacher Cruise plays the title character with complete gusto, and even though it ends up a pretty run-of-the-mill crime drama, his presence and commitment elevates this violent, bloody, and attractively atmospheric movie to the level of, well, a reliably pleasurable Tom Cruise experience. Jack Reacher is the protagonist in a series of popular novels by Lee Child. There was some sniping among fans that Cruise bears no resemblance to Child's Reacher, a burly, shadowy former army policeman who has moved into the private investigator business--but mostly for Cruise himself. No matter; as a leading man, Cruise is always going to be himself anyway, so the ghostlike qualities built in to his character take on their own mythical qualities that allow both Cruise and Reacher to get the job done. In a somewhat unsettling opening sequence that shows a lone gunman killing a handful of seemingly random people at a public park, the mystery is born and Reacher materialises to help the police sort things out. Again seemingly, the killer has been positively identified and apprehended and is dead-to-rights guilty. But this former army sniper asks for Jack Reacher to suss out the deeper crazy truth. Reacher and the alleged gunman have a history that dates back to their military service when Reacher investigated him for heinously murdering civilians during a psychotic break, a crime that he really did commit, but for which he went unpunished due to one of those pesky legal technicalities. Nevertheless, Reacher's goal is justice, and his investigative instincts tell him this new crime points in an entirely different direction. There are several sequences that play brilliantly in the context of Reacher's skill as a killing machine on his own. One takes place in the close confines of a tiny hallway and bathroom where Reacher faces down a posse of thugs armed with guns and a baseball bat, besting them all in a flurry of acrobatic brutality. He also single-handedly beats up a gang of toughs in the alley behind a bar. But the movie's high point is an excellent chase scene between two roaring muscle cars on the dark streets of Pittsburgh (the city itself plays a great role throughout), with Cruise clearly and expertly handling the wheel himself. Though somewhat convoluted, the plot is well conceived and the large cast supports Cruise's commanding presence nicely. Richard Jenkins and Robert Duvall do their usual excellent work, though it is Werner Herzog as a wildly over-the-top villain who makes things positively gleeful in his few scenes. Of course it always comes back to Tom Cruise and his dedication to the movie's greater good that makes Jack Reacher so enjoyable, even when its reach exceeds its grasp. --Ted Fry
MASH--a 1970 comedy-drama set among surgeons drafted into the Korean war--was a breakthrough not just for director Robert Altman but for movie-making in general. Although set in the 50s, there are few who did not realise that the film's anti-war messages were directed at the US involvement in Vietnam. Indeed, the Pentagon banned US servicemen from seeing the film. Starring Donald Sutherland as Hawkeye Pierce and Elliot Gould as Trapper John McIntyre, two hip young surgeons drafted against their will. Their general attitude--while never corroding either their humanity or their professionalism as surgeons--is one of insolence towards military authority and the arbitrary structures and regulations continually droning from the tannoy system. The film, too, thrives on a lack of attention to conventional order, with its cross-dialogue and random, episodic style reflecting the vivacious and unbuttoned feel of the content. However, MASH has dated and much of what seemed like "liberating" high jinks, today smacks of sexist, frathouse boorishness and harassment, especially at the expense of Major "Hotlips" Hoolihan (Sally Kellerman), while the episode in which "Painless" plans a suicide out of a fear of being gay reflects the persistence of homophobia even in 60s counterculture. Despite this MASH feels ahead of its time and certainly sharper and blacker than the too-cute sitcom it spawned. On the DVD: this is an excellent restoration, overseen by Altman himself, in which any obfuscation from the original have been cleaned up, especially the sound quality. As well as a commentary from Altman, there are three separate documentaries, featuring interviews with Altman, the cast and screenwriter Ring Lardner Jr, who had been blacklisted during the anti-Communist witch-hunt which swept through Hollywood in the 1950s. We learn he was initially appalled at how little of his script Altman actually used but was mollified by the Academy Award he received. Altman is candid about the making of the movie ("It wasn't released by Fox, it escaped from Fox"). There's an abundance of similarly rich, anecdotal material here. --David Stubbs
Remake of the 1974 cult classic centered around a car thief ring attempting the ultimate heist.
Director Jamie Babbit's assured first feature But I'm a Cheerleader is subversive, smart and extremely funny, but not entirely original. Megan Williams (Natasha Lyonne) is a good Christian cheerleading girl. She doesn't think it at all strange that she can't get the image of tumbling cheerleaders out of her mind while her football player boy friend is trying to French kiss her. But her parents, played respectively by Bud Cort (Brewster McCloud) and John Water' s regular Mink Stole, have noticed Megan's odd behaviour and arrange an intervention. They send her off to New Directions, a sexual rehabilitation camp run by a straight-laced school madam, Mary (Cathy Moriarty), where she is forced to come to terms with her lesbian tendencies. But while on a strict regime of corrective therapy, Megan falls head over heels f or surly dyke, Graham--played by Clea DuVall (The Astronaut's Wife)--and is forced to reassess whether straight really is great. The zany script and over-the-top characterisations have the feel of a John Waters comedy; The day-glo sets and costumes give the film a surreal Pee Wee's Playhouse feel and Lyonne is charmingly dizzy and bewildered throughout. RuPaul excels as Mike, a former gay exercise trainer, and Moriarty out-camps them all. On the DVD: The main feature is presented in letterboxed widescreen with Dolby Digital sound. Extra features are limited to a theatrical trailer and a 10-minute behind-the-scenes look at the film in which director Jamie Babbit explains the genesis of the film followed by hastily assembled footage of random scenes being shot. --Chris Campion
Burt Lancaster is an uncompromising lawman who defies the odds when he single-handedly confronts a gang of killers in this extraordinarily perceptive and action-packed tale of life and justice on the American frontier. When Sabbath town-boss Vincent Bronson and his drunken ranch hands unwittingly kill and old man in Bannack everyone knows it was an accident. Everyone that is except Bannack's marshal Jered Maddox. A tough no nonsense man of the law Maddox is determined to br
A New York nightclub manager tries to save his brother and father from Russian mafia hit men.
In the California apple country, nine hundred migratory workers rise up in dubious battle against the landowners. The group takes on a life of its own-stronger than its individual members and more frightening. Led by the doomed Jim Nolan, the strike is founded on his tragic idealism-on the courage never to submit or yield. Published in 1936, In Dubious Battle is considered the first major work of Pulitzer Prize-winning author John Steinbeck.
Six of your favourite Western Classics in one box set! Disc One - Man in the ShadowIn effect the town of Spurline is run by Virgil Renchler. When two of Renchler's men go too far and kill a ranch hand Sheriff Ben Sadler is goaded into investigating. His unlikely ally is Renchler's overprotected daughter. Will Ben survive Renchler's wrath? Disc Two - Law and OrderFed up with the residents of Tombstone for their lack of appreciation sharp-shooting marshal Frame Johnson retires to a ranch in Cottonwood with hopes of settling down. When he arrives at the Cottonwood saloon his entrance is noticed by local rancher Kurt Durling whose hand Frame shot off in a cattle rustling raid. Durling who now runs Cottonwood vows revenge. It looks like he may have to clean up Cottonwood too. But how great a sacrifice will he make for law and order? Disc Three - Ride Clear of DiabloRailroad surveyor Clay O'Mara goes after rustlers who murdered his father and brother. Along the way he first arrests then teams up with outlaw Whitey Kinkaid who helps O'Mara only to see how long the tenderfoot lasts. Outwitting several attempts on his life engineered by the crooked lawyer who set up his family O'Mara and a wounded Kinkaid face the gang. Disc Four - The Great Northfield Minnesota RaidLate in the summer of 1876 the gangs of Jesse James and Cole Younger were given amnesty by their home state of Missouri. Faced with the possibility of a quiet and peaceful future the notorious ruffians had no choice but to plan one final heist at the biggest bank west of the Mississippi in Northfield Minnesota. Together the two men executed what they thought would be a fool proof plan...until the citizens of Northfield proved them wrong. Disc Five - Border RiverJim Lake actually known as Confederate Major Clete Matson has stolen 2 million dollars in Union gold from a Colorado bank in order to buy war supplies for the South. Whilst fleeing from the police and crossing the Texas border Lake is watched by General Eduardo Calleja. He is later introduced to Baron Kurt Von Hollden who handles all of Calleja's imports. But with so much money around whom can Lake really trust? Disc Six - Horizon's WestNeil Hammond returns from the war to his life of ranching while older brother Dan returns with ambitions as outsized as the Lone Star State. When Dan loses his business seed money to gambler Cord Hardin he turns to rustling. However ill-gotten gains prove tenuous and Dan's empire begins to crumble when his brother Neil is named the new Marshall.
Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
Maverick filmmaker Robert Altman continued a stunning run of celebrated work that included McCabe and Mrs Miller The Long Goodbye and Nashville with 3 Women a dreamy masterpiece that would fend off the titanic Star Wars as Roger Ebert’s best film of 1977. In a California resort town shy and impressionable Pinky (Sissy Spacey Badlands Carrie) strikes up a friendship with her fellow nurse ‘Thoroughly Modern’ Millie (Shelley Duvall Nashville Thieves Like Us). As the two spend more time together Pinky becomes dependent on Millie adopting aspects of her personality and appearance things take an unusual and darker turn as Pinky discovers Millie with a man a local bar owner whose wife forms the third of the title’s three women. Based on a series of dreams and influenced by Ingmar Bergman’s Persona Robert Altman famously cut the deal for 3 Women with 20th Century Fox in a matter of minutes and the remarkable faith of the studio would produce one of the most striking works of the period. Bonus Features: High Definition Blu-ray (1080p) presentation Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearing New video interview with David Thompson editor of 'Altman on Altman' and producer of the BBC’s 'Robert Altman in England' Archive interview with Shelley Duvall from the Cannes Film Festival - The actress describes working with Altman his methods and how she started acting Galleries featuring behind-the-scenes photos the Cannes Film Festival press conference and promotional images Trailer Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh Booklet featuring new writing on the film by critic David Jenkins and excerpts from Altman on Altman illustrated with original stills
Will Ferrell and Robert Duvall go head-to-head in this comedy set in the world of little league soccer.
Set in 1898 Print Ritter (Robert Duvall) and his estranged nephew Tom Harte (Thomas Haden Church) become the reluctant guardians of five abused and abandoned Chinese girls (introducing Caroline Chan Olivia Cheng Jadyn Wong Valerie Tian and Gwendoline Yeo). Ritter and Harte's attempts to care for the girls are complicated by their responsibility to deliver a herd of horses while avoiding a group of bitter rivals intent on kidnapping the girls for their own purposes.
A father and son trek across the barren wastelands of a post-apocalyptic USA in the hopes of finding civilization.
Fourteen-year-old Leo Beiderman (Elijah Wood) did not expect to make an earth-shattering discovery when he joined his high school astronomy club. He didn't expect to make any discoveries at all; he simply hoped that classmate Sarah Hotchner (Leelee Sobieski) would discover him. Yet a photograph he takes through his small telescope makes him co-discoverer of Comet Wolf-Beiderman...a comet that scientists determine is on a fatal collision course with the Earth. What would you do if you
A great big rock hits the earth, and lots of people die. That's pretty much all there is to Deep Impact, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may be the most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little girl won't realise that he's been struck blind. Deep Impact stars Morgan Freeman as the president of the United States. --David Chute
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
Into each generation is born a creature of light and a creature of darkness. 1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms vile plagues drought and pestilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the Heartland of an empire called America. And when it is over man will forever trade away wonder for reason. A sweeping epic that is both chal
Inspired by the real-life exploits of New York cop Eddie Egan (who was also the basis for Gene Hackman's ˜Popeye' Doyle character in The French Connection), Badge 373 is a tough detective thriller, comparable to William Friedkin's more celebrated feature. Duvall (The Godfather, Breakout) delivers a powerfully authentic performance as a brutal New York detective, ruthlessly hunting for the killer of his partner against a backdrop of social upheaval and violent gang wars. Extras: High Definition remaster Original mono audio Welcome to Fear City (2019): Randy Jurgensen, ex-New York cop and associate of Eddie Egan, discusses the real-life inspiration behind Badge 373 The Seventies Cop Movie (2019): critic and author Glenn Kenny discusses how the genre was redefined in the 1970s. Original theatrical trailer Original TV Spot Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Michael Pattison, an overview of contemporary critical responses, archival articles, and film credits Limited Edition of 3,000 copies All extras subject to change
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